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Mostly in sentence

3026 examples of Mostly in a sentence

In contrast, the humans are mostly pretty scummy, apart from Danny Lee's character and the jungle girl.
If you take each story by itself, though, with an open mind, you will find yourself being entertained (mostly) in five different ways.
The leads are mostly European teevee actors, no doubt appealing in that medium, with varying and mostly limited intensities of screen presence.
Mostly I manage to avoid these type of thing by never watching films with Vince Vaughan but once in a while you let your guard down.
Funny teen movie, but mostly based on extremely silly clichés, on jokes about sex, or on extremely absurd situations that make it no better than any "scary movie" (In case you're wondering, it's not a compliment, to me).
The movie is mostly about the competitiveness of those on a college campus, to see who can be the wittiest and most pretentiousness.
Director Darren Doane is mostly known to us as a Music Video Director bringing us videos from bands like Blink 182 and MxPx.
The only positive thing is the appearance of The Misfits, but i noticed that they mostly do a performance in bad movies.
It was interesting seeing John Wayne in a movie where he is not a cowboy because that's what he is mostly know for.
That's because the mostly predictable storyline revolves around one man's desire for revenge.
Well I don't know how to put it exactly, I had a very high expectation on this movie before it came out, mostly because all those excellent ones made by Chen Kaige before.
The songs are mostly vomit-inducing, safe, uninspired drivel, and the dialogues even worse: whether a mouth opens to sing or talk, it only ejects vomitus.
Yes, it was done on a very small budget; yes, the script was corny; yes, the acting was mostly bad.
In it, one can see many pastiches from earlier Fellini films, much as Ingmar Bergman cribbed ideas and scenes from his earlier masterpieces for his disastrously bad last film Saraband, the way Akira Kurosawa tossed random ideas together for Dreams, and the way Woody Allen has constantly reworked themes from his 1970s and 1980s great films into his last decade's worth of mostly mediocrities.
The best things about this lame little comedy are that you actually get to briefly hear Louise Brooks talk (she did mostly silent films) and that it is a short film, not full-length!
The acting was good, but mostly because there was a great book and a great direction behind it: Médem's work was remarkable.
Daryl Hannah obviously tries hard to portray a Morticia faithful to Anjelica Huston, but she fails; she's too lively, and far too naturally beautiful; they tried to cover it up(well, mostly... for some reason, she shows cleavage in the last scene... who thought of that?
The rest is a puzzle of mostly boring action, bad story pace and one liners Stallone's character has to use twice just to show how dumb and uninventive he is.
Mostly the plot is an excuse for characters to say "knock list" a lot, and you get to see Cruise play an unbearably cocky ass in Eruope for a change.
The meat of the film is made up mostly from three tragedies resulting from the leopard - or do they?
This is a sign that more and more people these days have to see sophisticated films in the theater, even if it means seeing mostly bad films.
But the one I loved best was "Aliens", partly because of James Cameron's brilliant writing and directing, but mostly because I loved the guns.
Mostly, it has great performances by Karloff and Lugosi in their one and only film appearance as equals (without one dominating the other).
There is nothing special about the performances, mostly by b-movie actors.
Suburbia and its inhabitants aching for real communion, mostly unable to give or receive it...how well this movie expressed it!
These employees mostly have never been out of China.
I don't understand the (mostly Asian) art-house trend of populating films with characters who are shallow and bored with life.
Much like Platform, the dozens of characters here are so interchangeable that their mostly trite stories became mixed up in my mind.
The camera will occasionally swing away to show that person's point-of-view or to show who he is talking to, but the camera is mostly on the character's face or looking over the shoulder at where he/she is going.
Moreover, the characters are introduced as stock archetypes and are mostly undeveloped; Don Andres the cruel capitalist, Meche the unassuming maid, Paloma the adulterous wife (Katy Juardo, in a performance that, looking back, boarders on misogynist in its hypocritical implications of female sexual aggression), and of course, Pedro, the beast turned from his wicked ways because of a good (looking?)
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