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Killer in sentence

1828 examples of Killer in a sentence

Having only four pseudo developed characters and a movie going nowhere it is pretty soon obvious whom the director picked as a killer.
When you set up such a ritualistic serial killer it would be nice to know where the rituals originated from.
In Dreams was a similar pretty movie with a serial killer which also wasn't the best, but at least the whys of how he killed the girls was explained.
If the rest of the story is compelling, I don't care about details like how Stargher afforded all the fancy electronic equipment and underground chambers or why the FBI wasn't checking to see if he owned any other property or had access to out of the way places while they were waiting to see if the whole entering the killer's mind thing would work, but I do like to have a sense of what motivates the serial killer in a serial killer movie when he kills in such a complex manner.
But the killer only shows up once in a long time and the girls/women sit and mope they don't try to escape or do anything too interesting, so the whole thing grinds to a stand still after about 20 minutes.
Cheerleader Massacre seamlessly combines bad acting, a horrible plot, a dumb killer, dull and boring deaths, boring scenery, and hideous camera work to make it one of the worst films ever made.
Soon, they get suspended in order to "Round-up" the killer of partner Eddie Acuff (as Tommy) along the Mexican-U.S. border; they discover creepy gold runners in the process.
Until than, the killer had only killed women.
Written, directed, shot, scored and edited with an appalling lack of flair and finesse by the singularly talentless Rick Sloane (who later disgraced celluloid some more with the absolutely atrocious "Hobgoblins"), this horrendously ham-fisted attempt at a slasher spoof strikes out something rotten in every conceivable way: the excruciatingly lethargic pacing, the painfully static, grainy cinematography (there's a stinky surplus of drab master shots featured throughout), an annoyingly droning and redundant hum'n'shiver synthesizer score, the flat (non)direction, a tediously talky and uneventful script, the groan-inducing sophomoric sense of lowbrow humor, the bloodless murder set pieces, a pitifully unscary killer (he's just some wrinkled-up old guy in pasty make-up), the uniformly obnoxious and unappealing characters, a dissatisfyingly abrupt ending, and lifeless performances from a noticeably uninspired cast all ensure that watching this schlocky swill is about as fun and rewarding as eating rancid raw eels drenched with sour vinegar.
He finally meets a teenager who helps him find the killer and rest is for your fun and amusement.
It even beats Mean Guns, and the attack of the killer tomatoes.
"Damnation Alley" featured a scene with killer cockroaches and "Creepshow" had a story that had them.
The roaches have gone killer and this very strange research lady is in town to study them.
Yes, she is quite strange as at one point she has her hand in a box on the killer roaches and she is like "They are biting my hand", and she says this in almost a state of ecstasy.
in this movie its the simple people running from mutated killer bats.
You see no house, no road, the killer in it, all you could see was half his face for about 5 seconds.
Rather than end at the ending of the movie, an amusing twist in which the killer is (semi-plausibly) revealed, the movie continues for another twenty minutes, just to make sure that justice is done.
Of course, now that the killer is revealed, she suddenly undergoes a complete personality shift--her character gets completely rewritten, because the writers don't need to keep her identity secret any more.
He'll be canned after school lets out providing the flick with his motive as a possible killer.
Ensign Anne(Patch Mackenzie)returned home from her base in Guam to receive her dead track sister's diploma and soon confronts the killer herself in the climactic chase scene.
First, let me start off by saying this film SOUNDED very interesting: A serial killer copycatting the works of Edgar Allan Poe (who is one of my writers of all time).
Add in the killer who's supposed to be a "ghost" but can rip someones head off from the jaw (ala King Kong with the T-Rex), lives through everything and has an ending similar to that of the sopranos finale and you quite possibly have the most over-hyped movie in the last year.
The premise is perfectly serviceable, it's mostly technically efficient if horribly uninspired with even Henry Mancini's musacky score surprisingly pleasant, but you can't help feeling that things would have turned out better if one of the leads had turned out to be the killer (as is rumoured was originally the case).
The episode about the couple catching the serial killer started out boring, but the last fifteen minutes was really good.
Midway through the film, the killer is revealed, the tension is suddenly released like air let out of a balloon.
Norris plays a cop on the trail of a twisted serial killer of women.
Then the killer escapes in a cleaning van and drives it over a 400 foot cliff and survives to spend time around a theater undergoing renovation.
The build-up while searching for the killer in the theater is interesting enough with Norris crawling through the shadows to discover the hideaway, but the end fight is disappointing after beginning in such a promising way.
when a killer calls has a story so simplistic a little kid could have written it.
not much suspense, it becomes clear who the killer is halfway through the film.
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