Killer
in sentence
1828 examples of Killer in a sentence
The film tries to show that the
killer'
s aim is to cause evil and destruction in his victims, he loves to play with the lives of other people and to feel control over their the fears and debilities.
The
killer
seems to have always the control along the plot and if it's lying like a dead body this can't be possible.
The right place for the
killer
should have been a darker and untouchable shadow behind the false shadow (the male nurse) but not the floor of the white room.
The director shouldn't have showed the
killer'
s face and maybe the site where he is hidden.
The overall concept wasn't a bad one, a man bored with his life as a stock broker becomes a serial
killer.
But the problem with the movie is there is no in between, he goes straight from stock broker to serial
killer.
Stop me if you hard this one before, some cheerleaders, their coach and a couple guys are trapped within a cabin in the woods when an unseen
killer
kills them off one by one.
The director couldn't even decide whether he wanted a demon or just a plain ol' backwoods serial
killer.
Even when the usual
killer
truck driver is trying to murder her, she refuses to leave the crapper.
When a motorcycle cop comes to her rescue, the
killer
truck driver runs over the cop's legs while the heroine just looks on.
The heroine is so dislikable you really want the
killer
to off her early on.
And if all that is not enough, there is also a serial
killer
going around who kills Turkish children and paints them white.
In order to create some tension, we see the serial
killer
and hear him hum Schubert's lullaby but we won't see his face.
Two L.A cops track down a serial
killer
nicknamed "The family man" who has wiped out whole families and when one of the police officer's wife takes the deep six, questions are raised and it turns out that a serial
killer
isn't responsible but rather mobsters.
The idea of Seagal in a serial
killer
movie is an interesting concept, indeed one could see Seagal play a good serial
killer
however making him a cop who has a ridiculous penchant for prayer beads and razor sharp credit cards comes off more stupid than likably ridiculous.
I mean who are we kidding, they should have made someone else the
killer
of that girl.
By juxtaposing Sparrow with the protagonist of that book The number 23 they were pretty much giving out the movie to the viewers by hinting that he was the
killer
all along.
The script spends so much time on the killings and the girls but it spends almost no time at all on the
killer.
This leaves a big hole in the story: we might get to see a bunch of young women showering together but we get zero characterization of why the
killer
decided to murder those girls.
Yes, what happened to Solange is terrible but we still pretty much left in the dark over when, why did the [boring]
killer
decided that it was worth going through the effort of offing those oh so naughty girls.
The plot is your basic
killer
in the woods again.
Hey the Prey had potential to be a good horror
killer
in the woods movie but falls a little short..
It easily lands a place in my top 10 worst films of 1998.About the only thing it had going for it was Bruce Willis,who should stick to action films,as a completely emotionless
killer
who'd kill his own mother for the right price.But I'd rather listen to Robbie Coltraine talk American for a week than listen to Richard Gere's nauseating Irish accent again.But this film is also implausible,unconvincing,uneven,unexciting,unimpressive and lands Sidney Poiter in a rubbish role to make a possible career comeback.One for filmroll-footie purposes entirely.
Pullman adeptly acts the part of a sociopathic killer... and that's the problem.
I liked the script's self-mocking style, as well as its central idea of having the female vampire lead doubling as a contract
killer.
The serial
killer
suddenly isn't important anymore when the supposed lover of the wife (who's basically just a co-worker of hers) is found murdered and the male cop becomes prime suspect.
That's the beginning of a typical serial
killer
life!
It's late 60's Hollywood & amid the glitz & glamour a serial
killer
is at work selecting ageing actresses, killing them & dismembering their bodies.
Stinger starts '3 Months Ago' on the submarine the SS Newark where genetic experiments have gone awry & the crew member are brutally slaughtered by large
killer
scorpions... Jump to 'Camp Pendleton' a couple of months later where General Ashford (James Cagnard) brief's Lieutenant Williams (John Miranda) on his mission to board the Newark & assist genetic scientist Dr. Carly Ryan (Michelle Meadows), before anyone knows it a group of corporate scientists & marines are on-board the Newark & are shocked to discover he mutilated corpses of the crew apart from Dr. Mike Thompson (Casey Clark) who doesn't make much sense.
Every cliché in the world is used here from the stupid cat-jumping-out-of-a-hidden-spot to the car that won't start to the
killer
can be anywhere at anytime.
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