Images
in sentence
1809 examples of Images in a sentence
That being said, I enjoyed it thoroughly both in terms of interesting subject matter and the magnificent
images
this film contains.
Of course, it helps to have his past film
images
to play against.
I still can't believe that computer graphics are able to create 3D
images.
The most memorable parts are the graphic and saddening
images
that the people of Hiroshima face in the aftermath of war.
A pity about the ending; a 'page' of text of how Nynke's life went on, instead of moving
images
was a poor choice.
While Hayao Miyazaki's movies have always been hit-or-miss with me with regards to story, they are unequivocally gorgeous to the eye, with characters of simple animation against a backdrop of artistic
images.
With its eerily pleasing music score, minimalist dialogue and character development, and uncanny fantasy sequences involving some very unique angels, the Polish brothers put their focus on what every good film artist knows a film should be about, the moving pictures...the images, the scenes...paintings of deep beauty captured on celluloid.
There are some truly great scenes: Eugene's sudden confrontations first with his gold-digging children's tv host girlfriend Virginia (an acidly pert Lois Chiles), then with his children; William S. Burroughs taking target practice in the barn and telling a story about a mysterious Jim; Maureen's boyfriend Chris proving himself by battling a shed full of wasps cloaked in a tablecloth and doily and old fedora; Howdy, Violet, Maureen and Chris all sitting on the couch (the latter three in appropriately lightweight summer garments, the former in a red blazer and black leather rock'n'roll gear) staring at
images
of deserts on the huge tv, and contemplating the future (the
images
were done by Bill Viola, who did the backdrop video installation for Nine Inch Nails' last tour).
An unflinching descent into psychological and physical oblivion that will undoubtedly burn
images
of the truthful brutality and suffering of war into your cerebral cortex in a way not many other films will.
The visceral storytelling and harsh
images
though make it something more than a war film, even more than an anti-war film.
A truly gripping film noir featuring some wonderfully
images
and some great dialogue, at the heart of it all is a strong message of tolerance and understanding.
There are so many rich, full
images
that are put before me, that each and every time that I see this movie, I find something new that I had not seen before.
The dialogue can be trying at times, yet the
images
and concepts are powerful enough to lift the film.
Last but not least we must mention the extraordinary emotional weight put on the last moments of the execution course with all the catharsis shown by the convicted's last words and the detail with which the act of the execution itself is viewed in a parallel cut with
images
of the murder scenes in the forest to stress that we are being confronted with another murder so pitiless as the latter but performed in a cold and supposed "legal" way.
In this day and age in which just about every other news story involves discussions of waterboarding,
images
of Abu Ghraib, or tales of forced detentions at Guantanamo Bay, Gavin Hood's "Rendition" is about as up-to-the-minute and timely a movie as is ever likely to come out of the entertainment mills of mainstream Hollywood.
The scene with that dog hobbling around the street just one of those powerful
images
evoked as were many of the "flashback" scenes.
Anyone who correctly identifies the opening
images
as God killing himself without reading the end credits certainly deserves a free ticket to a rest home in Transylvania.
I still carry many of the
images
in my mind.
The first
images
are of a slaughter of a horse, then the birth of a baby, the Butcher's daughter, who we quickly see growing up each year.
Although I saw this movie in Korea, in Korean, and therefore did not understand the language,
images
sure say more than enough.
When the right hemisphere of his characters overpowers the left, shocking
images
of blood, dismemberment, and various abominations are released.
The vague but disturbing
images
of pain and torture in a desolate landscape leave room for your own fantasies.
He doesn't need to use a lot of stuff "brought from home" to illustrate his images, he simply grabs a camera.
The name "Lucio Fulci" congers up
images
of graphic death and mutilation in the minds of may fans.
Dieter and Herzog are combined and connected through a mental maze that has been transformed into a single straight hallway which the walls have been plastered with
images
created by one mans characterization of himself by the vibrations of his own vocal chords.
I didn't really concentrate on the larger Genocidal aspects of the story (although the horrific
images
at the beginning are very powerful).
I'm not going to try to interpret the
images
of the mother nature, the beasts in cloaks, the twisted and tortured body of her "child".
an excellent, thoughtfully produced historical drama--well played, artfully written, shot in ways that convey accurate visual
images
of the congo, and with more than a few moving moments, especially for those who care about the history of Africa and imperialism.
Influenced by the Russian film theoretician, Lev Kuleshov, and through him by D. W. Griffith's Intolerance (smuggled into Russia in 1919), Eisenstein constructed his films from a "collision" of rapidly edited images, a montage of shots varied in length, motion, content, lighting, and camera angle.
The bulk of the film takes place in snowy hibernal Istanbul (the fact that it snows in Turkey will likely surprise some), which lends the film a definite Bergmanian feel, as well as reminding one of some of the bleak snowy urban
images
from Krzysztof Kieslowski's The Decalogue.
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