Image
in sentence
2082 examples of Image in a sentence
So I just wanted to see, is this the
image
you need to get?
Okay, freeze that
image.
This is kind of hard to do with one hand on your belly and one hand on measuring, but I've got it, I think, and I'll save that
image
and send it to you.
That same interaction that we just did with the ultrasound will likely have real-time
image
processing, and the device will say, "Up, down, left, right, ah, Eric, that's the perfect spot to send that
image
off to your doctor."
But if you search for a stock photo of diarrhea in a leading photo
image
agency, this is the picture that you come up with.
And here's another
image
of diarrhea.
So I started to consider what I should do, and I thought, I wanted to make my performance better, and to show onstage how spectacular the yo-yo could be to change the public's
image
of the yo-yo.
And as a child, I'd hear that song, you know, "Oh, beautiful, for spacious skies, for amber waves of grain," so I made this amber waves
image.
And of course, I really could see the
image
that he was describing, and I really did connect with the feeling that he was trying to convey, which was one of doom, when you know there's no way out.
We can actually see people give off heat on their cheeks in response to an
image
of flame.
Tracking the honesty of feelings in someone's thermal
image
might be a new part of how we fall in love and see attraction.
Some things might be going on on the side screens, but try and focus on the
image
in the front and the man at the window.
Our job "... is to hold up, as 'twere, a mirror to nature; to show scorn her image, to show virtue her appearance, and the very age its form and pressure."
So, in 1975, the
image
there is of typewriters.
And that's a little
image
of the tree of Stansted.
And if you just go back to the previous image, and you look at this area of volatility and hostility, that a unifying design idea as a humanitarian gesture could have the affect of bringing all those warring factions together in a united cause, in terms of something that would be genuinely green and productive in the widest sense.
So I began experimenting with other ways to fragment images where the shake wouldn't affect the work, like dipping my feet in paint and walking on a canvas, or, in a 3D structure consisting of two-by-fours, creating a 2D
image
by burning it with a blowtorch.
In the beginning of Goodbye Art, I focused on forced destruction, like this
image
of Jimi Hendrix, made with over 7,000 matches.
So I organized candles on a table, I lit them, and then blew them out, then repeated this process over and over with the same set of candles, then assembled the videos into the larger
image.
So the end
image
was never visible as a physical whole.
There were times when my projects failed to get off the ground, or, even worse, after spending tons of time on them the end
image
was kind of embarrassing.
Now, when I run into a barrier or I find myself creatively stumped, I sometimes still struggle, but I continue to show up for the process and try to remind myself of the possibilities, like using hundreds of real, live worms to make an image, using a pushpin to tattoo a banana, or painting a picture with hamburger grease.
Woollies are a particularly interesting, quintessential
image
of the Ice Age.
It looks at the territory of the United States as if it were a wheat field that is procured by the winds and that is really giving you a pictorial
image
of what's going on with the winds in the United States.
Now, still a bit too noisy to see any differences, but if we average the EEG across all
image
types by aligning them to when the
image
first appeared, we can remove this noise, and pretty soon, we can see some dominant patterns emerge for each category.
About a hundred milliseconds after the
image
comes on, we see a positive bump in all four cases, and we call this the P100, and what we think that is is what happens in your brain when you recognize an object.
There's a negative dip about 170 milliseconds after the
image
comes on.
By using a sensor, we can tell the computer when the
image
first appears.
In this new experiment, we're going to constrict it a little bit more so that we know the onset of the
image
and we're going to limit the categories to "face" or "scenery."
GG: So right now, every time the
image
comes on, we're taking a picture of the onset of the
image
and decoding the EEG.
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