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Filmmakers in sentence

792 examples of Filmmakers in a sentence

To the filmmakers, the only difference between commercial tourist attractions and national parks is that national park employees wear ranger uniforms.
I suppose the filmmakers believed that a series of contrived "dangerous situations" would be enough to establish an attraction between the protagonists (and I use this term loosely).
The movie meanders and has no aim because the filmmakers have no idea what sort of story they want to tell.
The origin of my favorite superhero has been overdone so many times and yet the filmmakers easily succeed to bring new insight and depth to the man that is the bat.
So the expenses of the production probably and the lack of singing talent for many of the actors ,except Johanne Heesters, might of compelled the filmmakers to cut back.
There are a lot of street elements thrown in because I suspect the filmmakers know some of these people.
An early scene where Thomas the patient flips out violently after being touched by an extremely hot, sexually agressive young woman gives away the fact that Thomas was sexually molested as a child, although like a bad poker player who shows his cards but figures nobody was really paying attention anyway the filmmakers seem to think the audience will react with something other than complete indifference or a loud duh when they finally pull the molestation card out about forty minutes later.
This scares the filmmakers.
Then, on the day when the filmmakers come, the ship that the filmmakers are on explodes, killing everyone on board, and leaving the filmmakers trapped on the island along with the killer.
The beginning has a women shot on the same island as the filmmakers are.
They may have a tough time of it but obviously greedy filmmakers are no help.
The filmmakers shouldn't have bothered: Edge of Doom remains one of the bleakest, least comforting offerings of the entire noir cycle (no mean feat), and probably the most irreligious movie ever made in America.
I read in interviews that the filmmakers looked upon this movie as more of a joke; if that's the case they didn't really succeed.
Were 'Dead Men Don't Wear Plaid (1982)' to have been made by filmmakers with no interest in film noir, it most certainly would not have been such an enjoyable comedy.
Apart from the depth of the material, the filmmakers have done an outstanding job with the enactments, the visuals and the brilliant music by Danny Elfman.
In fact, I think I got about halfway through, having been quite patient, before deciding that whatever point the filmmakers had did not justify their approach, and I left the theatre to see another film at the festival.
Let me just say that the filmmakers had some balls doing this, but that's what we need more of.
So, of course, there has to be a sequel (which, oddly enough, wasn't based on the next book in Koji's series; different filmmakers had already adapted that as Spiral).
It's a daunting task to make an effective sequel to one of the all-time creepiest movies, but the filmmakers pull it off.
It's not often that filmmakers so wantonly make fun of themselves.
Many talented filmmakers got their start directing commercials or music videos.
If it had any semblance of success in the US, it was likely because people were still hyped by the previous film, and did not realize that American Adobo was produced by Philippine filmmakers.
The story goes in a chronological order, told to us by gay critics and filmmakers.
This is more of a look at the history of gay film characters and gay filmmakers.
Filmed already in these times of CGI and make up professionals, I can't understand why the filmmakers didn't make the actress look more like a man.
The characters run around like idiots for awhile, and the movie ends with a great, disappointing cop-out, presumably because the filmmakers couldn't figure out a better way to end it.
I felt the filmmakers presented the facts, but ultimately lets the viewer judge Peter Berlin and draw our own conclusion; is he crazy, or merely the quaint and eccentric archetype you'd expect to find in San Francisco?
The long lingering close-ups of Mary's face,her eyes and hair superbly lit,recollect the almost mythologising aspect of Victorian child portraiture.Perhaps it takes a European director to reveal the potential for real beauty in the long hallways,sweeping staircases and secret passages in an English manor house.British filmmakers are often too concerned with post-colonial guilt and wracked with naive ideas of class conflict to give a balanced picture of life in Victorian England.
Again, I think this was a marketing mistake and not the filmmakers.
The filmmakers' had spunk, I'll give them that.
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