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Filmmakers in sentence

792 examples of Filmmakers in a sentence

I appreciated the fact that Miike was more honest than most American filmmakers.
But a self-possessed Miike is still stranger than most filmmakers.
The filmmakers seem to treat this like a freak show at the circus, coming each day to record (and chuckle) at whatever bizarre behavior may come about.
Italian filmmakers are famous for ripping off popular films, and while it's not completely obvious; it seems to me that this one has taken a fair bit of influence from Hellraiser.
As though the filmmakers picked out a cross section of society with no experience and got to work.
Filmmakers like Majkowski (hope I got that right) deserve the chance to strut their stuff to a wider audience.
Basically it is a story based in two worlds, one obviously real, the other fictitious but the filmmakers say at the beginning that it is only coincidence if it is a real place.
I hate it when filmmakers do everything like Romero or when fan boys expect everything like Romero.
The filmmakers should be applauded for not giving us the Hollywood ending, something which was basically mandatory by the 80s.
So it's not surprising that it would take a little independent company like Ida Lupino's Filmmakers to raise the subject.
Mann's use of environment is what sets him apart from other filmmakers of westerns.
It's an idea and a feeling that the filmmakers have that somehow got turned into an object as mundane as a film.
Watching "Ossessione" today -- more than 6 decades later -- is still a powerful experience, especially for those interested in movie history and more specifically on how Italian filmmakers changed movies forever (roughly from "Ossessione" and De Sica's "I Bambini Ci Guardano", both 1943, up to 20 years later with Fellini, Antonioni, Pasolini).
As is the penchant of French filmmakers , many scenes were shot on real streets and in public places, giving a cinema verite feel to the story , yet L'Emploi du temps also possessed an elegant look thanks to excellent camera work and some stunning location footage ( most notably a Swiss mountain retreat ).
This is an amazing film, both for the incredibly energy evoked from the frenetic flamenco dancing, and from the unique way that the filmmakers interweave the story of the stage production with the lives of the characters preparing for it.
Sadly, the filmmakers decided to cut out one of the best songs from the show, "Marry the Man Today", and replaced it with an inferior Sinatra showpiece.
It is unfair to compare either of these filmmakers' styles to the standard technologies of the day, because both Zemen and Hines "do not compute".
By the time the filmmakers find them, the mansion is falling apart, and the women, one 78 and the other 56, share a squalid room.
These are definitely not people who want to become professional filmmakers since they goof around in front of the camera, forget scripted lines, etc.
Rather than advancing an agenda, the filmmakers just told the story, told it well and let the viewer think about it.
will enjoy this movie as well as kids.it is based upon a true story,though i'm sure the filmmakers took some liberties in telling the story.Quaid is sensational as the title character,very convincing.if
Instead of taking us to the dramatic scenes of this "post-rapture" tribulation, we sit in the living room, hearing about it on the news because the filmmakers can't afford to show it.
This crew is a group of good, young filmmakers; thoughtful in this script - yes, allegorical - clever in zero-dollar effects when time and knowledge is all you have, relying on actors and friends and kind others for their time, devotion, locations; and getting a first feature in the can, a 1-in-1000 thing.
Give the filmmakers points for originality for Pete's sake!
Filmmakers knew how to entertain us, & "Trick or Treat" is evident to this.
Each of the segments for this anthology shows great potential and promise for the talented filmmakers... three of whom have gone on to achieve notable success in big-time Hollywood productions.
The relationship that develops between the two men is sentimental, yet the filmmakers are careful not to get mushy, and this gives the picture an edge it might not have had with a lesser director than Schlesinger.
It is as though the filmmakers have cast a spell of the audience and drawn us into the strange world of the eccentric Beales, a true aristocratic family.
His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni.
The themes that the filmmakers explore are women versus men, women versus women, and women versus society.
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