Feelings
in sentence
1703 examples of Feelings in a sentence
The results show that he doesn't lack the means to present images, feelings, tones, colors, sounds, and a visual representation of this era.
It creates some of the most awesomely unforgettable
feelings
and emotions you can possibly imagine.
Howard Campbell Jr. (Nolte) is a person who learnt to hide his
feelings
so perfectly that he doesn't open up, not even in his memoirs.
The friendship, the "wanting to fit in", the first sexual feelings...
Maybe the film could be remade: Stack's character would ring truer if he was hiding homosexual
feelings
for Mitch by marrying.
I have every reason to dislike Jane Fonda for her Vietnam era actions, but personal
feelings
apart, she is fabulous in this role.
Again and again, it's like they are pets or slaves, as the
feelings
of the people are never even considered.
So I will just share my
feelings.
The late Sir John Gielgud won a Best Supporting Actor Oscar for his flawless turn as Arthur's acid-tongued butler and best friend, Hobson, whose outward disdain for Arthur's behavior covers more paternal
feelings.
We could see in his face "second thoughts", but the ultimate sacrifice seemed to go against his emotion and
feelings.
Since starting to read the book this movie is based on, I'm having mixed
feelings
about the filmed result.
Though this (also highly recommended) biopic was released after black majority rule was instituted, MANDELA was played by a Black American (Sidney Poitier, who also starred in the original S.A.-themed CRY THE BELOVED COUNTRY), while the Afrikaner DeKlerk was played by a (bald) very British Michael Caine, a good performance if you can dismiss that the very essence of Afrikanerdom is vehement anti-British
feelings.
The looks he gives her as if he has been starved for the sight of her as well as her hesitation and confusion as too her
feelings
for him were played very well.
He makes great job expressing the
feelings
from the book to the film.
"Devdas", a hapless, fedar- festooned foreign return drinking to oblivion, with characters running in endless corridors oblivious to any one's
feelings
or sentiments-alas they live in an ornate squalor of red tapestry and pageantry.
Just as the character of Daniel Dareus evokes so many sentiments and long repressed
feelings
within the people around him, the movie does the same to its viewers: You walk out with your head abuzz and your heart feeling full.
Characters were very convincing and felt like you could understand their
feelings.
At first side he can seem one more foolish superhero from the senseless movie about unreal events and
feelings.
Even after that she couldn't escape her
feelings.
It focused on the personal problems Doyle had, including his sick wife, death threats by fans, a pushy publisher and
feelings
of guilt concerning his mentally ill father.
The scene with Anna and the boy "snogging" (for quite a stretch) was a bit much - evoking
feelings
of both vague disgust and amusement - considering that she was supposed to be only 11, but predictably it turned out that Burke was 13 or 14 when this was filmed.
The actors playing the roles of the lovers do a GREAT job representing the characters
' feelings
and thoughts - their everyday life adventures.
A good memory includes not only romantic
feelings
about a beautiful stranger and a beautiful European city, but definitely about the deeper discussion about their values of life.
Although the
feelings
are strong or nearly at life or death-level, they still aren't really melodramatic.
A great film, with real feelings, with great actors, with a great realisator-director.
A very strange mix of musical (a remembrance of The Merry Widow ?)and classic Lubitsch touch sentimentalism (an impossible love-story like Cluny Brown)yet a very clever and intelligent one yet not to be understood as some nostalgia of some lost world but rather a testament on eternal
feelings
prevailing on the foolishness of mankind and especially men in times of war with a "moral" lesson still true today as it was in 1948.
That voice that always tells us that we are important, that gives us our pride, that tells us not to give, but only to take, that creates our aggression, that wants to be in control, that creates all the negative
feelings
and thoughts.
Like all such narratives aiming to stimulate the female reader and induce the vapours, this one relies on the oldest tricks in the book: basic misunderstandings and the inability to express one's true
feelings
at the right place and at the right time until it is too late.
We are drawn into strong
feelings
for the young, impressionable, yet highly courageous boy--who admires the American pilot.
It goes deep into your
feelings
without becoming melodramatic.
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