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Fault in sentence

927 examples of Fault in a sentence

There's an ashtray to the nads, punches to the face, and a "that wasn't my fault and you know it!"
Not the fault of the actor in most cases.
It is not Soderbergh's fault that these 2 parts of Che's life had completely different outcomes.
The viewer may feel a lot better coming out of the cinema after Part 1 than Part 2 but that is the reality of Che's life and not in my opinion any fault of the director.
My one biggest criticism is I felt a little let down by the show - probably not through its own fault, as it got cancelled after a mere 1 season, it seemed to display show much potential and it deserved a lot better treatment than it got.
Even i could not find any fault in the story or the way they shoot it.
Stage adaptations often have a major fault.
Granted this one is not up to par to the other movies but I think through no fault of her own.
Allison is somewhat naive about the job in the beginning but she doesn't realize how much danger she really is and it's all Erroll's fault.
I enjoyed it, but if you didn't, that is your fault.
Diamond also helps by not being to condescending which is a fault of a lot of intellectuals when trying to get a message to the masses.
Another fault lies on a trivial cinematography unable to capture the intensity of the internal drama lived by the characters.
Both churches are at fault here, the Catholic church for forcing such a regulation on the family in the first place and not responding to the violence that came with it and the Protestant church for telling the mother that she should just obey her husband and his priest and not put up a fight.
Director Harold Becker is a director very familiar with elements of the thriller having done Mercury Rising, Malice, and Domestic Disturbance and I think in many ways he incorporates so many of the formulaic thriller genre that its almost to a fault.
The new characters are at least likable, and the old characters are out doing their thing so I can't fault them there.
But the major fault with this version is that it strayed too far from the Shirley Jackson story in it's attempts to be grandiose and lost some of the thrill of the earlier film in a trade off for snazzier special effects.
The murder, of course, is all Persoff's fault anyway.
Far too many characters and just a few too many red herrings and yet it does keep going and if Paola Tedesco as the female lead does not match the performance of Pani, this may be the fault of the dubbers.
This movie thinks it is HIGHLANDER material, and for the second time in a week I get to fault a horror movie from the late 80s/early 90s for not being sleazy enough.
Because thereon after, every agonisingly cheesy cliché from teen slasher movies right through to low budget horror farce is played out here and it is ultimately the fault of the banal script and utterly horrendous direction.
So it's not all McCormick's fault: she delivers a performance of a headstrong, evil child in a perfunctory, overly-rehearsed manner and probably deserved the accolades she received at the time.
She made him feel totally guilty for something that was her fault.
And don't try to say it wasn't his fault or anything, because he shares screenplay credit.
Not Ford's fault, really, but blame can be placed at the feet of the writer.
Of course men are at fault and bashed every 15 minutes.
It's not their fault, but the fault of the screenwriter Erich Segal (who also wrote the novel).
The actors turn in performances that they were asked to do - you can't really fault them here - but the director's pointlessly obsessive playing around with the focus is at best irritating, but mostly just tiresome.
It's not the authors fault, it's society's for letting people have that notion and allowing them to continue on breeding ignorant people.
I gather it's one of those b-movies made by a bunch of people who were simply out for a laugh and didn't take themselves too seriously, so I can't really fault them for having made it.
Applegate is almost decent, but the accent seems variable, and she doesn't transition us through her mood swings, which probably is more the fault of the director, editor, and writers than hers.
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