Example collocations logo

Documentary in sentence

1705 examples of Documentary in a sentence

When things were so intense, when CNN International was broadcasting live from Istanbul, CNN Turkey instead was broadcasting a documentary on penguins.
In 1998, I made a documentary about the last flophouse hotels on the Bowery in Manhattan.
The thought was to take documentary work and turn it on its head.
Traditionally, broadcast documentary has been about recording interviews to create a work of art or entertainment or education that is seen or heard by a whole lot of people, but I wanted to try something where the interview itself was the purpose of this work, and see if we could give many, many, many people the chance to be listened to in this way.
After four years, I felt it was safe enough to move to Afghanistan permanently, and I was working there as a documentary photographer, and I worked on many stories.
When my documentary was aired on SBS Dateline, many of my friends came to know about my situation, and they tried to help me.
I've worked in documentary.
You're watching snippets from "Sputnik," my fifth documentary feature, which is just about completed.
My feature documentary shows how a free society can be stampeded by those who know how to use media.
So we need to reconfigure, we need to reunite the economic and the political spheres, but we'd better do it by democratizing the reunified sphere, lest we end up with a surveillance-mad hyperautocracy that makes The Matrix, the movie, look like a documentary.
He made two documentary films with and for our team, and he's making a successful business out of very little.
Someone will make documentary movies of Mars and sell them on Earth.
And actually, I had the opportunity of interviewing Kathe for my documentary, "All the Queen's Horses."
You stay active in both entertainment and politics until the ripe old of age of 93, when you write a book and make a documentary about your life story.
As well, they'll be providing us with rich content for the platform, including some of the archival imagery like you saw at the beginning of this talk and some of their documentary footage.
Being a documentary photographer, I decided to go back to Lebanon a few months after the conflict ended to meet cluster bomb survivors.
It's a global social justice project, and we're working to film an upcoming documentary to give voice and dignity to victims.
I thought I was there to make a single documentary and would then move on to some other part of the world.
My twin brother is a documentary filmmaker, and for one of his first films, he got an offer from a distribution company.
I spent five years interviewing, photographing and filming nurses for a book and a documentary film.
In 1956, a documentary by Jacques Cousteau won both the Palme d'Or and an Oscar award.
And myself and my friend, and filmmaker and partner Sabaah Folayan did just that with our documentary, "Whose Streets?"
I wanted to make my own impact for those who live under injustice; it's the reason that I became a documentary journalist, the reason I became a prisoner in North Korea for 140 days.
My team and I were making a documentary about North Korean refugees living below human life in China.
I don't work with daily life as it is, and I'm not a documentary photographer in the common sense.
But I am a documentary photographer in a different sense.
I met Adriana Rodriguez about five years ago while I was working for the Colombian government as a documentary filmmaker.
And I understood that documentary photography has the ability to interpret events from their point of view.
I lead with this in my latest documentary film, "Smoke That Travels," which immerses people into the world of music, song, color and dance, as I explore my fear that a part of my identity, my Native heritage, will be forgotten in time.
There are several themes from the documentary, but they are re-edited and made for you, OK?
BackNext