Directors
in sentence
1215 examples of Directors in a sentence
This movie has a look and feel of many "Fresh
" directors
(closeups and focus on the emotions being experienced by the actors).
Having spent the six years previous writing and producing, Luc Besson returns to the
directors
chair with Angel-A.
I hope to God that no more
directors
plan on continuing or remaking the wonderful classic without Tommy or Duval.
There is nothing interesting about this romance, it is not exciting, it is not fun, they don't even seem to care for each other at all, its more like the writers and
directors
wanted an interracial thing going on.
At the end of the movie, the
directors
decided to either not make any more sense, or, more likely, died and had a monkey finish directing the movie.
Hard to imagine what they were thinking of when they made this movie (i.e., the writers, directors, producers, actors, editors, etc.).
They don't list any screenwriters or directors, but one viewing of this movie will prove to anyone - It's not real in the way you were hoping for.
This is just one of the hundred million movies where the
directors
try to shove too much drama into a movie that's not dramatic at all.
In many ways, this movie proves that oaters aren't as easy to make as we think, especially by foreign
directors.
I suppose we can say the same about American
directors
attempting to make a Polish movie while failing miserably in the process.
Andy Milligan is in fact probably one of the worst
directors
to plague mankind with his talentless directing, and camera-work.
These days, writers,
directors
and producers are relying more and more on the "surprise" ending.
I am not a movie critic, but wonder about the subliminal motivation of
Directors
and Writers who make movies like this.
Developing movies that are based on actual events involving cryptozoology or the supernatural has always been a challenge for
directors
and screenwriters.
The training the girl went through in the movie was hurried and stupid...and the paramilitary group of young males....were a confusing concept to say the least....this was far from even being a martial arts movie...with the girl only fighting briefly in the final scene....and then she didn't even come close to getting hit even once...by the male fighting her....give me a break...she would have gotten hit at least once....I guess the writers and
directors
thought it would be to shocking to see a girl get punched by a male in this one.
Many good french comedians have been wasted away by mediocre
directors.
These and other
directors
were obviously chosen because they have not followed the mainstream, but created it.
This is what I believe the
directors
of these movies were doing: creating a contemporary mood for old operas.
When The Godfather came out, I thought they had broken the mold, but the decades have produced a series of well-acted mob movies with major stars and
directors
doing them.
The '30's had it's masterpieces, but those were mostly from the same
directors
and many of their films are mostly of historical interest today.
Putney Swope is the story of a token black man on the board of
directors
of a large advertising firm who is accidentally voted Chairman of the Board when the owner of the firm keels over while trying to stutter out an idea that he was apparently quite excited about.
An impressive debut by one of todays best
directors.
I am actually from the same town as the brother
directors.
Each frame in the movie is a lesson to new
directors
or existing
directors
to know how a movie should be taken.
But it's a film by a director who is also a very good photographer, who has a very good sense of looking at things as a human, not as an half-god unlike most of the
directors.
I am normally the first person to accuse many French
directors
of making offensive, boring, disgusting and pretentious films (such as the horrible recent film 'L'Enfant' and the pointless and offensive 'Feux Rouges').
Because for one, we get some spectacular performances (Marsden's great and Langella returns as a familiar creepy character), and most importantly two, because it's entirely original and Richard Kelly, undoubtedly one of the bravest
directors
alive, uses his creative vision to tell a story that dares to be different.
This is a crowning achievement for a director who in my view can already be proclaimed as the Turkish equivalent to
directors
like Tarkovsky, Bresson, and Ozu.
In the 1970s there was an atmosphere of tolerance, open-mindness, and progressiveness among the studios that allowed the making of major films by a few of the best
directors
that the United States has ever had.
The
directors
knowledge of his cast and script are extended to the finished film.
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