Director
in sentence
6110 examples of Director in a sentence
Francis Ford Coppola's first 'personal' film, completed and released in 1969, was the last movie he made as a mostly unknown, up and coming
director
before The Godfather, and is in stark contrast to both that film, and the rest of his uneven career.
Thrilled to see the
director'
s ingenuity and agility in portraying seriously challenging situations and moved by the sensitivity echoing throughout the film.
The final part of Kieslowski's trilogy based on the colors of the French flag finds the
director
at peace with the metaphysical and transcendent nature of the cinematic image.
It must have been challenging to document Haack's 'scatter-brained' output, which pretty much fell into every musical category imaginable (even rap music), but the
director
cut the piece together very coherently and managed to capture the spirit.
Well, this is new...Famous Italian horror
director
Lucio Fulci shoots a film about a famous Italian horror
director
called...Lucio Fulci.
Its director, the Calabrian Gianni Amelio, is in my humble view perhaps the only contemporary Italian director, along with Nanni Moretti, to deserve being called great (that is, apart from the old masters who're still around and occasionally still churning out movies).
At times, the relatively long-held medium-distance shots may remind you of 'contemplative' Asian cinema, but just reminds you, the
director
doesn't push things to the radical minimalism of some Taiwanese filmmakers but then again, this is not a Taiwanese movie, it's a Turkish movie.
So this is my conclusion if you take the
director
of the worlds greatest movie ( The Godfather ) and the best of Hollywood actors you can only succeed.
I'm also surprised that Andrew Dintenfass (the
director
of photography) hasn't done more.
Throw in some downright hackneyed scenes of the purest exposition, (try Custer and his wife's learning of the phony "Gold Rush" to excuse the invasion of the Sioux territory, Custer's testimony in front of Congress pleading the rights of the Red Indians and to top it all, Custer's storming into the president's office to beg to return to his post), honestly there's plenty more of the same, some of these scenes almost comical in their corniness... ...And yet, and yet, it's still a great actioner with Flynn as dashing as ever, DeHavilland as beguiling as ever, the young Anthony Quinn getting a start as Crazy Horse and
director
Walsh as barnstorming as ever in his depiction of crowd scenes and of course the tumultuous action sequences.
The DVD has great special features, including full-length commentaries by director, Dan Harris and Emile Hirsch and one by Sigourney Weaver, that give you interesting information about the film.
This is the crown on the career of
director
Winner, who himself was often quoted saying this was his masterpiece.
A faithful adaptation of the Nobel laureate Tagore's novel dealing with the pursuit of sexual pleasure of a Bengali widow, the
director
gives a new dimension to the much acclaimed and controversial work.
A studio prop boy spies the actress who is going to become Hollywood's next great movie star and he's the
director
that's going to make it happen.
Several over-budget flops later, he is known as nothing more than the
director
who turned down Rin-tin-tin.
A masterclass of acting by a flawless cast, well marshaled by first time
director
Julian Fellowes.
Had the
director
had the sense to treat us as if we had brains, maybe he'd have given us a movie where the people didn't have to behave idiotically, but still manage to get into danger.
It's just the little things that the
director
needs to tweak.
The
director
does an excellent job of riding the line between emotional and physical violence.
The
director
did excellent work, there is great camera and the actors are really great.
I knew it had a cult following but I had also seen a lot of the
director'
s later works which although delightfully gory were also pretty much incoherent.
Filmed less than a year after the Soviet withdrawal from Afghanistan, the subject matter was fresh in the minds of the cast, the
director
and the audience.
Watching Stranger Than Fiction
director
Marc Forster's The Kite Runner is the cinematic equivalent of eating your vegetables because this art-house epic rated PG-13 is good for your movie-going diet.
It could even be the light touch which the
director
uses to handle the threatening situations Holmes finds himself in while keeping the story moving.
It's truly romantic with a touching message.The artwork and the effects are visually striking and the fact that the
director
is an amazing artist is so apparent.
So "Children of Wax" or as it is known in US distribution reveals the question of German and Turk hatred in an amusing way.No doubt it is well appreciated to be taken for distribution by the great Weinsten brothers.And there is another fact I liked most is the participation in this movie of the favorite actor of Lars von Trier the great Udo Kier who shows to play with such a pleasure for the Bulgarian film
director
Ivan Nichev.
It's not about black/white relationships or old/young relationships, though I think
director
Craig Brewer deliberately threw in both elements to tweak imagined taboos.
In fact, one feels thankful the
director
took the courage to make a movie like this, for which obviously there is no solid audience.
Mark has dreamed of becoming a great writer and
director
since he was a teenager and had an out of focus hi8 camera.
In addition,
director
Vidor has given her some unusual close-ups that are mesmerizing.
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