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Director in sentence

6110 examples of Director in a sentence

If I were a member of an awards group at the time of this film's release I probably would award Eisenstein with the director's award of the year, posthumously.
It is such a mad stroke of cinematic genius to pull off some of things that are pulled off in the film, though for someone like this director after coming off of his best work- Battleship Potemkin and October- it could have been something he scoffed at at first.
"Boogie Nights" is a masterpiece it tells a great story with flair an great direction from a very talented director.
Watch this director's other film, "Earth", at some point.
Inevitably dubbed movies reflect the attitudes of a new director and actors, with the additional necessity of lip-synching lines that don't quite fit.
If there was ever an indication of a writer and a director's ability to meld two highly volatile temperaments into a seamless union of creativity, then this is it!
How director's Andrew Traucki and David Nerlich wring as much suspense and terror from such a modest situation is amazing to watch unfold.
Brent Spiner is just a riot as the egotistical tyrant of a cruise director.
I was amazed at the quality of this film, particularly after seeing pictures of the barely adult director - all 140(?) lbs of him!
I can't say what knowing the source for this movie adds, but this is one of my favorite films from Paul Mazursky (director and co-author).
Robert McKimson's 'Acrobatty Bunny' is one of the director's finest shorts.
It's particularly hard for a director to capture film-making without getting precious, inbred, over-dramatic, or all three.
Having not read the book, I was more open to the fresh interpretation that each director gives to their medium (which is film, not "to the letter" reproductions of literature)on this particular film.
Idon't know if it is a masterpiece, a poem or the reflection of a film director's world.
HOWEVER, understand that the self-indulgent director also had many "funny gags" that totally fell flat and hurt the movie.
It's the only film by director Nick Hurran I've seen so far, and while I am not intending to watch any of his other films at the moment (I'm not a big fan of romantic comedies), this one is highly enjoyable and very funny.
Of course, as the previous comment mentions the film does have its shortcomings, but the realism of the setting and the way the director treats his subject matter belies these shortcomings.
I already saw it 3 times and each time i discovered new things and laughed to tears... Jean Dujardin, Bérénice Béjo, Aure Atika the director and all the cast, all the crew did a fantastic job.
The two biggest styles that the film mixes are a 'Road Trip' style teenage comedy and a 'Texas Chainsaw Massacre' style redneck horror vibe, and while one gets in the way of the other quite often; director Michael Davis manages to keep things moving thanks to the fact that the constant shift in tone means that we're never quite sure where the film is going to be taken next.
The director tries to explain to the viewer the imaginary world of Mithi, through her continuous blabbering to Anu and others.
This is a truly impressive, story and character-driven murder mystery that might well be the director's masterpiece.
When I saw this film the first time I was very impressed concerning the kind of atmosphere the director creates.
Rather than go on location and make a realistic film about drug addiction in the Windy City, contrarian director Otto Preminger decided to go the opposite way and make his movie appear as artificial as possible, thus flying in the face of the fashion set by men like Kazan, Huston and Zinnemann, who were making their pictures all over the world.
Shortly after his recovery all ladies wanted to have fun with him, and some of them succeeded including the director of the school(Geraldine Page).
Geraldine Page, although somewhat old, was able to play a very suggestive role as the director of the school, a woman with more failures than happiness in her life.
The direction from Nick Park (the director of the 3 previous chapters) does a really good job with the storyline.
Adapted from a play by John Dighton, this farce is briskly handled by director Frank Launder.
Previous commentators have noted the similarity in appearance between this film and The Third Man, director Carol Reed's classic film noir starring Orson Welles and Joseph Cotten.
I have now realized that this director was ahead of his time.
The director has done a brilliant job of conveying the dark mood of the subject, using the decadent art scene as a backdrop to what is essentially a tale of love spanning time and space- the pure love of friendship opposed to the lust for blood and life by the vampires in the story.
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