Design
in sentence
3133 examples of Design in a sentence
That one moment profoundly affected how I think about art,
design
and engineering.
However, every summer, sadly, the machines got left behind while my parents and I traveled overseas to experience history, art and
design.
I mean, to me, the pyramids at Giza, we visited those the year before, and sure they're impressive, nice enough design, but look, give me an unlimited budget, 20,000 to 40,000 laborers, and about 10 to 20 years to cut and drag stone blocks across the countryside, and I'll build you pyramids too.
For strength and lightness, the dome structure used five rings of coffers, each of diminishing size, which imparts a dramatic forced perspective to the
design.
Further, that of all of the forms of design, visual design, they were all kind of irrelevant without it, because without light, you can't see any of them.
Largely because of that visit, I came to understand that, contrary to what I was being told in school, the worlds of art and
design
were not, in fact, incompatible with science and engineering.
In my experience, these rare visionaries who can think across the worlds of art,
design
and engineering have the ability to notice when others have provided enough of the miracles to bring the goal within reach.
By insisting that it be in the design, it meant you couldn't use much of the structural technology that had been developed for Roman arches.
However, by instead embracing it and rethinking weight and stress distribution, they came up with a
design
that only works if there's a big hole in the roof.
That done, you now get the aesthetic and
design
benefits of light, cooling and that critical direct connection with the heavens.
What are some recent examples of innovations that combine creative
design
and technological advances in a way so profound that they will be remembered a thousand years from now?
They will enable compelling new concepts in how we
design
cities, work, and the way we live.
But a cautionary note: We also need to periodically pry them away from their modern miracles, the computers, phones, tablets, game machines and TVs, take them out into the sunlight so they can experience both the natural and
design
wonders of our world, our planet and our civilization.
We also need them to understand something that doesn't seem adequately appreciated in our increasingly tech-dependent world, that art and
design
are not luxuries, nor somehow incompatible with science and engineering.
Someday, if you get the chance, perhaps you can take your kids to the actual Pantheon, as we will our daughter Kira, to experience firsthand the power of that astonishing design, which on one otherwise unremarkable day in Rome, reached 2,000 years into the future to set the course for my life.
Now, given the sorts of challenges I'm up against, it's crucial that I not only predict but also
design
protections for the unexpected.
Looking deeply inside nature, through the magnifying glass of science, designers extract principles, processes and materials that are forming the very basis of
design
methodology.
From synthetic constructs that resemble biological materials, to computational methods that emulate neural processes, nature is driving
design.
Bionics explores the interplay between biology and
design.
In the area of design, we still do not understand how to attach devices to the body mechanically.
This is the beautifully lyrical
design
work of Professor Neri Oxman at the MIT Media Lab, showing spatially varying exoskeletal impedances, shown here by color variation in this 3D-printed model.
We then do a mathematical transformation to the
design
of the synthetic skin, shown on the right.
But
design
is not just how something looks, it's how your body feels on that seat in that space, and I believe that successful
design
always depends on that very individual experience.
You don't tap into your
design
expertise.
I don't try to
design
the toothbrush.
Because there is different types of
design.
The one, we can call it the cynical design, that means the
design
invented by Raymond Loewy in the '50s, who said, what is ugly is a bad sale, la laideur se vend mal, which is terrible.
It means the
design
must be just the weapon for marketing, for producer to make product more sexy, like that, they sell more: it's shit, it's obsolete, it's ridiculous.
I call that the cynical
design.
After, there is the narcissistic design: it's a fantastic designer who designs only for other fantastic designers.
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