Culture
in sentence
3267 examples of Culture in a sentence
So roughly these four reasons make it a lot more difficult for democratic
culture
to spread as a civilizational choice, not merely as a political choice.
So what's needed is those organizations on the ground advocating for the democratic
culture
itself to create the demand on the ground for this
culture.
We need to see how we can help those societies move from political coalitions, loosely based political coalitions, to civilizational coalitions that are working for the ideals and narratives of the democratic
culture
on the ground.
But that will require helping these societies transition from having merely political coalitions to building genuinely grassroots-based social movements that advocate for the democratic
culture.
And we've made a start for that in Pakistan with a movement called Khudi, where we are working on the ground to encourage the youth to create genuine buy-in for the democratic
culture.
These aren't financial stats; this is
culture.
And what you see here, or what you don't really see normally, is that these are the physics of
culture.
So we need to change that institutional
culture.
And then I would tell them about malakwang, a fancy vegetable dish from my
culture.
When a crime is committed, our hunger for swift retribution has fed a police
culture
bent on finding culprits fast, often without adequate resources to conduct thorough investigations or strict scrutiny of those investigations.
And your ability to define space and to create places that are worth caring about all comes from a body of
culture
that we call the
culture
of civic design.
The public realm has to inform us not only where we are geographically, but it has to inform us where we are in our
culture.
So that, you know, the residences make sense deployed in relation to the places of business, of
culture
and of governance.
And we decided we'd take Koreans in roughly the same geographical place with, notice, the same basic traditional culture, and we divided them in two, and we gave the Northerners communism.
Any
culture
can get the work ethic if the institutions are there to create the incentive to work.
So Erez and I were thinking about ways to get a big picture of human
culture
and human history: change over time.
We do that for all the words and phrases that appear in those books, and that gives us a big table of two billion lines that tell us about the way
culture
has been changing.
It's the application of massive-scale data collection analysis to the study of human
culture.
It's a sizable chunk of human
culture.
There's much more in culture: there's manuscripts, there newspapers, there's things that are not text, like art and paintings.
And when that happens, that will transform the way we have to understand our past, our present and human
culture.
I think that our
culture
is so intensely focused on verbal information that we're almost blinded to the value of doodling.
But maybe it was time to prove to myself, yes, it's important to understand the past, it is important to look at it in a different light, but maybe we should look at the strengths in our own
culture
and build on those foundations in the present.
And then, around the 1980s, it also gets adopted by hip-hop and B-boys, skateboarders, and it takes on this kind of youth street
culture.
Double Dutch jump rope remains a powerful symbol of
culture
and identity for black women.
I'm not saying hate was the only reason I picked on Vicky or even that I was consciously hateful or anything, but the fact is, the people we discriminate against in our public policies and in our
culture
are also the groups of people most likely to be bullied in school.
For better or for worse, we are all a product of the
culture
around us.
And the good news is, we're also the ones who shape that culture, which means we can change it.
So 1914 wasn't just a time for the parks, it was also a time for the automobile, the Model T was rolling off the line, and Stephen Mather understood that this was going to be an important part of American
culture.
Now a fundamental and really viscerally important experience for me, in terms of music, has been my adventures in South Africa, the most dizzyingly musical country on the planet in my view, but a country which, through its musical culture, has taught me one fundamental lesson: that through music making can come deep levels of fundamental life-giving trust.
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