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Critic in sentence

349 examples of Critic in a sentence

This means that the Critic must have spoken in that animal, and that the Critic must be contained among the dopamine-producing neurons on the left, but not among the dopamine producing neurons on the right.
We have created such a situation, artificially, by turning on the critic with a flash of light.
In the experiments I told you about, we have lifted the identity of the Critic, but we still have no idea how the Critic does its job.
And we get it not from a philosopher of art, not from a postmodern art theorist or a bigwig art critic.
This is a pro-amateur, or pro-am media critic who has this high fan-out rate.
And it goes like this: "It is not the critic who counts.
And if we can quiet it down and walk in and say, "I'm going to do this," we look up and the critic that we see pointing and laughing, 99 percent of the time is who?
When the Hirshhorn opened, Ada Louise Huxstable, the New York Times critic, had some choice words: "Neo-penitentiary modern."
I didn't know which of these was true, but I thought it was kind of interesting, and I thought maybe I should meet a critic of psychiatry to get their view, which is how I ended up having lunch with the Scientologists.
But here comes the art critic.
Last week, Guardian art critic blah blah suggested that games cannot qualify as art.
He's the critic.
He's the critic of humor, and really I'm forced to be in that position, when I'm at The New Yorker, and that's the danger that I will become this guy.
You go ahead and sit back in your comfortable chair and you be the critic, you be the observer, while the brave one gets in the ring and engages and gets bloody and gets dirty and fails over and over and over again, but yet isn't afraid and isn't timid and lives life in a bold way."
And I became a poetry critic because I wanted to know how and why.
So saying "Yes, and" bypasses our inner critic.
We all have an inner critic that kind of guards what we say, so people don't think that we're obscene or crazy or unoriginal, and science is full of the fear of appearing unoriginal.
Saying "Yes, and" bypasses the critic and unlocks hidden voices of creativity you didn't even know that you had, and they often carry the answer about the cloud.
And this idea is nicely summarized by the British critic William Hazlitt, who wrote, "Prejudice is the child of ignorance."
What would it mean for her if she were freed from that voice of her inner critic, nagging her to have longer legs, thinner thighs, smaller stomach, shorter feet?
But it also taps into a lot of our deepest fears, and about 30 years ago, the culture critic Neil Postman wrote a book called "Amusing Ourselves to Death," which lays this out really brilliantly.
"How can Selasi claim to come from Ghana," one such critic asked, "when she's never known the indignities of traveling abroad on a Ghanian passport?"
As a literary critic, he identified two cardinal rules for the short story form: it must be short enough to read in one sitting, and every word must contribute to its purpose.
Silence your internal critic.
YNH: I focus on the most dangerous possibilities partly because this is like my job or responsibility as a historian or social critic.
In the mid-20th century, literary critic W.K. Wimsatt and philosopher Monroe Beardsley argued that artistic intention was irrelevant.
That's from Robert Brustein, the famous drama critic and director, in The New Republic about five years ago.
And I saw this really smart critic who I love, this woman Joan Acocella, who's a friend of mine.
He was a well-known music and art critic in India in the early 20th century.
Two months ago, I remembered that promise I made, when a distinguished English critic published an article in the London Times, asking who could be the winner of the Orchestra World Cup.
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