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Corporate in sentence

2366 examples of Corporate in a sentence

If you need an example of the evils of corporate and media convergence, this uninspiring film is it.
Here we see flinty eyed accountants and oh-so-serious market researchers uncontaminated by artistry using film as a corporate tool,in the process producing a movie that while technically excellent has neither soul nor spirit.
It had a balance sheet, not a shooting script; a corporate goal, not a plot.
one is that you'll notice the TV in his house flickers when his mind is not straight, and an obvious one is that the fish are his subconscious.I also think that the film is supposed to show how people crippled by there niceness and quietness stay at the bottom of the ladder in a corporate business and the people with legs to step on others, reach the top, and don't have to care about the lower people.
Add lots of crappy costumes, cheapo sets and even more cheapo actors, typical 80s soundtrack drenched with crappy casio tones and James Earl Jones impatiently waiting for his check and City Limits will have you wishing for Soonya Corp. to take over!! Guest starring (oh, I don't think so) Robbie Benson as the epitome of corporate lifestyle refusing to die in the apocalypse.
There are the usual themes about technology and corporate domination but developed further than usual.
I felt like I was watching some sort of corporate training video: same overall quality...same overall message.
It fails to properly explain corporate structure, corporate governance, and even what a corporation actually is.
it is people like these who instead of offering a solution to the corporate ills of the world actually contribute towards them.
The plot is simplistic and predictable, the characters one dimensional and clichéd (single working mum with disabled kid, rich corporate mole who drives like she owns the world).
Basically darkside blues takes place in the future where some corporate evil is up to their no good doings, and there are a bunch of rebels against them, and some mysterious guy appears out of nowhere, the end.
A great film showing war as it was, and is: ugly, frantic, corporate, confusing, frustrating and very sad.
I thought Moore's Bowling for Columbine was brilliant, but Fahrenehit 9/11 was a little too much propaganda (although he hit some heavy notes such as the failure of the media, corporate irresponsibility and class-ism) for me.
These "action" flicks are ten-times as dull as the corporate setting for this astonishing study on class, friendship, and inner-awareness.
Set in a corporate multinational world with the backdrop of old, beautiful cities and local raw industries of Holland, Kevin, the hardworking and confident American is in the battle of his life to keep his soul alive.
Paul Sorvino is an obvious choice for the role of Rotti Largo, an intense, contemptible, ruthless corporate giant whose face is perfectly etched with anger and disgust, rotten to the core and dying of a cancer progressively getting worse(..his duo of gun toting female guards shoot the doctor for bringing him the news, just a sign of how the state of life is in this depressing future).
The Netherbeasts, as they like to be called, spend their lives in a corporate building, protected from the outside world.
'London Voodoo' is a story about a corporate New Yorker who moves to London with his wife and child.
In some desperate attempts to thicken the unoriginal plot, there's the lame sub plot about a nosy journalist and his ugly girlfriend going undercover in the company and the awkward story about the Corporate Executive (David Gale from "Re-Animator" fame) who injects the veins in his neck with the same liquids as the robots need in able to function.
John Huston, whose performance consists of walking into rooms, spouting a few philosophically tinged lines of inane dialog and then vanishing, leads the cast as a "visitor" sent from someplace "beautiful" to "rescue" a little girl who is evil incarnate (and apparently the vessel-in-waiting to start a new race under the guidance of creepy doctor Mel Ferrer and a bunch of corporate goons).
This stuff is worlds better than much of the ugly, corporate crap that comes out of Hollywood these days.
Imagine yourself in the late Art Deco era of engineering feats (the tunnel), sexy vehicles (the "Heritage Softtail" precursor motorcycle and '37 Buick Century straight 8 convertible, among others), and beautiful people (the impeccably coiffed and dressed "Blanche;" the trio of heroes in their flawlessly ironed suits, shirts, and ties; the elegant Granville; and even the villain 39013 as played so convincingly by Charles Middleton in first-class clothing that we seldom see today outside of a corporate boardroom), and enjoy.
It leaves you with a feeling of insight into the hearts and minds of corporate America.
Well, a friend of the owners does what we would now call a corporate take-over--and then he does a make-over on Betty and she becomes a big musical comedy star--but wait--it is more complicated than that!
Unfortunately, it seems that our friends from the LDS church are using the Corporate Giant Disney to try to proselytize upon others.
Released at the height of America's nuclear disaster paranoia, "Silkwood" is one of those blue-collar one-against-the-many films that revolve around simple folk fighting corporate power and abuse as best they know how.
It captures the self-worthlessness perfectly and also the stupidity of modern corporate America today.
26 years later, Pacino was to star in "The Insider," another thriller where he played a character who helps to expose corruption, this time in the world of corporate America.
A total generational look at corporate American thirty-something men in the worst sense.
The absence of a net fall for the year reflects the combination of a rise in corporate profits and a 12% decline in the price-earnings ratio.
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