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Corporate in sentence

2366 examples of Corporate in a sentence

The film never creates the tense, doom-laden atmosphere of William Gibson's short story about corporate espionage in a grim near-future setting, leaving the viewer to spend a numbing hour and half with unheroic and uninteresting characters doing not much of anything.
It did, however, have a great overlying menace, set in a world where cutthroat corporate Gestapos kill to protect the technology they control.
The saddest part is that I watched this film hoping to like it and believe that someone could fight the corporate film making machine from the outside.
McCormack worked in corporate film-making and documentaries but also holds an Honours Degree in Environmental Policy and Management.
As you might expect, this film relies not on hearsay or fictionalised evidence, but interviews with notable academics, experts and advisors from across the political, corporate and economic spectrum.
What I got from this film and my moderate modicum of knowledge of punk was that you either became corporate or rebelle and had no cause, ala the punks.
She comes along, of course, because she is an Alpha female, rich, corporate executive, which qualifies her to fight against Arabs with machine guns.
It's message concerning the perils of corporate greed and it's ramifications are very eloquently stated.
Director Michael Almerevda wanted to make "Hamlet" more accessible by relocating the play to modern corporate America.
It's absolutely ridiculous and suppose someone isn't working in a corporate clone setting, this makes their fashion rules silly and obsolete.
If "Nothing in Common" was supposed to be a jab at the corporate world, then it didn't work.
Corporate America can be a very cruel place.
Richard Jordan is suitably creepy in one of his last roles--really a variation on the local corporate slimeball he played in another made-in-FL minor classic, "A Flash Of Green"--as the killer.
A line-up of fine actors in obliging guest roles leave much to be desired like Boman Irani, Makrand, Tinu Anand or even Rajat Kapoor who recently gave a smashing performance in the very sleek Madhur Bhandarkar's 'Corporate'.
It tells us a whole lot about the golden age of television, of the country's torpor in the 50's, of the days when people who cared more for those dependent upon them than they did for themselves got run over by the corporate machine, and of the contrived and deliberate dumbing down of our national intellect.
Siddharth, in turn, promises to help Rahul become an independent businessman in the corporate world.
It's a fascinating case about the ethics of corporate power, and also about one person's noble attempt to expose and improve a corrupt system.
This film tells us so much about power differences and manipulation in corporate America.
Anna is forced to give up the home she loves and the nanny she adores when her father quits his job in order to dedicate himself full time to fighting for the proletariat against the repressive corporate powers of the world.
For a film with so much corporate backing, one might expect camera and lighting work that was at least decent enough not to detract from an already lacking project.
Now this Media could have done a Rebuttle Documentary on MM's Mocumentaries, but they know it wouldn't look sexy, if they would use sleek corporate Media Spinmasters to run it.
I think it is realistic of today's corporate scandals.
Of course, this being corporate Hollywood, they turn the Timothy Leary character (well played by Richard Todd) into a money hungry CULT leader "who must be stopped!"
Not that it's any big surprise that corporate interests supercede reporting/news on the boob tube, The Insider still chillingly portrays the plight of Jeffrey Wigand, ex tobacco company scientist, on his whistleblowers journey with the 60 Minutes TV Newsmagazine.
It's not the company you keep but the one you work for at issue here in this taut film about an ex-CIA agent who goes to work for a company that specializes in helping their corporate clients get the upper hand in any and all situations by any means necessary, but especially blackmail, as the central plot revolves around soborning a judge who has severely compromised his integrity by mounting up impressive gambling debts and extra-marital infidelity.
I have often imagined how the film of William Gibson's brilliant cyberpunk short story of corporate espionage and betrayal could be made.
Then it spends its last hour expounding upon the fragile and transitory nature of office friendships amidst corporate backstabbing for advancement and survival -- especially among temps.
Peter Pan grows up, gets married and forgets his past, turning into a fat boring corporate lawyer.
The Isle of Wight Festival in August of 1970 was the last of its kind, an event that was supposed to be an English Woodstock but descended into utter chaos as the Aquarian hippie ideal knocked heads with the emerging juggernaut of a corporate music industry ready to mass-market a "product" to the growing legions of rock fans.
She Hate Me almost makes me think of a very talented student rushing through in one night to write and present a sloppy thesis on the state of corporate America and male/female relations, and you do feel the spirit and ferocity at times of the same man who made Do the Right Thing.
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