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Cinema in sentence

2111 examples of Cinema in a sentence

Typical to Japanese cinema, often what isn't said is more important that what is, so to those not versed in Japanese film and culture, beware.
Bogosian probably nailed one of the toughest single-man performances in modern cinema.
A Lesson in Love alongside Smiles of a Summer Night are worth seeing for Bergman fans, to have the full image of the man's capabilities, and for those who love cinema with a heart.
I was a little afraid when I went to the cinema to see this movie.
Even now, a month later, I remember the footage of Aynur singing in an acoustic auditorium, and I try to remember the music as it echoed in the cinema.
Inarguably one of the most interesting filmmakers of the last 50 years, Werner Herzog has been pushing the boundaries of cinema perhaps more so than any other commercial filmmaker.
Although at times I was the only one in the cinema who was laughing, this is the main pleasure I took from the beautifully shot "Thirst" - laughter.
It combines the realism of French cinema with excellent characterisation, from Depardieu's lost Chabert to Fabrice Luchini's proud Lawyer to Fanny Ardant's complex widow.
What ensues in some spectacular scenery and mesmerizing scenes involving not only the three leads, but the other 3 gang members, as well as a newcomer with a small child, whose entrance is easily one of the ten grandest entrances of all time in cinema, partly because she sings one of the greatest songs of that generation.
A fantastic cinema experience.
Everyone in the cinema was laughing out loud throughout the film!!
It could become easy for people to assume that this is some kind of regular occurrence - in fact, even in the world of 'arthouse' cinema, such mammoth running times are extremely rare, for obvious reasons.
"Five Fingers of Death" is a classic of 70's kung fu cinema.
As the film that "broke out" HK cinema to the west, this is a must see for any serious fan of the genre.
Grabbed my attention on Netflix Instant Play because it was only an hour and a half long (it's nearing 4 am here), and because it's Norwegian, which I wanted to follow up with Dead Snow and see what else the country is offering in international cinema right now.
The second Yimou Zhang's movie I watched was 'No One Less' after which I realized what kind of cinema I'm now in.
I don't see why you even bother to post on these boards, when obviously you know nothing about cinema, robots, or people.
Robert Farrar's spooky score, the grimy set design, a few wild grisly murders, Bruce B. Alcott's grungy no-frills cinematography, plenty of deliciously robust, scenery-scarfing histrionics from a game no-name cast (Ross in particular is a total eye-rolling hoot), and the genuinely shocking surprise bloodbath conclusion further add to the overall infectiously seedy fun of this choice trashy chunk of 70's low-budget regional horror exploitation cinema.
Now, about two years later it was shown on television and I just wanted to know whether I would still like it as much as when I saw it in the cinema.
This is the only film I have seen in a cinema where the crowd applauded each chop, kick & punch thrown.
I still like other heist movies a little bit more (Jules Dassin's "Topkapi (1964)," just to name one), but there is no denying that this film is a good piece of pulp entertainment and a good example of what people refer to as "cool" cinema.
French cinema usually sticks to the ultimately arty films, and leaves the shoot-em-ups and star vehicles to Hollywood.
The language, the stark treatment and the natural acting (by a relatively unknown cast for that time) might have been even more shocking at that time for an Indian populace more familiar with fantasy cinema.
I also saw this at the cinema in the 80s and have never forgotten it, even though I have never seen it again anywhere.
A beautiful film about the coming of early silent cinema to China.
Why this never got a UK cinema release is beyond me, especially when we consider the crap that we have to wade through at the multiplex week on week.
Its a spoof, its an intelligent comedy, it has some a pathetic action and choreography (and mind it, it is intentional), good hummable songs, good performances by the entire cast, brilliant by Amir, Salman and Paresh and over all an script which is so rare in Indian cinema that too in comedy (watch David Dhawan, Harmesh Malhotra etc).
amazing long shots, sometimes with fix camera, so specific for Nordic cinema (let aside Dogma).
Even with all the cinema dealing with the trauma of the Vietnam War (Jacob's Ladder, The Deer Hunter, Apocalypse Now, and Taxi Driver to an extent) one feels that we don't even know the half of what happened.
Kurtz's monologue about an atrocity he witnessed as a Green Beret, and his later revelation, is one of the most chilling and well-delivered speeches in cinema history.
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