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Cinema in sentence

2111 examples of Cinema in a sentence

Undoubtedly this is the greatest film to have no discernable influence on mainstream cinema.
"La villa delle anime maledette" is one of the most unknown movie of this genre, shot when this kind of cinema began its crisis that continues still today, and director Carlo Ausino sounds totally new to my ears (althoug he directed six movies... this is the price Italian directors have to pay to not work in Rome...) .
We all laughed at the puns, the visual humour, and the good feeling you left the cinema with when it ended.
I had never seen a film by John Cassavetes up until two years ago, when I first saw THE KILLING OF A Chinese BOOKIE in a Berlin cinema, which I found interesting, to put it diplomatically, but not so special, I instantly wanted to see more of his work.
"Un Gatto nel Cervello"/"Cat in the Brain" is one of the goriest horror movies ever made.There is a lot of blood and gore,including chainsaw butchery,bloody stabbings and numerous decapitations.The film is also interesting as "self parody" of Fulci,but the gore and violence is the key element in it.Some of the gore FX were taken from own Fulci's movies "Quando Alice Ruppe lo Specchio" and "I Fantasmi di Sodoma"(both 1988),plus gore FX taken from Fulci-supervised "The Snake House" aka "Bloody Psycho" by Leandro Lucchetti,"Massacre" by Andrea Bianchi,"Non Avere Paura Della Zia Marta" by Mario Bianchi,"Non Si Sevizia i Bambini" by Giovanni Simonelli and "Luna di Sangue" aka "Fuga dalla Morte" by Enzo Milioni(all 1989).The scene where Brett Halsey beats the woman's face to pulp is from "Quando Alice Ruppe lo Specchio",a film Fulci had made for Italian TV in 1988.The chainsawing of the female corpse at the beginning is taken from the same film,as is the head in the microwave and the guy that gets driven over and over again.Highly recommended,especially if you like extreme cinema!
This black & white gem was shot marvelously by Gabriel Figueroa,one of Luis Bunuel's favorite cameraman.Film critic Lalit Rao saw "Nazarin" at Trivandrum,India during 13th International Film Festival of Kerala 2009."Nazarin" was introduced by eminent Indian cinema personality Mr.P.K.Nair as part of a special package called "50 years ago".This is a film which should be with any discerning DVD collector.
(Alright a very small part of us) These are the people who live under the rocks of their own lives and just so happen to be snared by the romance of cinema.
This is a wonderful piece of cinema and I can only hope that more people will run across it and add reviews.
We see portions of them as the cinema audience would in that bygone era(although some sound effects are included)in glorious b&w, while the rest of the movie is in pristine color.
Drawn by Pain is easily one of the best pieces of cinema I have ever seen.
There have been several books that have cited this as the earliest gay cinema.
As a big fan of 70's cinema it doesn't take much to satisfy me when it comes to these kind of flicks.
As a young man Starewicz was more interested in entomology than the cinema, but his unsuccessful attempt to film two stag beetles fighting led to an unexpected breakthrough in film-making when he realized he could simulate movement by manipulating beetle carcasses and photographing them one frame at a time.
When I reviewed the video for a local magazine, I called it "the greatest achievement in the history of the American cinema."
cool this is, as my sis was doped up on "better off dead" before i saw this (of which i raped & loved)-and no one, NO ONE can deny the embrace of awkward teenage humor in American cinema in the 80's - this gave birth to everything we have found tiresome in teen comedies..because with all the overuse of slow-mo, the current soundtrack, the new tech.
I wonder if cinema will go back to these roots... THIS IS the teen comedy...YES!
This is a skillfully crafted piece of cinema that deals with a teenage boys confused sexuality.The cut scenes within can be lengthy but the cinematography is beautiful.This film would not appeal to many people, especially those who are queasy about gay teenage relationships, but the more open minded can sympathize with the puzzled protagonist.
Only once is the wrong note struck, when old Miss Julia (a trained singer and music teacher whose voice is supposed to have been cracked by age, not shattered) sings so badly that the audience burst out laughing when I saw this at the cinema.
Like "Songs of the South" by Walt Disney, it may be the assumption of racial overtones that is preventing the marketing of this cinema.
This is Burt Reynolds'"Citizen Kane".Tragically nothing else he was ever involved in came close to approaching "Sharkey's Machine".It seemed to me that he put everything he had into it.It is a movie that is in love with movies.The opening sequence where Detective Sharkey single-handedly rescues a bus-load of hostages is an immensely exciting piece of cinema.
I loved the film so much as well as the songs that I went several times to the cinema to see it again and again.
Hooray for Korean cinema!
The variety of themes and level of achievement speak highly of a national cinema ripe for discovery.
The spectacle of Kermit on his bicycle is one thats as memorable as ANY in cinema history.
If Hollywood would make more quality films, I would probably go to the cinema more.
I had a special showing with a large group of mates to see the new cut and we all enjoyed it whilst having varying reservations.This revisionist and much closer to the truth version of events was probably too much for Americans to take when the film was first released but we all felt it had enormous merit and that its place in cinema history was also due for major revision
If you think it is crass for Hollywood to "borrow" from the French cinema just consider how much the French cinema has borrowed from Hollywood in the first place.Where would Belmondo and Delon have been without Bogart?Truffaut without Hitchcock?Jerry Lewis - not known for his subtle and cerebral style is idolised in France.Go figure........ Monsieur Depardieu is exceptionally good as the hapless divorced father of a precocious 14 year old daughter on holiday in the Bahamas together.
In retrospect, the 1970s was a golden era for the American cinema, as demonstrated and explored by this documentary directed by Ted Demme and Richard LaGravenese.
When someone refers to the independent cinema realm in the United States it's often inferred that it means the filmmaker or people behind the project had much more creative freedom and did what they wanted.
We went to the cinema expecting a biggish budget release and got an art-house movie.
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