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Character in sentence

10082 examples of Character in a sentence

David (the character) is enough inconsistent but cross(spend) to the people from below a good message " you unite and will overcome you! " Altogether we would say a film made in the 40s.
The second achieves some poignancy, but only via the outrage-inducing surplus of humiliation visited on its central character.
Ryan Gosling plays the titular character of Leland, who also serves as the film's narrator (a la Kevin Spacey in American Beauty, but without the intelligent observations on life).
Their is some speculation that Golino's character gives a hint of being a mermaid like creature and that is why she is having difficulty existing on land.
All speculations but I do think the films attention could have stayed with the character of Grazia.
In a sense, the character becomes stagnant.
I'm not sure if Steve Carrell is at fault here, you get a sense that it's his character that limits his abilities as a comedian, the former news anchor Evan Baxter is not supposed to be funny, he's basically an antagonist made into a protagonist which in this case only adds to the confusion of what this movies message is supposed to be about.
And John Lithgow as an ex football player who has had a sex-change operation is fantastic... he never once camped it up or made the character anything but commendable - and as such his performance had an incredibly integrity.
She's not allowed to do the low-brow slapstick that made her a hit on TV so she has to rely on building a character.
I thought maybe this movie was going to be a spoof of "The Crying Game" when Gere's character was introduced as the person who was going to hunt down "The Jackal."
Savannah was a likable character at the start of the movie but once she dumped him I lost respect for her.
I hope they got better movies than this, because this film failed to deliver on any of the hopes that audience may have entertained, from the fantasy of seeing James Franco without his shirt, down to more simple wishes, such as decent acting, coherent direction, character development, or actual production values.
Also there's a strong hatred of women in this garbage--the only main female character (Tyler) is constantly used as a sex object.
The fact that it was based on a Harlan Cohen book is telling, because rather than being a French film (strong on psychology and character), it's more like a John Grisham-esquire roller-coaster ride by numbers with ludicrous plot twists, flashbacks that update previous flashbacks, a predictable villain (as soon as his name is mentioned you think 'hmm, he'll be the bad guy!') and sets of mysterious stereotyped characters who seem to inhabit different movies.
By the end I was laughing hysterically at the unevenness of the film's tone (the scenes where the lead character is being helped by two streetwise shady characters are unintentionally hilarious), the utterly baffling plot, the absurd coincidences and strokes of good fortune (e.g.
Instead we have to endure a raw character exposée seen through the prism of his proto-bigamous relationship with wife (Sienna Miller) and childhood love (Keira Knightley).
Jake T. Austin's character needs some Ritalin.
David Henrie's character needs to visit a strip club and get wasted.
In one episode, the security guard is called "sir" by one character and referred to as a woman by all else.
What I loved about this movie is that the main character (who is not named on the box because Bolo brings more clout) is supposed to be a police detective...a great opportunity to drive around in a red convertible Porsche.
Claire Trevor's character is too stupid and unmotivated to have any audience appeal, and the action (such as it is) stays so resolutely inside that damned house in San Francisco the film becomes claustrophobic instead of genuinely thrilling.
It's one of those movies in which the supporting players -- notably Elisha Cook, Jr. (whose character's homoerotic itch for Tierney's is one of the few subtleties in an otherwise pretty obvious script) and Isabel Jewell -- out-act the leads.
First the main character is changed from an ex marine to a high school KID.
Also, the Eddie character is not interesting enough to carry an entire movie.
Almost every single character was an obnoxious stereotype and all the situations were clichéd and half the time there wasn't even any kind of solution.
I viewed the full length of it and was really relieved when the final character's death signalled the end of my suffering!
As we see the progression of Belushi's life pass on the screen, Woodward actually shows up in the film like a ghost character.
The old crew really seems to be out of character.
The lead character was suitably naif-like but also intelligent and very very open.
I particularly noticed that in Terrence Stamp's character, "Ralph Bernadette Bassenger."
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