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Audiences in sentence

800 examples of Audiences in a sentence

And when he openly sexually harasses the seemingly willing Joan Delaney (as the younger new female cop assigned to help him capture Davis and Borgnine), he just takes the character into dimensions that would have today's film audiences up in arms.
The movie, while being fairly lofty in content, is nonetheless very accessible given the the audiences predisposition to honest engagement and unbiased scrutiny.
This is a great movie for selected audiences who happen to be in the right mood for it.
His brooding "European" looks and deep and accented speech were instantly recognised by the audiences of his day and although never a major top-of-the-bill star, was a respected member of any cast (e.g.
This film boasts the advantage of featuring opera singer Grace Moore, the star of the previous film, in the lead role, yet it never really seems to amount to much and was not well-received by audiences upon it's original release.
Movies that are more about the inner lives, emotions and growth of the characters than they are about the situations depicted frequently have a hard time with critics and audiences.
The use of a stellar cast misleads unsuspecting audiences into thinking that they will be entertained, challenged, or enlightened by this film.
The overly emotional acting is highlighted by dramatic panning and freak breezes that even turn up in closed rooms, but it is exactly what the audiences want, and it goes hand in hand with the over-the-top lavish extravaganza of the sets and the well-choreographed song and dance sequences, since ENTERTAINMENT is all the movies aim at.
Alas British audiences will be distracted by the opening sequence where a cruel Nazi is played by the legendary Leonard Rossiter .
This is puzzling inasmuch as he was a good-looking fellow with a fine voice and real acting talent but perhaps the cold, cynical nature of his two major roles kept audiences from warming to him.
The sketch belongs to a low, unsubtle type of slapstick, something that may appeal to some non-Anglosaxon audiences.
This notion is tied in with a heartwarming story and the perfect cast of actors, making the movie accessible to all audiences.
At the time of their release, these films may have starred actors who were very popular and who were given romantic scenes to satisfy the audiences of their day.
On the face of it, the rewards seem obvious--money and adulation--but the desire for them itself reflects the true motivation of the actor-friends: desire for simple recognition of their talent in a system that chronically ignores and demeans them as human beings, artists, and professionals and -- at best -- underutilizes what they have to offer both film-makers and audiences.
I just couldn't figure out why he didn't it make big in the U.S. Maybe the American audiences are not just ready yet...
While audiences left the cinema entranced by the glorious melodrama of "Imitation of Life" and "Written on the Wind", they would have left "There's Always Tomorrow" feeling a lot less secure about their own lives, since it's a film that touches on a fair amount of "dangerous" territory, calling into question the very foundations of the American family.
of all the times that i've watched scrapple (some 100) in all kinds of venues (at 3 in the morning on a couch with other bar stragglers, at new york film festivals), nothing compared to seeing it in its hometown at mountain film festival, with a hometown crowd as they whooped and yelped at all the local references, ski town tributes and cameo performances (all of which still has appeal to broader less tuned-in audiences). it was like a screening of rocky horror picture show with the same level of participation and more; singing, line-readings, cat calls, wolf whistles, salutes (to Charlie Fowler and Bill Fandel).
This film blurs those two elements to charming delight by playing not only on imaginative fictional dream material but also acting as a commentary satire on how how audiences (not just in America) react to film and the relationships and escapades they share as a result of its influence and their chimera or more derogatorily, the ignis fatuus effect on their very subsistence.
The ending may be lost to modern audiences but Scaredy Cat is mostly successful in being spooky and highly amusing at the same time.
Some articles about the film have suggested that audiences might feel drained or exhausted from watching it.
"Godzilla" was supposed to be the monster hit of 1998, overwhelming audiences with its hype and special effects.
When audiences went to see the latest production of a tragedy by William Shakespeare at the Globe Theatre, there was a universal reaction by the spectators to what they were seeing on the stage.
Even a quarter century ago on its initial release, the film was largely ignored by audiences despite glowing reviews, Academy Awards, and critics kudos.
Audiences were yearning for a follow-up to the provocatively themed Easy Rider, something equally thoughtful about America's cultural malaise.
History, having no clear beginning and no clear end, is almost impossible to squeeze into the conventional story structures demanded of cinema-going audiences - at least as they are perceived by film financiers.
It's directed lethargically by George Sidney, as if he thought audiences would be so tickled by the elaborate Technicolor sets and costumes that he could just set up his camera and let it run.
Modern audiences, after all, are very little effected by the Cold War anymore.
The director said "i cut out some scenes to make audiences talk about this movie after watching it" but that means this movie doesn't make any sense.
Apart from the film's American title change, the print was edited drastically (and in some cases incoherently) resulting in an uneven and less enjoyable film than the one that those lucky audiences in Britain were able to see when the film had its UK premiere in 1947.
In addition, theaters catering to Black audiences had difficulties getting first-run film and Black audiences really didn't feel much connection to the all-White films Hollywood was producing.
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