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Audiences in sentence

800 examples of Audiences in a sentence

I have seen the movie at the Viennale a few years ago, where the audiences liked it.
Will play best with more mature audiences, possibly women, who may better empathize with the central character, her needs and issues.
9 episodes prior to the writers strike left audiences wanting more.
Mark Sandrich's previous film, 'Top Hat (1935),' completely ignored the Great Depression that was then bringing America to its knees, and presented audiences with a glittering world of the rich and famous; it was the film's optimistic outlook on life that perhaps contributed to its success.
In 1969 when this concert was shot, the screaming teenie boppers that threw jelly beans at the Beatles were gone and bands (and audiences) had settled down to long and often amazing displays of musical virtuosity--something that few audiences have the intellectual curiosity to pursue in the age of canned music by Britney and Christina.
I had to give this film a 10 simply because it did what so many films thrown at black audiences have FAILED MISERABLY to do.
It premiered at AMC Loews Boston and I truly hope this film makes it to much larger audiences.
And yet whenever television or the cinema make a programme or film about her, they seem far more interested in the older Victoria than they do in the young girl; the version of Victoria with which modern audiences will probably be most familiar is Judi Dench in "Mrs Brown".
Audiences back in 1936 must have been stunned at what they were watching: a full-fledged, beautiful full-length Technicolor film.
Audiences today will probably watch a film like Ossessione and not really consider how unprecedented it was during the time when it came out.
Produced, as were all the Snafu shorts, to be shown to military audiences as entertaining instructional films, 'Rumours' is extremely imaginative and crams tons of ideas into its very brief lifespan.
The kid takes up the number from there, wowing the deejay and the radio audiences, taking home first prize, sealing his bright future in jazz and claiming his place in the sun!
Obviously, for most parts this movie isn't meant seriously (there's a hilarious Robert DeNiro-like character called Nick Duran who curses in a ridiculously rude manner and who even gets to sing his own little song when the credits roll) but on the other hand the makers also seemed eager to gain the respect of horror audiences.
Bone chilling terrors with a hint of the fantastic await audiences who dare to enter The Orphanage.
The suicide element is so brief and tame, that this could still easily be rated G (remember, G doesn't have to mean kids, it just means General Audiences).
It doesn't need saying that Sergei Eisenstein was one of cinema's most significant innovators, and his mastering of the montage was forever to alter how films were made and perceived by audiences.
Oh yeah, James Woods is also in the film, but charitable audiences may do him a favor and forget he was even in it.
Through his media resources he taught his young audiences (even the young at heart) to appreciate cultural manifestations: Music, a very notorious one.
Non Ho Sonno, or Sleepless as it's commonly known to English speaking audiences, starts in 'Turin, 1983' where a young boy named Giacomo (Daniele Angius) has just witnessed his mother (Francesca Vettori) being brutally murdered by an unseen assailant, Chief Inspector Ulisse Moretti (Max von Sydow) promises Giacomo that he will find his mother's killer even if it takes him the rest of his life.
As the Bourne series raises the bar for action films, and audiences balk at two-plus hour runtimes, the filmmakers of Vantage Point seem like they are trying to bring a fresh, new, unconventional take on the action/thriller genre.
I hope more talented gay filmmakers will try there hand at this genre, which has proved itself so profitably to str8 audiences.
Openly gay filmmakers and writers such as Victor Salva ("Jeepers Creepers 1 & 2") and Kevin Williamson (the "Scream" movies and "I Know What You Did Last Summer" movies) have so far given us "eye candy" in the form of hunky guys, but their movies so far are engineered to mainstream str8 audiences.
However, both were too long for most audiences, especially this version of Les Miserables.
The Unknown is fresh and horrifying almost 80 years later -- the only audiences who'll be thrown will the the ones who have gotten so used to "realistic" cinema that they don't appreciate a story whose very reason for being contains nothing conclusive.
And what better fare for wartime audiences than a chance to escape the horrors with this slapstick whirlwind.
Adam Goldberg, Jared Leto and character actor Darren E. Burrows (probably recognized best by audiences for his role as Ed on the 90's hit sitcom "Northern Exposure") give what are about the best performances here as what little screen time each has is at least somewhat amusing, and to be truly honest the only moments of the film that got me to crack a smile.
After his fabulous PHANTOM OF THE PARADISE and horrible CARRIE and spew worthy BODY DOUBLE and the hilariously awful but compelling SCARFACE in the 80s, I basically gave up on De Palma and I actually believe most audiences did too.
I ran cinemas at the time and the audiences let us know their irritation at his bad films well known.
Mainly notable as Bela Lugosi's only film in color (he's actually quite good as a magician), it's narrated by a corpse (could it have influenced SUNSET BOULEVARD [1950]?) - however, judging by the absurd split-second flashes to the body on the morgue slab every once in a while, the film-makers apparently thought the audiences constantly needed to be reminded of this novelty!
I hope the upbeat feel of the film will attract audiences away from so much of the downer energy out there.
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