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Audience in sentence

3750 examples of Audience in a sentence

For a really wonderful movie, you could also try seeing the movie about Saint Francis of Assisi - good for any audience.
Suddenly something very real turns into something very fake, which is like sitting the audience down to a Thanksgiving feast then exploding it with dynamite.
And as culmination the rip-off from Amadeus, with Beethoven dictating music to Anna not in notes but in total nonsense, which she understands perfectly but no-one else in your audience even trained professional musicians will understand.
I have to admit that the whole audience I was in was laughing hysterically but the majority were Greek or Italian so I guess that this humour will probably make them laugh but not me.
It is so offensive in its clichéd depictions of obvious and easy targets it was fully rejected by the very audience it was intended.
Shoddy and cruel and with no attempt to offer quality or resonance to the young audience who might have been attracted by the marketing or casting SAMPLE PEOPLE might have been interesting or even informative if not botched by its exploitive view of 'what teens want to see in a movie'.
So God bless Turner Classic Movies for bringing it to a new audience.
While about 25 percent of my audience wandered in and out of the theater during the viewing (or left entirely) I was dumb enough to stick it out.
More of a character study then a movie, COMMITTED is yet just another relationship romp with the trimmings specifically made for a young, target audience.
The film resorts to meaningless ramblings and vulgar monologues, which seem to have no purpose other than boring and irritating the audience.
Someone, somewhere, said, this is how to make a movie: use a blue filter to make everything look mysterious, add plenty of slow motion shots of horse hooves splashing in murky puddles, add snowflakes hovering around while two boring characters are speaking to each other, and oh yes rain pouring down dramatically to distract from the fact that nothing is really happening, and don't forget the black silhouettes walking toward us with fire blazing behind them, and lots of torches burning, and of course blurry fight scenes during which it's not clear what is actually happening because we don't have the budget for the gory special effects so just throw in the sound of metal clanking, and, oh, by the way, don't let any character live long enough for the audience to understand them, relate to them or sympathize with them, and cross fingers, hope that fans of sword and sorcery films will eat it up, even though it is complete doo doo, and go straight to video, do not pass GO . . .
Ed Gein did not behave psychotic in public, he was very calm and collected and always extremely polite to everybody and talked to anybody who would listen, this is one of the major things this movie failed to show the audience.
Half of the people in the audience actually CHEERED when she died!
Also at the end one of the characters confessed a past misdemeanor to her friend, rather than generating sympathy from the audience, most people started to giggle.
This leads the audience to believe that there is more in store, but unfortunately it never really gets going once the scene has been set.
Helmed by controversial director Michael Moore, the show would begin, in the exact same manor as this show, with Moore interacting with the audience, and introducing segments, namely short documentaries and skits, which had been put together in an attempt to provoke thoughts about current issues.
What he says and does is often pandering and rude, and insults the ability of his audience to make decisions for themselves.
Clearly the import of the decision is obvious - you don't need to treat the audience as idiots.
"Garden State" is another of these "indie"-type pictures that supposedly skimp on production values for the sake of giving the audience some real true-to-life human drama.
It may have been thrilling for an audience in 1946, but the movie is now a bit boring.
and by the way Steven, when the audience starts paying more attention to the weird camera angles then the story you have a problem.
Capra, Hitchcock, all used some creative cameras but they were talented enough not to lose the audience in them or just show off with the camera.
Why the terrorists would choose a Stanley Cup final to carry out their operation and why, despite many explosions around them, the audience inside the hockey stadium is oblivious to the situation, are unanswerable questions.
Of course this is a lame remake of the 1979 thriller starring Carol Kane as the babysitter Jill Johnson....now Jill is some chick that ran her cell phone minutes up so high her evil parents are punishing her by making her work it off, probably something that the audience this movie targets can identify with.
Whereas traditionally low budget spooky movies are often trying to catch their audience by adding plenty of graphic violence, this one is trying to catch an audience by throwing religious mambo jumbo at the spectator.
must say i liked rachel on the food network on $35-$40 a day but i am sorry she does not have enough life experience to make her interesting day in and day out,give me ham on the street, anthony bourdain , interesting folks,but most of all i find her annoying, she actually told a member of the studio audience to "shut up" yes in a kidding way but shut up is shut up, and who cares about her pet stories, sorry rachel you been cancelled!!!!
Snipes is a gifted actor and physical performer but none of this has come to the surface in ANY of his DTV work, when the opportunity is there to give the audience a much more superior product than they are used to.
Not exactly a pretty picture, but this is the picture that the audience has to endure when watching what is nothing more than another tedious, noisy, overacted action movie.
By the end of the movie, it seems that all the cards were exhausted so the script becomes almost inadvertently funny in its efforts to find new levels of "horror", to continue to "shock" an audience which is already numbed by the plethora of dumb soap-opera "revelations" already served up in big bunches.
It's proof that movie makers and their financiers treating their audience with contempt isn't a new phenomena as it was done as early as the 1940s and HOUSE OF Dracula is a great example .
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