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Audience in sentence

3750 examples of Audience in a sentence

It was given the National Award, harvested the popular opinion and now is going to represent India before the international audience.
The film leaves obvious van Gogh puns to the imagination of the audience.
I'm sure somewhere there is an audience for "Tank Girl', but it is extremely small, perhaps punk comic book readers.
Another ungodly treatise from a talented actress-turned-director who, much like Sally Field and her film "Beautiful", cannot seem to stop winking at and nudging the audience.
I can't remember the worst film I have watched.Total waste of actors and audience time.If you prefer sitting by your TV and think when will be this film over,then this is the right film for you.Maybe this film is recorded to make people believe that Moscow has some mystique past.
Ultimately, it does itself a huge disservice (artistically, though most likely not financially) because it sets its audience up for confusion and disappointment simply because it neglects to deliver what it advertises.
I guess there are two ways to make a movie with kids as the intended audience.
The second approach explains why Steven Spielberg often make movies that appeal to a younger audience.
I think the producers made this film hoping the target audience (non-europe)would had never seen or heard of the 'General' or Martin Cahill and be enthralled in an intriguing and entertaining story.
Well, for those audience members whose only other movie experiences are TV: THE MOVIE and SURFER, DUDE; they might be bamboozled into nodding their heads in agreement.
Not something a mass audience would go for, but if you're like these characters they show you'll love it to pieces.
Comparing it to BBC Comedys like Only Fools and Horses, Fawlty Towers, Black Adder, and other classics, this series tends to drift away from the BBC's regular product to the audience and deliver to somewhat of a folk culture.
Navy Seals is an ignorant, racist and complacent movie which thoughtlessly uses the Middle East conflict as the backdrop for an action flick concocted for a comfortably sheltered American Mid-West audience.
The producers said that the British humour from "The Office" and the Australian humour from "Kath & Kim" would not translate to an American audience......... WHAT???
Director/adapter William Cartlidge has treated Wilde's original with such reverence that he seems to have completely ignored the needs of a cinematic audience.
The closest thing the audience sees to good skating is when Tara Lipinski's character takes a turn on the ice for a just a moment.
At least we would have gotten some emotion from the audience.
This is a "woman's weeper" with no faith in its target audience, so simplistic is the set-up.
There are times when I half expected a laugh track or an audience to go "Ahhh" at some point.
Ingratiating and handsome, Reynolds comes as close to winking at the audience as he can without breaking up; he seems to know these backwoods as well as any movie star, while director Joesph Sargent provides an easy pace and a sweaty ambiance which brings the South alive.
The only surprise to have any impact on me was its final snagging of the indeterminate ending cliche: will Jane keep her appointment with her attempted rescuer, who will tell her the (obvious to the audience) identity of the 2nd conspirator, propelling her into another round of hysterical victim-play.
This would infuriate an audience if this scene were in a movie.
Cedric the Entertainer's terrible excuses for flashbacks ruined the movie and seemed to be a bad way to try and get the audience to adapt more with the character.
Maybe the director was trying to increase the numbers of teenage boys in the audience.
The title is apt, in a sense, if aimed at the large studio audience paid to laugh like they were watching the second coming of the Marx Brothers.
Sometimes it feels like sitting in a theatre, because in dialogues the actors tend to face the camera (and therefore the audience) instead of each other.
I wouldn't call myself a big fan of the genre inventive silliness, so i might not be the best audience for this show.
I have to wonder what opinion the makers of this movie have of their audience to subject them to the idea of Polish gangsters in Buffalo, NY sending a contract murderer to San Francisco to become a mortuary assistant while attending AA meetings.
Nobody, including the audience, seems to give a damn.
I can't believe that is actually ends with a scene in which they think the audience cares about the characters.
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