Audience in sentence

3750 examples of Audience in a sentence

Now, I like in an audience, in Britain especially, to talk about the comparison with foxhunting, which is something that was banned after a long struggle, by the government not very many months ago.

I mean, I know I'm with a sympathetic audience here, but, as we know, a lot of people are not entirely persuaded by this logic.

So of course, there are some biologists in the audience, and I want to give some answers to some of the questions that you may have.

My mother, out in the audience, she jumped up, "Hallelujah, Johnny’s talking!" (Laughter) Imagine if you were quiet for 17 years and your mother was out in the audience, say.

Any parents of young kids in the audience?

So throughout the talk, I'm going to put lyrics up on the screen, and I'm going to recite some and I'm going to prompt you when it's your turn to do the response, OK? (Cheers) Now, I know some people in this audience know this song, so I need you to lead the way with the tempo and the rhythm, if that's alright, OK? Right, y'all ready?

And the inventor is in this audience.

I'd been trimming away the darkness, cutting away the pain and holding on to my trauma for the comfort of my audience.

I punched through that line into the metaphorical guts of my audience.

So all that is left is for me to do my best to make a genuine connection with my audience.

And as they step their way around and through the lives of the Lehman brothers, we, the audience, begin to connect with the simple, human origins at the root of the complex global financial systems that we're all still in thrall to today.

And whether we are creating these revolving giant chess piece time tunnels for an opera by Richard Wagner or shark tanks and mountains for Kanye West, we're always seeking to create the most articulate sculpture, the most poetic instrument of communication to an audience.

(Cheers, applause) I call my work stage sculpture, but of course what's really being sculpted is the experience of the audience, and as directors and designers, we have to take responsibility for every minute that the audience spend with us.

And in the case of the Canadian artist The Weeknd, we translated this flight path literally into an origami paper folding airplane that took off over the heads of the audience, broke apart in mid-flight, complications, and then rose out of the ashes restored at the end of the show.

It's the audience's anticipation.

Sometimes they sleep overnight outside the arena, and our first task is to deliver for an audience on their anticipation, to deliver their first sight of the performer.

And when the audience arrived to see Adele's first live concert in five years, they were met with this image of her eyes asleep.

(Cheers, applause) Es Devlin: With U2, we're navigating the audience over a terrain that spans three decades of politics, poetry and music.

It's a transfer from the stage out to the audience.

They're photos of the back of a set, the part that's not designed for the audience to see, however much work it's doing.

I'm looking at something that I find equally fascinating, and it's the audience.

And lately, I've begun to make work that originates here, in the collective voice of the audience.

And instead of that large single LED portrait that was broadcasting to the back of the stadium, in this case, every member of the audience gets to take their own portrait home with them, and it's woven in with the words that they've contributed to the collective poem.

The language of light reaches every audience.

But our work endures in memories, in synaptic sculptures, in the minds of those who were once present in the audience.

And these are six minutes they really prepared for the TED audience.

There is also another very important thing that I hope will resonate with this audience.

It's hard to see the pattern in the middle of the audience, it's hard to see the pattern of this.

And I know many of you in this audience want to have babies but you are terrified about the future.

And in visual effects, one of the hardest things to do is to create believable, digital humans that the audience accepts as real.

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