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Audience in sentence

3750 examples of Audience in a sentence

Dramatic irony is when the audience seems to know more about an event, a situation, or a conversation than the characters in the movie, on the show, or in the book do.
The audience is in on a secret that the characters have missed.
The audience wants, no, needs, to see the tension of the dramatic irony broken either by the scary person jumping out of the shadows or by someone finally revealing someone's true identity and clearing up the confusion.
(To audience) Thank you, guys.
It's the second hour and time for him to be in court with a sturdy audience of clients to applaud his rhetoric and hiss at his opponent.
And the audience loved it.
And then they use that data to discover all of these little bits and pieces about the audience: what kinds of shows they like, what kind of producers, what kind of actors.
They use data to first understand lots of pieces about their audience that they otherwise wouldn't have been able to understand at that depth, but then the decision to take all these bits and pieces and put them back together again and make a show like "House of Cards," that was nowhere in the data.
Bruno Giussani: Jocelyne, this is amazing, and I'm sure that right now, there are several dozen people in the audience, possibly even a majority, who are thinking, "I know somebody who can use this."
For a long time, I thought I had to shock my audience out of their indifference with disturbing images.
Without pauses, those in the audience can choose the language in which they want to follow.
Around the world, my shows air in 256 territories in 67 languages for an audience of 30 million people.
In both cases, the speaker's present their audience with a possible future and try to enlist their help in avoiding or achieving it.
Ethos is how you convince an audience of your credibility.
The point is to use factual knowledge to convince the audience, as in Sojourner Truth's argument for women's rights: "I have as much muscle as any man and can do as much work as any man.
Unfortunately, speakers can also manipulate people with false information that the audience thinks is true, such as the debunked but still widely believed claim that vaccines cause autism.
Aristotle's rhetorical appeals still remain powerful tools today, but deciding which of them to use is a matter of knowing your audience and purpose, as well as the right place and time.
For example, before aerial package delivery entered our social consciousness, an autonomous fleet of flying machines built a six-meter-tall tower composed of 1,500 bricks in front of a live audience at the FRAC Centre in France, and several years ago, they started to fly with ropes.
And what people in this audience do now with the knowledge that we are going to win this.
(Audience reacts) Yeah.
Now in front of me right now, I can see the audience, and I can see my very hands.
As I learned to light, I learned about using light to help tell story, to set the time of day, to create the mood, to guide the audience's eye, how to make a character look appealing or stand out in a busy set.
It can create unbelievable worlds, unbelievable movement, things that are jarring to the audience.
Because in the end, we are not trying to recreate the scientifically correct real world, we're trying to create a believable world, one the audience can immerse themselves in to experience the story.
Now, glassy-eyed is a fundamentally awful thing when you are trying to convince an audience that a robot has a personality and he's capable of falling in love.
He's sitting in the audience waiting for his turn to go onstage, and he is still scribbling notes and crossing out lines.
If you promise not to tell anyone outside of this wonderful TED audience, I'm going to divulge a secret that has been gratefully buried by history.
So if you accept that your number one task as a speaker is to build an idea inside the minds of your audience, here are four guidelines for how you should go about that task: One, limit your talk to just one major idea.
Before you can start building things inside the minds of your audience, you have to get their permission to welcome you in.
Stir your audience's curiosity.
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