Artists
in sentence
715 examples of Artists in a sentence
Now, when you think of glass, you might think of colorful Chihuly designs, or maybe Italian vases, but kids challenge glass
artists
to go beyond that, into the realm of brokenhearted snakes and bacon boys, who you can see has meat vision.
I'd like to thank everybody, all the scientists, the philosophers, the architects, the inventors, the biologists, the botanists, the
artists
... everyone that blew my mind this week.
And if I were to write a volume, it would be called,
"Artists
Who Have Led My Exhibitions" because my work, in understanding art and in understanding culture, has come by following artists, by looking at what
artists
mean and what they do and who they are.
My interest is in
artists
who understand and rewrite history, who think about themselves within the narrative of the larger world of art, but who have created new places for us to see and understand.
I'm showing two
artists
here, Glenn Ligon and Kara Walker, two of many who really form for me the essential questions that I wanted to bring as a curator to the world.
This exhibition included over 20
artists
of various ages and races, but all looking at black masculinity from a very particular point of view.
Can a museum house
artists
and allow them to be change agents as communities rethink themselves?
Think about artists, not as content providers, though they can be brilliant at that, but, again, as real catalysts.
To look at 1968, in the incredible historic moment that it is, and think of the arc that has happened since then, to think of the possibilities that we are all privileged to stand in today and imagine that this museum that came out of a moment of great protest and one that was so much about examining the history and the legacy of important African-American
artists
to the history of art in this country like Jacob Lawrence, Norman Lewis, Romare Bearden.
The space in which now, in my project of discovery, of thinking about artists, of trying to define what might be black art cultural movement of the 21st century.
I named this group of
artists
around an idea, which I put out there called post-black, really meant to define them as
artists
who came and start their work now, looking back at history but start in this moment, historically.
Really, most exciting about this is thinking about the energy and the excitement that young
artists
can bring.
I am always amazed by the way in which
artists
are willing to do that in their work.
Now, this exhibition, as I said, 40 young
artists
done over the course of eight years, and for me it's about considering the implications.
It's considering what it means for these
artists
to be both out in the world as their work travels, but in their communities as people who are seeing and thinking about the issues that face us.
So the last iteration of this project has been called Flow, with the idea now of creating a real network of
artists
around the world; really looking, not so much from Harlem and out, but looking across, and Flow looked at
artists
all born on the continent of Africa.
And as many of us think about that continent and think about what if means to us all in the 21st century, I have begun that looking through artists, through artworks, and imagining what they can tell us about the future, what they tell us about our future, and what they create in their sense of offering us this great possibility of watching that continent emerge as part of our bigger dialogue.
That's what makes me get up every day and want to think about this generation of black
artists
and
artists
around the world.
Imagine the thousands of
artists
who were destined to be legends but for various reasons, were just overlooked.
A recent look at the UK music market shows that the top one percent of
artists
in the UK are actually earning 77 percent of the total revenues inside the music industry.
If we can create markets for these artists, we will not have to employ them for digging earth and breaking stones.
It's because it's a lot harder for knock-off
artists
to knock off these designs because they can't knock off the logo.
So, that does not stop the knock-off
artists.
Tattoo artists, they don't want it; it's not cool.
And so, what I've done is, I started getting interested in creating online social spaces to share that feeling with people who don't consider themselves
artists.
(Music: "Wenlenga" / Various artists) Most of the popular music that we know now has a big part of its roots in West Africa.
And I decided to explore this movement by turning trees into
artists.
I decided to ask whether the lesson I had learned from trees as
artists
could be applied to a static institution such as our prisons, and I think the answer is yes.
But my point is perhaps that elusive space is what writers and
artists
need most.
Then, when I was in eighth standard around 13 years old, I started working in a part-time job in one of the signboard
artists
called Putu.
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