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Writer in sentence

1569 examples of Writer in a sentence

The writer and director have displayed the worst parts of a colonized approach to portraying Native people and communities.
Frank Sinatra plays a no-goodnik ex-soldier and frustrated writer, hard-living and hard-drinking, who returns to his Midwestern hometown and reunites with his estranged brother (Arthur Kennedy), now the town big-shot with a disinterested wife and headstrong daughter.
James Caan plays Neil--er..that is, George--a writer who can't seem to get back into life after losing his wife; enter spirited Marsha Mason (real-life Mrs. Simon...soon to be ex-Mrs.
For the uninitiated, John Cassavettes was an actor, screen writer and director (married to actress Gena Rowlands), nominated for Oscars three times, who wrote and directed a variety of good low-budget films using his income as an actor to keep himself afloat.
I wouldn't recommend this movie to anyone I know, but I do sentence the writer and director to watch this movie in hell for an eternity.
Also, Mark Ferris was the writer, at least one of them.
The French film "Extension Du Domaine De La Lutte" directed by iconoclast film maker Philippe Harel is based on the book of the same name written by a controversial writer Michel Houellebecq.He has also worked on this film's scenario.According to British cinema magazine Sight and Sound,it is also known as "Whatever".This film has been hailed as a breath of fresh air for French cinema due to its not so common theme of sexual politics and its implications on two stupid information technology workers.The film is marred by its much too evident voice over which introduces us to the main character.This makes us viewers feel as if we are watching a book that is bring read.
Here's where the writer should have added something that would make people think.
Before the thing started i was like at least the writer and director Roger Kumble did this one also.
The story around Eric Cloeck, the frustrated writer, is the only good thing.
Give some desperate scheming producer a blank check because he thinks any Film Noir titled crap will sell at the box office, add some over-the-hill hot tomatoes and just generally screw-up the story-line by some retard, drugged out screen writer, that's how!
The original playwright was actually the writer and director of the film adaptation; which comes as a double-edged sword.
On one hand, who better to translate the play than the original writer?
On the other hand, who better to not see the mistakes and drawbacks of the play and fix upon them than the original writer himself?
Whatever his name is (the writer and director) should be locked away in hopes garbage like this is never made again.
You've seen it all before: Burton plays a writer who discovered at an early age he possesses the power to move inanimate objects through force of his mind (and you thought "Carrie" had no impact on Hollywood!).
Clare Peploe, the writer and director of this movie, was inspired by a recent production of the play.
Senseless violence and what I can only assume is the written word of yet another junked up "eccentric" writer, who probably considers himself to be an artist, has resulted in a film which will test your patience.
The script is a nightmare.. the writer blurs the line between chemical and biological traits and doesnt seem to understand the difference.
The movie is something a novice screen writer could have conjured.
For instance, it has the actor, David Warbeck of THE BEYOND, the actress, Laura Trotter of NIGHTMARE CITY, the special visual effects creator, Sergio Stivaletti of Dario Argento's masterpieces, and the director (and also the story- writer), Alberto De Martino of THE MAN WITH ICY EYES and THE KILLER IS ON THE PHONE.
What Hopkins does succeed at with this effort as writer and director is giving us a sense that we know absolutely no one in the film.
I really hope someone decides to either re-make this movie with a better cast and a better writer or just make another similar film because this one was wasted potential.
Dieter Bohlen, Germany's notorious composer and producer of slightly trashy pop hits like "You're my heart, you're my soul" felt the need to tell his story - and gracefully he decided to hire a ghost writer.
I don't know what the writer was thinking missing a valuable piece of the movie which I'm sure his mother played a huge role in his life.
Yes, I've read this one is more faithful to the original play, but what a wise thing it was for the writer to change the script in '63!
I have also grown tired of films where the hero years to be a writer, this is naturally often something that real writers have experienced, but hardly a fresh element in a fictional story.
It gives the impression that its writer (Lynn Hershman-Leeson) has no real understanding of the Math, technology, or history constituting the film's subject, but is working instead from a sort of fuzzy artistic impression of them.
I met Steve in Portland in 1993, it was a year latter when he told me that he had been a writer in Hollywood years earlier, working mostly on TV promos.
Renown writer Mark Redfield (as Edgar Allen Poe) tries to conquer old addictions and start a new life for himself, as a Baltimore, Maryland magazine publisher.
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