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Whose in sentence

6259 examples of Whose in a sentence

But in THE RAGING MOON he was a strong, athletic young man whose future is wrecked by a physical accident that cripples him.
I just love "Dark Angel" - and not just because the spunky charm and great looks of Jessica Alba, but also because of Michael Weatherly, whose brilliant, low-key performance single-handedly provides a counter-balance to the series' outrageously futuristic plot.
Along the way he falls for a woman whose father is on the crime boss's pay roll.
enough to see ones based on the stories I'd read, my opinion was: the ones whose story counterparts I hadn't seen were decent on their own, but those based off of books I had were mediocre in comparison.
What can one say about a TV show whose main objective is to be as deliberately awful as possible, and that somehow is supposed to be brilliant comedy?
I am far more dubious about people whose only claim to notoriety is being the wife / daughter / grandson of some petty hit-man.
Titles like "The Brood" or "Rabid" are solid cult-gems that truly proved that he was a gifted filmmaker whose talent would only increase with every new project he set his intelligent mind to.
I saw this version as a child, and fell in love with Rochester and with Michael Jayston, whose performance is very winning, witty, and believable.
Unfortunately, I suspect that the author of such one-sided point of view cannot tolerate anything that does not come out of Hollywood whose films are indeed well-structured, well-paced and contain humour but at the same time are mostly idiotic, shallow and meaningless.
Dave Harr, whose niece was seven year old Penny Walker (Linda Bennett).
But it is the re-animated Uncle Dave, whose changed voice Mrs. Walker credits to a cold.
The Unknown is fresh and horrifying almost 80 years later -- the only audiences who'll be thrown will the the ones who have gotten so used to "realistic" cinema that they don't appreciate a story whose very reason for being contains nothing conclusive.
The plot lends so many elements from "Braveheart", "Gladiator" and the like that it almost looks like a parody on historic epics (the main character whose family is assaulted, the cry-baby incestuous villain, the triumphant sacrifice for freedom and so on, and so on).
Escaped convicts fall upon an old Spanish treasure protected by Priests that have become mummies whose soul purpose in death is to protect the treasure.
The characters are puppets whose master, Rian Johnson, has positioned them to do whatever it is that is most clever and elaborate to do, the fleshing out process relegated to secondary station.
Karloff himself plays a much more sympathetic role whose decent into partial madness is understandable here.
There weren't a whole lot of things a kid could count on when I was growing up, but there was- and always will be, for as long as life endures- the memories I have of a black and white magazine whose editor shared my love of the Fantastic; an editor who always seemed to me to be a kid at heart.
Enter David, portrayed by Van Heflin, whose ambition is hidden by an exterior that alternates between (1) warm and romantic and (2) cool and aloof.
The usually wonderful Paul Giammatti fares no better, coming off as a fat stupid lout whose dialogue was apparently written by someone who watched too many Lifetime movies.
In Gia, Gia is an international famous model whose life spirals downwards due to heroine addiction and dies due to AIDS.
In his 1994 Lamerica Gianni Amelio raises traditional linear Italian film-making to new heights using the methods of neorealism to carry his audience along on a dreamlike, ironic mythologizing journey whose mood and methods are all his own.
Also, the film got too wrapped up in the emotions of people whose lives were affected by personal debt and debt of loved ones, rather than tackling the inner-workings of the consumer lending industry, which I would have found much more stimulating.
Sans fin, essentially what we've got here is too shy people whose cultural differences make it hard for them to find love together.
The story's plot is simple enough- an Americanized Filipino American (Adam) whose life is in chaos returns to the Philippines to attend his fathers funeral, but instead, embarks on a horrific rescue mission to get his ransomed mother and sister back from the Abu Sayyaf, an extremist Muslim group.
Entertaining film about a young girl whose parents are mute and depend upon her to communicate to the speaking world for them.
The young girl matures into a young woman whose musical abilities and desires become paramount.
A character study which focuses on Li Gong's wonderful portrayal of a kept woman whose singing and beauty took her from peasant life to wealthy emptiness, there's little story to be found as the film moves serenely from cabaret song and dance numbers to pastoral scenic beauty.
Pumkinhead II is a mediocre movie whose flaws are accentuated by comparing it to the original.
"Wilbur" is the product of some fringe studio that goes out of its way to hire cinematographers whose use of light and space make actors look like lumps of ordure on screen, scriptwriters who are one grade above monkeys trained to bang on keyboards, directors who suffer from cognitive retardation and can't grasp three dimensional space or movement, and actors who are desperate to appear in any piece of drek, no matter how dreadful.
The actors from the series are all there, the ones whose characters survived the series anyway, and that is the only plus I can possibly give this movie.
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