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Whose in sentence

6259 examples of Whose in a sentence

The problem with books like those of Agatha Christie, Dorothy L. Sayers or S.S. Van Dine (on whose work this film is based), is that they are low on action or variety - whereas Sam Spade or Philip Marlowe traverse the mean streets of LA, working class tenements, bars, offices, wealthy mansions, and meet all sorts of exciting dangers and violence, Golden Age fiction is generally fixed in location, the scene of the murder, usually a lavish country house, and the action is limited to investigating clues and interviewing suspects.
Laputa, whose title seems to have affected its release in the U.S. to avoid confusion to its wide Hispanic audiences, has the cartoonish knack of the director's debut production Conan.
Its heros are a couple of dud detectives whose sophomoric attitudes lead them down some very silly roads.
Oh, and I have a couple more lasts to mention: it's the final film appearance of both Harry Bernard, who plays a harbor patrolman after years of encountering Stan and Ollie as a policeman, and that of Ben Turpin, the cross-eyed comic who was born in New Orleans which is a couple of hours away from my current hometown of Baton Rouge, whose second L & H appearance this was having previously "married" the boys in Our Wife.
This time he's a cattle driver whose response to labour problems - challenging troublesome cowhands to a gunfight at the end of the trail - results in his cattle being confiscated by John McIntire's larcenous judge of the Roy Bean school of law and order.
He is extremely convincing as the simple, kind-hearted and struggling Ankush, whose new love motivates him to make amends and fight for a better life.
Mr. Shatner, whose brill in ALL that he does, was again the hit of the show.
Jack Lemmon plays Felix, a hypochondriac whose wife lost him because she couldn't stand his cleaning and cooking attacks any longer.
Well done to the British film industry and to Craig Ferguson whose magic ingredients have made sure this is one of my favourite films of the year, if not of all time.
The premise is that an accomplished playwright, whose star is falling, receives a magnificent manuscript from a former student and so he plans to off his protege and appropriate his play, to the (loud) protests of his wife.
It will displease those whose palates require explosive, massive, spicy action.
They were the victim of a plane hijacking by extremists whose sole mission was to destroy buildings, but more importantly, people.
She plays a princess in this one, although the picture is actually a showcase for the talents of Terry-Thomas and Peter Sellers, both of whose stars were certainly on the rise at this point.
Fred and Ginger still come off all right--they play "Bake" Baker and Sherry Martin, dancers whose personal and professional partnership ended when Bake joined the Navy.
Bill Paxton is awesome, his directorial debut is even better than what I expected of an actor whose most memorable line is "Game over, man!
I had never heard of this flick despite the connection to George Clooney (whose company produced and he appears in a very funny supporting bit) and his Ocean's 11 director Steven Soderbergh.
Valerie Bertinelli plays Kathleen McAllister, a divorced small-town nurse whose depression... over the fact that the hospital ER she maintains may be forced to shut down because of a $100,000 debt is briefly lifted when she spots a newspaper picture taken by photojournalist Noah Greeley (David Cubitt).
The acting was excellent all round, particularly Tim McInnery and Brian Cox although the actor who portrayed ACD, whose name I cannot remember impressed me no end.
A toothsome little potboiler whose 65-minute length doesn't seem a second too short, My Name is Julia Ross harks back to an English tradition of things not being what they seem -- Hitchcock's The Lady Vanishes is one example.
Out-of-work Julia Ross (Nina Foch) finds a dream job at a new employment agency in London, whose sinister representative seems very anxious to ascertain if she has living relatives or a boyfriend.
A teenaged Claudia Karvan also gives us a glimpse of what would make her one of this country's most popular actors in years to come, with future roles in THE BIG STEAL, THE HEARTBREAK KID, DATING THE ENEMY, RISK and the acclaimed TV series THE SECRET LIFE OF US. (Incidentally, Karvan, as a child, was a young girl whose toy Panda was stolen outside a chemist's shop in the 1983 drama GOING DOWN with Tracey Mann.)
The film's Portuguese makers are objective because when all is said and done, we see that it makes no difference whose side one takes.
Sally Field is absolutely perfect as Celest Talbert, a fading soap star whose supporting cast is trying to get her replaced in hopes that their own star will rise.
The beginning of this movie starts in the past when Corinne Jeffries (Cybill) whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly.
"Guys and Dolls," the seemingly indestructible stage musical, was captured on film in 1955 by Joseph L. Mankiewicz ("All About Eve") in a colorful, enjoyable movie that featured an all-star cast including Vivian Blaine (from the original Broadway show), Jean Simmons (whose character bears an odd resemblance to Audrey Hepburn in "Roman Holiday") and two of the all-time great leading men, Frank Sinatra and Marlon Brando, both of whom had recently won Oscars for Best Supporting Actor ("From Here To Eternity") and Best Actor ("On the Waterfront") and were on the top of their game.
She plays a spoiled Southern belle whose fiancé (Henry Fonda) leaves her after a socially embarrassing event.
The movie's plot is rather thin: Jackson is a cop whose partner was just killed by a gun-smuggling ring.
Dubbed and low-budget, this horror movie is long, boring, and not particularly interesting except for the parapsychologist whose presence and storyline is wasted, Kevin McCarthy completed wasted, and a plot premise that held promise but wasn't fully utilized by a script that seemed to wander.
Destitute and down-hearted, our ever-chipper little owl-pal (whose name happens to be Owl Jolson!) finds a radio talent search being held nearby and is overcome with joy.
Wallace Shawn, the author of "Marie and Bruce", who wrote the original play in which this film is based on, is a man whose work in the theater leaves a lot to be desired.
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