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Vocal in sentence

254 examples of Vocal in a sentence

Having read the book by Kostelanitz who wrote a biography of Lanza, he explains that the constant practise and vocal lessons became the visionary Caruso to Lanza.
The resemblance was often uncanny, and he clearly studied Lennon's mannerisms and vocal inflections.
Specialty niche networks (nude sports), a TV show about stoner drug dealers called the Dealers (ala Weeds, and even predating 1978's Cheech & Chong Up In Smoke), weird beer commercials (Butz Beer, no less bizarre than Bud Bowls), dirty-minded kid's clown Koko (shades of Pee Wee Herman), even Chevy Chase doing slapstick humor (a violent barbershop vocal duo) a year before his 1975 debut on Saturday Night Live.
They even removed his vocal cords.
The jazz vocal narrative is annoying and out of place.
The young Domingo's fiery Latin emotions with his imposing looks, and the very slender and also young Stratas' passionate interpretation (especially in her facial gestures) are totally convincing and captivating, as are, needless to say, their vocal talents, among the greatest of the century.
She combines compelling acting, unforgettable vocal agility, and (almost unheard of in opera) a very thin, attractive physique.
Their combined vocal talents bring genuine class to the turn of the (last) century tunes, providing a veritable cornucopia of some of the era's most recognizable standards.
All leads demonstrate outstanding vocal technique and dramatic showmanship.
It is some of Goulet's finest singing, Falk plays the perfect shallow friend, and Howe,the comic female, and the townsfolk tenor are fantastic.They convey all the romance of the musical, sadly lacking in the Gene Kelly version,(hampered by weak vocal performances and eccentric character portrayal, sorry Gene & Van).
He has the voice, looks and talent yet was denied the starring role in the film to an actor with no vocal talent whats so ever.
Dubious accents aside (and with all due respect to the Yorkshire vocal style, the film is at least understandable this way...), the acting was of a high standard, the dialogue excellent and the key characterisations well drawn.
Shah Rukh Khan and Kareena Kapoor meld delightfully in their romance, but after seeing a few other movies with these two superstars in them, I admit their acting skills are not exceptional-I noticed that their facial expression and vocal fluctuations are almost identical in other films.
Ross does not exactly sing like Holiday, only getting a few of her famous vocal nuances in, but they are some of her most passionate performances caught on film.
Jerry and Lucy Warriner (Irene Dunne & Cary Grant) are a married couple who get a divorce--their only point of contention appearing to be the custody of their dog "Mr Smith"--because Jerry thinks Lucy cheated on him with her vocal coach Duvalle (D'Arcy).
There are so many goose-bump inspiring vocal and instrumental performances by some of North America's most legendary musicians.
Even Frog strains his vocal chords with "She Works Third Tub At The Laundry".
Maybe if more viewers understood this and were more discriminating and vocal about their television viewing, Hollywood and advertising sponsors alike would get the message that it is better to have a show that interests a lot of people than try to get advertisers that want or don't want to sponsor a particular show.
i'm willing to give Catherine Deneuve a lot of slack, because she is so beautiful to watch, but the thing that's troubling me here, in part, is that both she and Malkovich are lending their names to a film where they do little else, as also in the otherwise wonderful "I'm Going Home." unlike Johnny Depp, who has made his home in France but hasn't presumed to impose himself on French cinema, Malkovich keeps turning up but never seems to vary his vocal cadence, nor his basic persona.
The songs are awful, the vocal characterisations weak, the story confused, the dialogue puerile and the animation, at best, a pale imitation of Disney.
His vocal work, though not sure if it's his voice or an imitation, is superb.
Jonathan Banks shows his versatility by giving the same dry performance were all accustomed to, despite an unusual vocal disposition.
Flynn tries hard, but lacks a bit of the vocal power he developed soon after this film as released; nevertheless he is more-than-adequate and intelligent in his role.
Not to mention the great songs by Japanese folk singer Kazuki Tomokawa also known as "The Screaming Philosopher", due to his somewhat gruff vocal stylings.
There's not only great vocal humor, but the visuals and especially the body language coming from the actors is classic.
However that hardly matters because the real pleasure lies in the smart script, engaging vocal performances and first rate character design.
I've been operatically trained for 7yrs now and am about to go to school for vocal performance and I think Freddie's got a ton of talent!
The set list of Mr. Coverale's favorites, gives an intimate look at the relationship he maintains with his life-long, loyal fans, as well as crowd shots of a new generation of young people obviously smitten and drawn in to this amazing singer, whose vocal range has been amazingly well-preserved throughout time.
Being on an epic movie kick lately, I decided to check out again this "lost" debut of Arnold Schwarzenegger's where not only is his then unpronounceable surname changed to the unimaginative Strong (in the manner of the stars of Italian peplums) but his voice was also dubbed by an American actor for U.S. theatrical release (which is unsurprising as his original vocal track - which is how I watched the movie myself - is virtually unintelligible at times)!
Jolson performs some amazing vocal pyrotechnics, impossible for any other pop singer I've ever heard, a long note on the word, "come," he actually changes the timbre of his voice in a way I have not heard from any other singer.
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