Victims
in sentence
1711 examples of Victims in a sentence
This is a joke, there is nothing wrong with being low budget, but this is a laugh, If you want to look at the classics, Freaks of Tod Browning, the
victims
of Dracula and Frankenstein, the Undying Monster, Ernest Thesiger, Paul Wegener's The Golem and the passengers of The Ghost Train, you can't compare it, it gives it a bad name, bad acting, bad screenplay etc.
The nastiness of it all, rape and all, is shown without any distance (unlike strong stuff like "Last house on the left") and utter contempt for the (perfect ?)
victims
and everybody involved, leaving the viewer to be treated as a sadistic voyeur.
Within hours the surrounding area is crawling with the flesh easting undead on the look out for fresh victims, Kenny (Deran Sarafian) & his army buddies find themselves in big trouble as they stop to help Patricia (Beatrice Ring) & her friend Lia (Deborah Bergammi) who has been pecked by zombie birds (!).
Something about a computer that can change personal objects into silver balls that enter the
victims'
mouth, which kills them or turns them into zombies.
There was no look at what made Dahmer tick, no exploration of who his
victims
were.
Has he raped other
victims
before?
The plot was unbelievable especially with regard to the
victims
son.
Here we have a movie taking elements from the earlier 'Dracula' (1931) and 'Frankenstein' (1931) -- in a Germanic town the village leaders believe that vampires (in the shape of bats) have been the cause of recent deaths of bloodless
victims.
Because you got to see them as real characters this makes you like them more as an audience, and makes you more sympathetic to them as totally the
victims
of the white government, who you can not sympathise with.
If anything its problem is that he's trying to throw in too many influences (a bit of Machiavelli, a dash of Godard, a lot of the Principles of Chess), motifs and techniques, littering the screen with quotes: the film was originally intended to end with three minutes of epigrams over photos of corpses of mob victims, and at times it feels as if he never read a fortune cookie he didn't want to turn into a movie.
I know why,after I secretly watched it when it came on Disney,when I was 9.I felt emotionally gutted after seeing all this evil going on.I was moved to tears.But as dark and ugly as it was,it serves a purpose.To let people what is going to these and other kinds of animals,and why they are endangered.This documentary wanted to get the message across about this endangered species,and I hoped it worked.Its not fake like the True life nature films by Disney,they don't teach about why animals are going extinct.The encroachment of land,the killing off of the foxes main prey,and senseless killing of these beautiful animals;has resulted in them becoming endangered.I wish they would make sequel to this movie,(Glacier Fox 2005)to see if they're being treated better.Maybe have it be about a vixen pup named Teresa and her siblings growing up.This movie also kind of reflects what happens to human families sometimes,especially when one of the parents suddenly dies.The surviving parent takes on the roll of both,and tries to teach the important lessons of life.It isn't always enough to protect them when they're adults,especially when some of their lives becomes ruined.Or they fall
victims
to tragedy themselves.Best all around soundtrack and musical score I've ever heard.
It seems a vampire is loose in a small German town draining its
victims
of their blood.
Concretely speaking: Starting from a dialect point of view and portraying the fascist state, the underground fighters must necessarily use the basic means like the rulers do, and between offenders and
victims
there is thus a chiastic relation, so that every offender is also victim and every victim is also offender.
Other than an occasional weeping widow, the
victims
fulfill the function of being the reason the movie exists.
(Possibly over 50 victims, mostly women and children) The performances of Stephen Rea as the lead detective and Donald Sutherland as the overall investigation lead was superb.
Babyface - Notorious Barbara Stanwyck flick where she is told by the local professor type that she has power- he tries to get her to read Nietzche- she says books ain't never done her no good.Soon we find out her father is basically pimping her out to a local politico and others.Finally she has had enough and relocates to the big city.We follow her trail of men up the ladder of success in an international bank.The dialogue is quite saucy for it's time and it was one the last films to come out before the self inflicted Hollywood production code.Look for a cameo by a young John Wayne as one of Stanwyck's willing victims.Part of the Forbidden Hollywood collection - I watched the extended version- the DVD has both versions plus Red-Headed Woman and Waterloo Bridge.An interesting movie and foreshadowing for future femme fatale roles that Stanwyck would play in the era of film noir.
(other segments in that serious were about the Baker Ejection Seat; an instrument to find avalanche
victims
etc.
I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting
victims.
This one is overcrowded with retarded
victims
just practically begging for their life to be taken.
He kill'em all, they are often the
victims
(Screwfly solution, Pro-life, Valerie on the stairs, I don't remember the Argento's episode in season 1, etc., obviously Imprint).
It tells a story that I'm sure is very realistic to many rape
victims
in small towns today, and I found it to be very believable(which is something hard to find in other rape centered movies).
Someone(or, something thing..)is leaving puncture marks on the jugular and draining
victims
of their blood till dead.
She's not exactly gentle either, as her
victims
are barbarically stabbed with a dagger, dragged behind cars and even impaled on fences!
When Marty does it to his victims, they become turned onto him/her.
It is by far the best I've seen that depicts the current reality in Latin America...kidnappings, corruption, ruthless and greedy police officials and heartless mayhem towards innocent
victims.
Although the work's cardinal theme relates to Socialist dogma, the unforgettable power of this film is held in its details, born of Pabst's nonpareil skill at weaving numerous plot lines into a cinema tapestry that stirs one to admiration for German rescue squads of whom their Fatherland is greatly proud while no less despairing of disastrous losses to the families of French victims; certainly, a seminal triumph fully as stimulating today to a cineaste as it was at the time of its first release.
Should anybody be surprised that these 3000 deaths are given the same weight elsewhere as the West gives to thousands Tutsi, Tamil, Bosnian, Chilean, Kurdish (need we go on)
victims.
The audience will see glimpses of him outside, watching, stalking his
victims.
He splits the
victims
apart.
He is the brother of one of the Sheriff's
victims.
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