Value
in sentence
5399 examples of Value in a sentence
i now know the
value
of checking with IMDb as to whether or not a movie is worth watching.
This is a good looking film, the production
value
is good considering it's obvious a low budget project.
The Laughing Dead is an incredibly cheesy low budget film without any
value.
Regardless of the superiorities that are evident in the original, this version isn't without its shock
value
and thought-provoking commentary on voyeurism and violence.
Farmer is presented more as a comely production
value
than a full-blooded character.
My family and I have watched this show for 20 plus years for the sheer enjoyment and entertainment
value.
For the film: it's incredibly dumb, has a very ugly production value, bad acting and has such an intense pace that you feel it could end any moment.
No, it is a cheap, trashy, commercial, gangster movie with no morally redeeming
value
at all.
- you'd see a parody of the Edgar Wallace series, very low budget - well: cheap - German crime movies from the early 60ies that still get some admiration for their tackiness and camp
value.
The characters are mean and self-serving, promoting the
value
of "being useful" over common sense logic such as "self reliance".
Turn your head and run from this movie, other than the "Attractive Female"...and the parrot this movie has no real
value
to anyone anywhere...I know B movies aren't always good...but this one, just makes me sad.
Scenes are very hard to see as there is virtually no lighting of any real
value.
It's actually a waste to have a guy like Slater, who can act when he wants to, attached to this in-name-only sequel, but Hollywood was thinking name
value.
Connie Selleca, whose acting rivals that of Ali McGraw as the worst actress ever to hit Hollywood or Made-for TV-Movies, has little redeeming
value
in this film.
A lame B-flick which smacks of indieness and amateurish autuersmanship features a mediocre performance by Charbonneau, Strathrain for a heartbeat, Buscemi in a bit part, poor production value, and a hokey script/screenplay.
What you are left with is an odyssey of "my perverted world and welcome to it" over and over....and the women in Caveh's relationships almost deteriorate in
value
during each relationship...only to escape from him which just further tortures him.
Just wish we had been provided with the payoff - what was the
value
of the trip?
The movie has lost none of its entertainment
value
on me.
I'd never read any book at all by Howard, let alone this one, so I have to take the movie at face
value.
My criteria for excellence is quite simply entertainment value, regardless of the genre (i.e., drama, horror, action, romance, etc.).
This is one of very few existing East-German sci-fi flicks, and it's certainly not lost its
value
of entertainment over the years.
I find it is clever without being profound, its characters are unusually believable and well-developed; and it is a light-hearted look from beginning to end at a very interesting plot question--the precocity of young people who lack categorizing definitions, life-experience and therefore the context to make prioritized
value
decisions; in a word, it's about the problems adults have with children who want to act as grown ups without having the means to do so successfully.
The plot is strikingly similar to that of another notorious potboiler - SHE-WOLF OF London (1946) - but, at least, here the monster is seen (albeit ineffectively made-up): despite the titular reference, the script pays little to no credit to previous cinematic incarnations of the R.L. Stevenson novella - opting, instead, to indiscriminately incorporate elements of lycanthropy and vampirism which make no sense at all...but which lend the film
value
as a unique curio and one which, in view of its sheer audacity, it is difficult to hate (indeed, the whole misguided enterprise reminded me of the contemporaneous FRANKENSTEIN 1970 [1958])!
I am a European and white and feel that this story / these stories, while Native American in origin and tradition, have something of enormous
value
to teach all of us.
The riot sequences are staged for utter seriousness--and they are filmed and edited with precision--but they don't come organically out of this story, they are interjected for shock
value.
I particularly despise the use of killing a child for nothing more than shock
value.
The moral is, all people have value, whether poor or old, and when one is entrusted with the care or safety of another, one should treat that life as if it were his own in all cases.
Completely empty in terms of content and entertainment value, it's one long, painful slog.
With absolutely no social or entertainment
value
whatsoever, this film makes it painfully clear why Texas filmmakers seldom receive respect in the industry.
It had moral
value
and sweet moments.
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