Value
in sentence
5399 examples of Value in a sentence
I feel sorry for them, their friends are obviously only interested in being best friends with the rich girl, and they'll never know the real
value
of money, or what it's like to actually earn your own money - which is such a good feeling!
if this movie had played up its camp
value
(ala Die! Mommy, Die!), this could have been a funny film.
The overall ineptitude of this film and the monumental waste of talent does warrant some kind of perverse redeeming
value
to it however.
The philosophical
value
in this movie is about as heavy as gold.
Certainly viewers who insist that their movies must be politically correct learning experiences or must have educational
value
like a two hour university lecture will abhor its lighthearted approach and historical inaccuracy.
I could not really see any
value
in showing Konkona Sen Sharma bathing and talking to Jimmy Shergill for so long.
Watched at face value, this movie was decent.
I love the first SLUMBER PARTY MASSACRE partially for nostalgia
value
but mostly because it's a genuinely fun movie, so I figured I'd give a go at this one, ignoring warnings such as the 4 Star Joe Bob review on the front of the video box.
Oh yeah , that probably wouldn't be funny because they don't have any redeeming
value
to demean.
This film is worth seeing for curiosity
value
alone.
For the great Giallo-genre, especially in the mid-70s, this film bares very few murders and little bloodshed, but that does in no way lessen its
value
as a terrific Thriller that no Giallo-buff, or even suspense-fan in general should miss.
Especially to those who set the main
value
on the mystery aspect of a Giallo, this is an essential film.
However, virtually everything of
value
in this film was obviated by very, very sloppy hand-held camera work.
The last stand of Cook and Moore.This seminal work from aussie director and music video legend Mulcahy is a fitting epitaph to the disintegrating comedy partnership of Pete and Dud during the recording sessions for what would later become the ad naeseum album.The film is by and large a torrent of swearing, drunken verbal abuse,and generally obnoxious behaviour documented for public consumption.If you are a christian,a woman or a person of high moral
value
look away now.
The whole freaky nun thing was silly, but none the less added to the entertainment
value
of "little witches" I would say, go rent it...it's a good laugh.
Forget Romero, this thing doesn't even manage to muster up half the entertainment
value
of Bill Hinzman's laughable (though oddly enjoyable) 1988 rip-off REVENGE OF THE LIVING ZOMBIES (aka FLESH EATER).
Probably the only
value
of this movie is to see Jayne Meadows at a very young age.
And like the rest of us I dont like to lower my standerds once a a while for pop-corn movies that arent very good but still have some entertainment
value.
A carousel accident, orchestrated by "evil" psychic Andrew Stevens (in a chilling performance), has great entertainment value, and the liberal use of blood and bulging prosthetic facial veins goes a long way towards elevating this film to cult status.
Nothing of
value
occurs with out characters, because they give us nothing to care about.
Skip this one: no entertainment or camp
value.
Remember the sheer (albeit cheesy) entertainment
value
of the 80s prime time shows?
The movie has no pace, tension, shock value, nothing at all.
This movie contains the famous bantering and mind games that Bud Abbott always pulled on Lou Costello...this adds to the entertainment
value
and it is great to watch a movie that is just plain entertaining!
There is too little documentary
value
in this docu-drama, and frankly speaking I do not exactly know what the BBC invested so much in it.
The film focuses on the history of a gladiator by the time the Colosseum was built we learn a few new facts about the daily life and training methods of the gladiators and the organization of the fights, but the documentary
value
is too diluted and the fiction part not really too interesting.
They take the best clips from the series that most people have already seen and place them one after another out of context, thus stripping them of any of the original comedic
value
or suspense.
What little
value
the tremulous first-person photography contributes to this lukewarm chiller is far surpassed by its hopeless shallow narrative.
The reality is that new stories can also have
value
of fleshing out and perhaps exploring situations we have not seen Holmes in before.
I have enjoyed Terry Zwigoff's work in the past, especially Crumb, and Ghost World was even slightly acceptable for entertainment
value.
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