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Trains in sentence

331 examples of Trains in a sentence

A kind of road movie in old-fashioned trains in the Slowenian late summer province.
I find that movies of this kind, to do with Ghost Trains, etc, are best viewed at night time with the lights out.
Santiago Douglas is a a handsome young man, barely older than she, who also trains there.
She trains to be a boxer and there she meets featherweight Adrian and begins to fall in love with him.
Not only is this the first real horrific movie since a very long time for me who am pretty hard-boiled with a decades long experience of horror starting with driving through dark rides (ghost trains) as a child.
The idea of a human being able to interact with the trains and people of Sodor has some appeal; sadly that - and watching Alec Baldwin having a ball and Peter Fonda attempting to "keep it real, man" - is the only high point in this film.
In "Shanghai Triad", Yi-Mou Zhang trains his lens on a gangster's girlfriend and her young servant boy as the mob lurks in the background doing what mobs do.
He inherits a sword (with a thirst for blood) that was cast off into the stream by his grandfather who was tired of seeing battle and war, and from that day on Asoka becomes the envy of his stepbrothers because he trains himself to be invincible on the battlefield.
The trains have little to do with the (confused and disjointed) plot of the film, they give what can best be described as extended cameo appearances, which presumably are meant to prop up the wooded acting performances (of all but Didi Conn).
Btw the trains towards Timisoara were stopped in those days by the communist regime, that city was practically closed.
Good film, good acting, great trains and the U.S. countryside never looked more beautiful.
The scenes where he trains with the master of sword remind me all those hundreds of cheesy Rambo-Kickboxer movies where the white Americans kick the asses of their Asian adversaries in the field of the martial arts after having trained those arts for some 10 minutes.
This is an easy, simple to understand movie that involves trains, which is really all that matters.
It was boring, pointless, not funny and was almost insulting in it's completely false representation of Indian trains and the people who work on them.
I liked the scene where Liam Neeson's character evaded capture by using trains to get away.
Great use of Chicago locations, though the "L" trains running past my house don't appear to have the conveniently flat roofs to jump on.
The way the film makers have managed to mix the real life with the animation of the trains is excellent and having the trains speak themselves is brilliant too.
It is about trains, frontier America, flower-faced girls.
There are no such modern and fast trains in the country (the average speed is 50 km/h), the city is a copy of some swiss, Bavarian or bohemian town and the beach is shot at some tropical island (there is no golden sand in Montenegro and the color of water is totally different).
The first shot establishes the state-of-the-art in trains -- one that would look modern even by today's standards.
Obsolescence happens to trains as well as to people -- the old machinist goes to the 'garbage can' just as Porky's old train.
He loves the trains and the silliness of the whole movie.
Playing 459 times this month on all the Bad B-movie channels, Steve Martin plays a watered down Neal Page from "Planes, Trains and Automobiles," a much superior movie.
You might not like the trains or the ragtime music but you'll have to appreciate the situational and physical qualities of this film.
It's no wonder he adored trains, the most elegant of machines, and brought them into his movies whenever he could.
The movie has quite intense moments, something I don't experience too often, and the three disaster scenes, the aircraft, the subway trains and the solar flair are brilliantly carried off.
My only criticism is the newswreel type footage used to depict the moving trains.
We'd get airports, airplanes, ships, buses, trains and many more, all in inferior films, but in Die Hard the action is set in a skyscraper, and director John McTiernan handles the claustrophobic tension with breathtaking skill.
It was war, people (Jews, Poles, Gypsies, etc.) where being hauled off in cattle trains by the minute, Nazis shoot people as sport and seize control of government, homes, businesses and yet a menage a trois was living a happy dissolute life because they have each other... that's suppose to be touching?! Give me a freakin' break!!!
James Mason is intense and snarling as a demanding ballet impresario who falls for ill-fated ballerina Moira Shearer, who, unbeknownst to him, is suffering from a bad ticker; Leslie Caron plays governess to ungrateful brat Ricky Nelson, both magically touched by the powers of Ethel Barrymore, reputed to be a witch; Kirk Douglas (as Pierre!) is a former star of the trapeze who trains suicidal Pier Angeli to be his new partner under the Big Top.
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