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Theater in sentence

1594 examples of Theater in a sentence

They pumped the whole theater full of the gas.
And theoretically, I suppose if we opt for a film where someone gets brutally murdered or dies in a fiery car crash, we are more likely to walk out of that theater feeling like we've got it pretty good.
The electricity powering the lights in this theater was generated just moments ago.
MT: Which means magic is theater and every trick is a story.
Now Ted was a New Yorker, an all-around theater guy, and he was a self-taught illustrator and musician.
That gets you security theater, where there's no actual security, but people are sort of playing parts in a play about security.
And one of the most remarkable was the tanagra theater, which was popular in the early part of the 20th century.
Now, I won't use mirrors, but this is my digital tribute to the tanagra theater.
About 75 years ago, my grandfather, a young man, walked into a tent that was converted into a movie theater like that, and he fell hopelessly in love with the woman he saw on the silver screen: none other than Mae West, the heartthrob of the '30s, and he could never forget her.
But helping Africa has been turned into a theater of the absurd.
If we start one of those community plates spinning, that's really great, that really starts to empower people, but if we can then spin that community plate with the learning plate, and then spin it with the business plate, we've got a real show there, we've got some action theater.
But still, I'm a producer, and the lure of a site-specific theater project was more than I could resist.
They understand that theater and performance can happen anywhere.
So Back to Back takes site-specific theater and uses it to gently remind us about who and what we choose to edit out of our daily lives.
That was the moment where I was standing in a community hall in a place where this Castlemaine community had given me such support for 20 years, this community had backed my work, I'd played footy there, I'd done theater there, I was so grateful for what they'd given me.
The major thing that inspired me, that led me on this path, that made me a filmmaker eventually, was traveling folk theater that would come through the town and I would go off and see these great battles of good and evil by two people in a school field with no props but with a lot of, you know, passion, and hashish as well, and it was amazing.
After seeing that Jatra, the folk theater, I knew I wanted to get on, you know, and perform.
The reality is, there's the Woolworth Building in a veil of smoke from the site, but it's now like a scrim across a theater, and it's turning pink, you know, and down below there are hoses spraying, and the lights have come on for the evening, and the water is turning acid green because the sodium lamps are on, and I'm thinking, "My God, who could dream this up?"
So what, your actors studied guerrilla theater at the London Rep? Let me tell you an ancient Chinese Saturday afternoon kung fu secret.
A lot of our students get into theater.
We've installed tubes throughout the theater, lower to the ground, because CO2 is heavier than air.
And you know from personal experience that when you go to the movies, you walk into a movie theater, and if it's empty, you're delighted, because nothing's going to be between you and the movie.
But if you walk into a live theater and you see that the theater is half full, your heart sinks.
You're disappointed immediately, because whether you knew it or not, you were coming to that theater to be part of an audience.
You may have walked into that theater as an individual consumer, but if the theater does its job, you've walked out with a sense of yourself as part of a whole, as part of a community.
And Free Shakespeare in the Park is based on a very simple idea, the idea that the best theater, the best art that we can produce, should go to everybody and belong to everybody, and to this day, every summer night in Central Park, 2,000 people are lining up to see the best theater we can provide for free.
I was blessed to commission and work on Tony Kushner's "Angels in America," and when doing that play and along with "Normal Heart," we could see that the culture was actually shifting, and it wasn't caused by the theater, but the theater was doing its part to change what it meant to be gay in the United States.
And that program proved something to us that we knew intuitively: people's need for theater is as powerful as their desire for food or for drink.
That's what the theater is supposed to do, and that's what we need to try to do as well as we can.
I saw performances of Deaf theater and of Deaf poetry.
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