Terms
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5685 examples of Terms in a sentence
Other reviews have talked about how frank this film is, especially in
terms
of male frontal nudity.
Of course, in slasher terms; it's the gore that is most important, and given Troma's track record where the red stuff is concerned, I was expecting buckets of it.
Where do I begin, its one of the most frustrating movies I've seen because it makes a lot of sense in
terms
of the point but it comes off as seriously stupid.
I went into this movie with very little in
terms
of expectations.
I have a high level of acceptance for films of this ilk in
terms
of low budgets and marginal talent, but this film lacks any real purpose other than to be crude and sick.
As a paean to American Filmmaking, it succeeds in
terms
of mood (helped by a few strokes of masterful editing segueing between time periods) and visuals (not helped by said score) but lacks narrative cohesion and fluidity.
Unlike
Terms
of Endearment and Steel Magnolia's, I left the movie theater feeling VERY disappointed.
I've seen bad horror movies before (Manos, Troll 2, HOBGOBLINS!!!) (shudder) I would have to say that Demon Wind could definitely contend with any and all of these films on
terms
of sheer stupidity.
RKO was trying to boost its starlet JOAN FONTAINE when they cast her as a flying nurse who is strong-willed enough to make a doctor (JOHN BEAL) come to
terms
with running away from responsibilities in this little programmer.
From Assalam Valekum to Gayatri Mantra, Himesh has tried every thing, to create an aura of his so-called singing talent, which is nothing but atrocious pronunciations of words like Tanhaiyya, which completely kill the beauty of the terms, so commonly used for love songs.
Yet with the morals upside down, the film revels in hero worship, and the people who disagree with are painted in simplistic idiotic
terms.
I don't recall a Bible passage where Lot turns into a pirate and attacks the ark, nor do I remember one where Noah's son develops a serious friendship with an orange, nor do I remember Noah being some crazy old loon who suddenly acts like he's commanding a naval fleet and runs around shouting nautical
terms
like "hoist the mainstay!"
The events that he is rapidly forced to come to
terms
with are the separation of his parents, the culture shock when his Pakistani roots collide with a complete breakdown of English straitlaced society in the sixties, his father's dubious transformation into the revered Buddha of Suburbia, and the turning of his cousin into a feminist militant as his best friend suddenly becomes an icon of the burgeoning punk movement in the seventies.
Besides her svelte body there is pretty much nothing in
terms
of cinematic value.
And in
terms
of action, it's really nothing more than a series of brutal attacks and oh-no-they-didn't shocks.
It's the story of Howard Brackett (Kevin Kline) - a small town high school English teacher who on the eve of his wedding is outed by a former student who happens to win an Oscar and who then has to go through what can only be described as a period of self-discovery as he comes to
terms
with being homosexual.
The result is typical Lucas -- far more interesting in
terms
of its structure and the way it's edited than the actual material.
are 2 big budget "event movies,which,in my opinion, are a very hard act to follow,in
terms
of special effects and scenes of destruction.as
They find some kerosene (useless in
terms
of re-filling the tank of their bus), a storage room full of half-poisoned carrots in tin cans, and a native hermit who views them with indifference.
The one fellow amongst them who appears to have something on the ball in
terms
of survivalist techniques goes off to get help.
Despite decades of tax incentives, in
terms
of international visibility the Canadian film industry still lags behind most central African and Islamic states (surprisingly few Canadian films are released outside their native shores), and Nouvelle-France aka Battle of the Brave is another example of why.
In
terms
of historical accuracy, this is the absolute worst Roman film I have ever seen.
I really tried to like this film about a doctor who has the possibility of a new life with a young woman if he can comes to
terms
with the death of his wife.
But what to do when the non-Italian original is already a reputedly notorious film and quite difficult to surpass in
terms
of slop and controversy?
Well then, I guess, you simply disregard everything in
terms
of story-building or stylishness and fully focus on making something that is practically a porno movie!
"Ghost Son" is a weak and intolerably soft horror film, even talking in
terms
of mainstream ghost stories.
This is, in simple terms, one of the worst films ever made.
It isn't that Lubitsch is overrated--on the contrary, he probably was ahead of his time in
terms
of a visual narrative--yet the projects he became attached to (or was assigned to) are not quite the landmarks of comedy his fans like to label them.
Ashley Rose Orr, while a talented tap dancer, and singer (actually a little better than Temple was in
terms
of the latter), is a terrible actress.
The couple of scenes where they discover the bodies, are pretty convincing (in
terms
of creepiness), but they are in shrill contrast with the rest of the goings-on (featuring just every-day-life stuff of the family settling in).
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