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Tends in sentence

592 examples of Tends in a sentence

Our heroine, Fiona, is a quiet child, who tends to isolate herself.
We all know that Euro-horror films tends to be misunderstood or not even taken seriously.
I agree with a previous reviewer in that one tends to remember this movie for a long time, or at least parts of it if my memory is correct and not corrupted by time.
Hardly anyone can control this machinery, he tends to think on its own.
The film tends to preach at times and has a moral about gold, greed and sacrifice.
I hate to say this about the man who gave us Who's Afraid of Virginia Woolf?, but Mike Nichols tends to be one of the dullest directors in Hollywood.
I've long been convinced that popular fiction and movies are true barometers of social history and The Enforcer tends to bear me out.
For a few moments this tends to strain credulity when watching this in 2010 but we're soon wallowing in the great casting that tosses such disparate actors as Bob Steele, Zero Mostel, Everett Sloane, Roy Roberts, Ted de Corsica and Bogie into the mix.
Not very I imagine---and in particular the plot itself tends to confuse the audience as it has virtually no connection to the first (which sequels really should have, though a number of them rarely do)!
(Performances???) This series, in which each episode runs less than a half hour, and in which uses up nearly four and a half minutes for head titles and end credits over live action, tends to appear historically incorrect, or shall we say inaccurate, in its pretense to portray popular celebs of the day.
but tends to sag when Armand meets his ex-wife in her office and they do a little song and dance routine.
This tends to anger the bar girls because if they aren't in the bar they can't find another customer.
I think the mood of the film is not so good, the pacing tends to drag after half an hour and the climactic scene with "Bogey", Woody and Keaton I think didn't emphasize all the potential of the script.
However, there is a limit as to how far you can stretch the underlying storyline and therefore it tends to be a bit repetitive.
Yes that's right, whenever she has an emotional line, she tends to yell at the audience and scream her thoughts.
Billy Chung proves that he has the makings of a good director, even if he can't quite get rid of all the sleaze that tends to appear in his films.
Davis's reaction to this and her ultimate sacrifice as redemption, when she later tends to fever - infected Fonda at the movie's climax encompass the main plot to this grand old piece of Hollywood costume drama.
I have noticed in these productions that he tends to step out of character and address the audience with comments such as: "Colour and movement, that's what you need when the plot is sagging a bit".
The script is full of holes and aside from simply not making much sense, tends to do that thing where in order for plot twists to work everyone would have to be a complete idiot.
When Jess Franco adapts a De Sade story for the screen, he tends to put forth a good deal more effort than with the bulk of his other projects.
Karloff tends to take the stage most of the time with a quiet, but riveting performance as a Greek general slowly crumbling into madness.
Meanwhile sit back, relax, and laugh yourself silly with a charming, 'little' film that tends to be so much more.
One tends to think what has happened to Ram Gopal Verma's quality of production.
As someone who tends to shy away from documentaries, Stolen kept me on the edge of my seat the whole time!
The 30th animated Disney "classic" is, without a doubt, one of the most famous Disney classics, which is a good and a bad thing either, because its success tends somewhat to overshadow other very good Disney classics (often better than this).
He doesn't wear a cape or tends to his usual "mad scientist" lab here.
The acting tends to be magnificent.
Do you ever find yourself watching a TV show and thinking, "I wish that had been done differently."? Do you ever find that a show which has great characters tends to be a spine, a cover and several hundred pages short of a good story?
For being the introduction to one of the most enduring horror series in European cinema, FRANKENSTEIN'S BLOODY TERROR is rather lame - apart from being an edited variant of the original Spanish cut, bearing the more accurate title THE MARK OF THE WOLFMAN - but one tends to forgive Paul Naschy the many shortcomings of his script on this occasion because here he was still treading the waters, as it were.
A surviving human brother tends to the house, cleans up the bodies and blood and has an overacting, beer-guzzling, white trash adoptive family that want his inheritance to contend with.
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