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Tactics in sentence

568 examples of Tactics in a sentence

I've noticed in reading down some of the comments that there are people who were offended simply by the fact that the Polish twins use elliptical storytelling tactics, and I want to say, that's one of the things that makes this film so great: its willingness to embrace the mysterious as an aspect of everyday life.
Yes, Jenny is a vicious harpy, but if I were in her shoes, but I'd probably match her Cruella tactics to stop my husband from straying.
It has humour ("You're just making it up as you go along!" "Yup, but I do it brilliantly"), action, monsters (in this case still more kick-ass cybermen), tragedy and scare tactics.
I can never get enough of his "strong-arm" tactics, just like in Moving.
Perhaps it could've been improved with some cheap exploitation tactics thrown in such as gratuitous nudity and lots of gore...
Poor acting, no script, no plot, no convincing killer, no suspense, no original setups, it uses the same closet/under the bed/person-behind-you-in-the-mirror tactics over and over again making it repetitive and boring, and NOT in a foreshadowing way either, and the fact that NOBODY ever "really" gets killed (at least not on screen) , which in turn zaps any suspense it may invoke right out of it and makes everyone feel eve MORE cheated for spending money on their admission ticket....its a horror film w/o any horror LMAO.
Granted, there's a few decently sleazy moments and a little gore, but the way in which the movie was shot and the overall storyline just struck me as an idiotic and lazy attempt at profuse "shock" tactics...
It's one of those movies that start off promisingly, before betraying its audience with cheap scare tactics and an incoherent storyline.
'1408' is the latest hodge podge of cheap scare tactics.
A terrible storyline (Amis at his worst), pointless and self-conscious 'decadence', obvious shock tactics and patchy acting make this film (rather like "Rancid Aluminium") embody everything that went wrong with the much-vaunted British film revival.
Not only does the film's author, Steven Greenstreet, obviously idolize Michael Moore, but he also follows in his footsteps by using several of Moore's Propaganda film-making tactics.
Laura was based around love, and this film is based around hate; as we watch police detective Mark Dixon, a copper already suffering scrutiny from his superiors for his heavy handed tactics, accidentally kill a suspect and try to pin the murder on a known criminal; a man by the name of Tommy Scalisi.
Based upon the true story of two NYC cops - later dubbed Batman and Robin - who singlehandedly employed radical tactics to clean up their precinct neighborhood of drugs, this is a cop-buddy movie before that term became a repetitive formula.
It stars Dana Andrews as Sergeant Mark Dixon, a detective whose brutal tactics have landed him in hot water with his superiors.
Since the main character is a female, it should be obvious that she does not necessarily need to resort to "macho-man" tactics in order to gain the respect of her peers.
Sinister weapons and torture tactics are used throughout the movie and adds to the movies feel.
2. Fandorin acts like Rambo (shooting Turks in beginning) - no such tactics is possible in these days - they fight very different 3. soldiers - in these days Russian army was full of hard mans - not geeks and so on.
The Free Form Fighting System is also still in use, so spamming powerful attacks is still possible, however, this comes closer to The Sands of Time in the combat, with more strategy and tactics necessary, among other things because of those archers... arrows in general are present in this, and they are very welcome.
It seems to be all build up, but director George Bowers' predictable touch can't seem to raise much in the way of suspense and really overuses the usual scare tactics with miserable results.
(I know this because I used to study and teach Soviet combat tactics.)
the jedi tactics are staggering.
Plenty of valiant support too from Robert Buchanan as Charlie who finds himself fresh out of luck with the ladies and is therefore reduced to irritation tactics in a vain attempt to court their favours, all of which goes wrong and he attempts to hitchhike from StrathClyde to 'Caracus', where he's heard that the women out number the men by 8 to 1. Clare Grogan is slow-burningly sexy as Susan and a special mention too for Allison Forster for her brilliant betrayal of Gregory's dour and deadpan sister Madeline.
The black lady in the FBI was pretty darn dumb about the tactics, that annoyed me.
And they should spend a bit more time researching the tactics!
No one has to know all these details but it's not like one is asking the director to move a mountain just to show the (cooler) actual tactics that we would have seen had we been watching the battle... Sure not many people will care about the added accuracy but...what have they got to lose by it?
Peter Falk gives an amazing performance as a small time Boston bookie who's far too reluctant to enforce the tough tactics of his mob boss.
John Newlands' beginning monologue reels you in, to have you gripping the arms of your chair during the story, too scared out of your wits to even move, then having the story ending to Mr.Newlands epilogue to further heighten your anxiety of being too fearful to go to sleep!! Unlike..Twilight Zone, Hitchcock, Night Gallery,Tales from the Crypt, Outer Limits and X-Files which ALL have humorous episodes which discount their "scare-quotient", and leaves you disappointed....however "O.S.B."satisfies the most discriminating of "scary-movie" tastes !!! O.S.B never had one "hokey" episode that would tickle your funny bone and that is what makes for excellent scare tactics.
Not only is this pure unadulterated propaganda crap, it's also EXTREMELY dated and isn't worth watching due to it's horrendous use of fear tactics.
But the movie is let down by a lot of factors, namely the helicopters, weapons, and tactics.
The movie makes good use of the actuals tactics and methodology of present day jihadists.
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