Sympathy
in sentence
566 examples of Sympathy in a sentence
At first I was worried that the show would milk his OCD too much for humor value and make it a mean spirited run-on joke, or that it would become too sappy with fawning
sympathy
for him.
We see this world very realistically, with no excuses but we still feel great
sympathy
for Keane as he struggles to find his missing child and recreate his life through friendship with a woman and her daughter.
I agree with another reviewer that the device of having the girl speak to the audience, seeking our
sympathy
for young couples without money, who wish to marry, is a very awkward device that distracts from our interest in the relationship.
Unfortunately no one had the nerve to tell him it was a small role and he gives us his usual "lovable" foreign schmuck stereotype,shouting and waving his arms.His comical misuse of the word "Pussy" should have you rolling in the aisle.It has Tom Arnold in a rather bigger role.He too spends most of his time shouting and waving his arms in between "hilarious" attempts to kiss Hugh Grant.It also has Joan Cusack,a sort of madonna (with a small "m") figure worshipped for her fecundity.She too is very loud,her screams in labour are truly terrifying.And then there is Julianne Moore wafting through the movie half - heartedly,looking as though her mind is really on where she left her car keys.She is so disinterested she can barely be bothered to look at Hugh Grant,which is a sentiment I can at least have a certain
sympathy
for.
Every scene propels the film through the collaboration of Gilbert and Sullivan, hitting most of the high points and portraying the lows with the
sympathy
and understanding that creative geniuses deserve.
I have for a long time felt a great
sympathy
(in the sense of fellow feeling) for lesbians, and if these three short dramas did not make all but the most rabid homophobes feel that they were perfectly normal human beings, with the normal human emotions, I don't know what would.
Because the ENDING completely destroyed any
sympathy
I had for what the main character.
No
sympathy
for the characters, bad language, Chicago (again)!, contrived plot ---------- that's enough!
Crawford clearly understands this woman and doesn't play for
sympathy.
SHE has
sympathy
for the monstrous Harriet, and we can feel it.
The "humour" of the film is at the expense of these pathetic characters, for whom it is hard to feel much sympathy, and their complusive and repetitive behaviours rapidly become irritating.
Unfortunately, too many people have been fixated on comparing it (often unflatteringly) to Park Chan-wook's
Sympathy
for Lady Vengeance.
As the torture worsen you feel more and more
sympathy
for the girl; this is what makes the movie excellent because it captures the audience in a very powerful way.
"I've got it, Jim!" "What's that, George?" "What are the two subjects we can combine to evoke
sympathy
from a guilt-ridden audience while still being original in an annoying Paulie Shore kind of way?" "The Holocaust and a team of break-dancing ninjas from the future?"
The film would have been MUCH better if the attempts to gain
sympathy
for the criminal had been deserved.
Meanwhile, we only get a vague impression of the tension between Andy's growing respect and even
sympathy
for her boss and her horror at the costs of following Miranda's footsteps.
No
sympathy
should be the punishment.
"Sympathy
For Mr. Vengeance," by the same director in the first of the vengeance trilogy, contained meaningful violence with character and story development.
The novel's Candy is led farther and farther into lovemaking because she embodies
sympathy.
The worse part of the film were the characters who I couldn't identify with or hold
sympathy
for any of them.
The film is very well written in terms of creating
sympathy
for Neville and then bit by bit deconstructing his character.
First of all, the story develops very well and in the course of time characters gained my
sympathy.
Nobody (except maybe Carides and Stiers, and to a certain extent Fishbourne) is going to win much
sympathy
from the audience, but the story stays on task all the way through, and the observations it casts on corportate behavior are not so far out.
While I found this film truly entertaining, it seemed to strive toward getting the
sympathy
of the viewer.
They inspire little
sympathy
and the horrible acts perpetrated by the creature are almost glossed over to the point that one can reasonably ask: what is all the fuss about?
There are the solid characters of Bickford's Slim, Meredith's George and Bohnen's Candy; Steele was at his best as the vain, pugnacious Curley; Veteran character actor, Noah Berry Jr. as Whit adds another element of
sympathy.
I don't consider myself a saint, but I could not relate to, or even feel
sympathy
for any of the characters.
The plane could have crashed in the movie and I definitely wouldn't have shed one tear of
sympathy
for Christine or any of the other flight attendants on board...DON'T LET YOUR GIRLFRIEND DRAG YOU INTO THIS ONE!! lol 2 out of 10...got the 2 because of Mike Myres's small part.
After I saw this film, all I could muster was a "Yeah, and...." I guess my point is that Van Peebles is trying to muster up
sympathy
for black cinema actors while pointing the fingers at the mostly white movie studio and casting executives of that time, and, taking from his example, I could make a film which musters up
sympathy
for the white actors that were portrayed as extremely racist or prejudiced landowners or business people or action stars or in any other bad light just as easily.
It shows us both sides of an ending affair and makes you feel
sympathy
for each character.
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