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Surroundings in sentence

212 examples of Surroundings in a sentence

No one in power seems to care about the impact the release of that much energy (which by the film's end includes, among other things, the entire yield of a hydrogen bomb) will have on the surroundings.
And unfortunately, by the time the movie ends, the surroundings are the suburbs of Los Angeles.
Though I would have to agree with them on the surroundings, they simply aren't rating the movie as a whole... they are infatuated by the surroundings but miss the overall review.
A film about an interesting and sensitive period of history, filmed in beautiful surroundings, managed to present an appallingly trivial and clichéd production, grossly clumsy script, poor continuity, intrusive slushy music, sugary casting, and pallid acting.
Inept martial arts actioner, while having better production values then most ninja movies, fails to inject any life into the surroundings, or for that matter actionscenes.
I believe that if you just watch one episode of the show you cannot judge in completely on that one episode, (this include the movie) You must at least watch a series of this show, get inside the characters, become familiar with there surroundings and the situations which they are in.
The film uses music not as a score laid in later, but as a practical part of the scene playing from speakers, radios etc. Coppola uses a classic piece of literature as inspiration, taking scenes and characters, and putting them into entirely different surroundings.
It is much closer in spirit to the now very dated Just Jaeckin film from 1973, taking a pokerfaced look at male/female relationships, questioning such then hot topics as fidelity and jealousy, all in luxurious exotic surroundings.
Clicking and holding down the button at anything you can affect gives three options for what to use with it(be it a person, a specific part of the surroundings or an object): Hand(push, pick up, open, etc.), eyes(examine, look through, etc.) and mouth(eat, converse, etc.).
As to the film itself, this is an excellent all-rounder with good picture quality, more than satisfactory soundtrack, lively plot involving suspense, emotion, sadness, frustration, feeling good and exotic surroundings ( for a European ).
The first feature-length adventure of Jim Henson's beloved muppet characters is a very competent musical comedy vehicle as Kermit The Frog leaves his carefree, swampy surroundings for the bright lights (egged on by stranded Hollywood agent Dom DeLuise who overheard him singing); on the way, he meets Fozzie Bear (a pitiful stand-up comedian at James Coburn's El Sleazo Café who has Telly Savalas for a bouncer and Madeline Kahn a patron!), the piano-playing dog Rowlf, bestial drummer Animal and his laid-back, funky band, egomaniacal beauty queen Miss Piggy (in a ceremony presided over by Elliott Gould and Edgar Bergen), etc.
This all under the masterful direction of Antonioni and Wenders who both love to pin his characters in exotic locations and have them dwarfed by the surroundings with long wide shots.
That none of the three films ends up being a disappointment is less a testament to the creativity of the material but to the pound-for-pound guts that director Takashi Miike takes with the surroundings and the material.
When it comes to those eerie and uncanny little crime films, the sorts that revolve around characters that are bordering on scum and inhabit equally scummy surroundings, and additionally carry that wavering and bleak feel thanks to some pretty grotty cinematography and some very black comedy; Dead Bodies is the sort of film Paul McGuigan wishes he could make.
The imagery of this film which is closely related to the director's previous film Songs from the Second Floor is of utmost importance to the story, thus this story is told to a great degree by the surroundings and the environment in which the characters of Andersson's universe dwell and interact.
The acting is quite good too, the actors look comfortable and believable in their surroundings and most importantly the jokes are actually funny.
Like the hip clothing and funky surroundings, the actors in this flick work well together.
Alter Egos do not come funnier than the creation of Sacha Baron Cohen's Ali G. Completely misled by his delusional and non-existent sense of the Middle England Suburban surroundings that his social background consists of.
She does not settle in within 10 minutes as what happens with other time travelling adventures and neither is she the female equivalent of James Bond ready to take on all comers.Cleopatra is overawed by her new surroundings and frightened by some of the weaponry on display as most of us would be.
This is just a real slapdash of a mess, and the dilapidated surroundings practically stink of manure and don't make this much easier.
However, the movie encourages that we control our surroundings with our minds.
For one, it has his old friend Paul Fix in it; Fix, being a much better actor then the standard Lone Star villain, brings a much needed professionalism to the surroundings instead of the usual hesitant line-readings often delivered in these oaters.
The shoot-out finale is right off the assembly-line, and Dobson herself seems less energetic than before (she's still sexy, and she puts a unique spin on her comically-stilted dialogue, but these surroundings may have been too much of one thing for her--she's jaded).
That's only the surroundings.
Biggest problem with the picture may lie in the casting: Colbert and MacMurray are an ill-matched pair of lovers hindered by the witch-hunt, MacMurray being far too contemporary a presence for these surroundings.
A stay in different surroundings (Italy again) to dim the heartbreak of loss...or perhaps that's how I saw it?
One or two lines from Kenan Thompson, David Koechner (we really should see him more) and Sam Jackson are humorous and Julianna Margulies is as good as she can be considering her surroundings, but sadly, that's it.
I didn't expect much from such a small film, but perhaps a little more time and effort should be put into the characters and their surroundings.
A quiet, sweet and beutifully nostalgic movie on how it is to be confronted with old friends and surroundings from your youth with all that memories and the problems and sorrows of the present with you.
Because like in any horror movie your surroundings are usually pretty dark.
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