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Subway in sentence

155 examples of Subway in a sentence

This Norwegian film starts with a man jumping over the subway, apparently committing suicide.
The two of them get on a subway, and as soon as the doors close they ask if they could have everyone's attention for a moment, and that they are selling candy bars or M&M's or something, and then they proceed to sell some bars.
If you (as I) have ever been on a subway in New York city, at any time, this is the kind of situation that happens so often you almost don't notice it.
Often the people on a subway will see kids like these or minorities selling something or announcing and talking about something on a subway and not pay them any mind.
Bahrani's focus isn't necessarily just on kids who hock things for sale on subway rides, but on survival and the state of being one is in when in the lower class in America.
Shinya Ito, the director of the first installment, returns for this surreal fable which begins with Scorpion (Meiko Kaji) cutting the arm off a cop she is handcuffed to and fleeing into the Tokyo subway with said arm still swinging from her wrist.
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a combination striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film.
He does graffiti on subway trains and this is looked upon as great.
This was a city having a subway, I bet there must have been other cops except that lady, other police stations,this was really kind of silly...
The secret treasure room hidden under the Manhattan subway?
Skip McCoy is a three time loser pick pocket, unable to curb his instincts back on the street, he picks the purse of Candy on a subway train.
Only a woman, from out of town, would follow the shady bartender to a solitary elevated subway.
CREEP is a straight up serious horror film set in real time that wants nothing more than to just show people get attacked in a empty subway platform by a mutant for 85 minutes.
Director Christopher Smith draws out the drama a far as he plausibly can by introducing a series of characters that would actually have a reason to be in the subway after it is locked.
However, Skip steals the purse on the subway under everyone's noses and so starts a hunt for him by both the police and Joey (Richard Kiley) and Candy who want the microfiche back.
A tough hard broad (read prostitute) is riding the subway one hot summer day, and gets her pocketbook picked by Skip McCoy.
In New York, when the shy and lonely project manager of a design firm Matt Saunders (Luke Wilson) meets Jenny Johnson (Uma Thurman) in the subway, he invites her to date and have dinner with him.
When the end-credits start to roll, there are still many unanswered questions to ponder on but director/writer Christopher Smith (in his debut) seemly preferred to fully focus on tension and adrenalin-rushing action instead of long, soporific speeches and theories that could explain the existence of the "creep" in the London subway.
She falls asleep in the subway, misses the last train and she finds herself trapped in the underground subway network.
The ominous setting of the abandoned London subway during night is effectively used.
Make sure you don't have to take the subway right after watching this film...
Some folks are trapped in the subway, some on the street, and some in the upper levels of buildings.
It's as though someone said, let's have an earthquake strike Manhattan because having people trapped in a subway system would be cool.
His basic premise is deceptively simple- a nervous but completely professional and slightly worn-down cop, played by a young & trim Toshiro Mifune, gets his gun pick-pocketed on the subway, and he spends at least half of the film on his own looking for it.
The movie has quite intense moments, something I don't experience too often, and the three disaster scenes, the aircraft, the subway trains and the solar flair are brilliantly carried off.
The action sequences are very lively, riveting and exciting; two highlights are a stirring chase between a wheat thresher and a Trans Am in a corn field and a wild lengthy set piece towards the end which starts out as a foot chase and ultimately culminates into a car chase (the whole sequence on a speeding subway train totally smokes).
The bad guys follow the main characters into a crowded subway station on their motorcycles.
Also some of the skits were fuzzy in meaning, leading me to believe that they were aiming too high and forgetting who really rode the subway.
You'll find yourself studying that subway car a little more carefully to find your own "Subway Story."
"Adrift in Manhattan" tells three intertwining tales of life along Manhattan's 1 subway line.
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