Structure
in sentence
2214 examples of Structure in a sentence
Actually, what happens is that a very intricate
structure
appears.
And finally, on your right side, you see a bubbly, cell-like
structure
appearing, from which the body will absorb the fat.
If we add the matrix, if we add the
structure
language, which we have to learn, when we learn it, then we can put it back; and around energy, we could generate a balance, which comes out from our really primordial operation: cooking.
This change of the incentive
structure
shifts, now, the attention of the complete health care system away from providing isolated and singular treatment options, towards a holistic view of what is useful for an individual to stay healthy and live long.
And even when surrounded in a
structure
of European classicism, these narratives boldly extoll the merits of African empowerment.
It lacks structure, consistency and taste.
Half the time you don't know where the characters are, but I guarantee a five million dollar payoff would have probably made a close watch on the
structure
mandatory.
Structure, please!
You know there's a problem with the
structure
when the main plot impacts constantly against the subplot but not vice-versa.
The dialogue is ridiculous and the
structure
of the film almost completely non-existent.
What occurs for the rest of the film lacks
structure
or purpose and does not build into much.
First the old series would at least attempt to follow some military
structure.
This simply a boring compilation of vingettes, with no
structure
whatsoever.
Those kids may have at least had a lesson about story
structure.
At the very least, they could have read up on 3 act
structure
but acting obviously wasn't a priority either.
Look at AWOL or LEGOINAIRRE or many other films that feature the headline " Starring Jean Claude Van Damme " and they all feature nearly the same type of story
structure
.
To interfere with this structure, is to destroy the intricate balance of the story line, and therefore the intension of the story teller.
This pathetic excuse for a movie doesn't have a decent
structure
or a sensible closure.
Tom Skerritt plays as Howard Anderson, an American entrepreneur with a "passion for building" who is in process of erecting a tourist hotel in the Blue Mountains region, all the while unaware that his business partner, Julian Fane (Guy Doleman) has insured the incomplete
structure
for ten million dollars, far more than its actual worth, and plans its destruction as corollary to normal summer brush fires in order to collect a handsome sum through fraud.
The production is one gigantic mess, with an incoherent narrative structure, truly hideous photography, poor lighting, lousy acting and directing, laughable gore and zilch tension or atmosphere.
But the
structure
of the plot is so complex that it is difficult to make sense of it!
The result is typical Lucas -- far more interesting in terms of its
structure
and the way it's edited than the actual material.
The story follows a conventional three-act structure: getting to know the sizable cast in their sorry single lives, the actual dating circuit, and a final stretch of romantic fallout, showcasing some of the new-found couples' follies.
Plants in an ancient Mayan pyramid
structure
killing all who come close.
This is an interlude with no
structure.
Sorry if my comments on this movie has bothered people who might have enjoyed it, I could be wrong as I am not British and may not understand the social and their family
structure
and way of life.
Although I can see the potentially redeeming qualities in this film by way of it's intrigue, I most certainly thought that the painfully long nature in the way the scene
structure
played out was too much to ask of most viewers.
Here we have a mock documentary (like Zelig), the
structure
of the film is a series of anecdotes (Radio Days, Broadway Danny Rose) set in the 30's (Zelig, Purple Rose, Bullets over Broadway) about a low-life (Deconstructing Harry) who believes being a genius absolves him from being a jerk (ditto).
Sluggish and without structure, tension or story, the film coasts on the thin premise of "putting together a show".
The acting was between good and sub-par, the music nearly insignificant and the movie soon deteriorated after Nero became emperor to a rushed, bad edited mess without any clear narrative
structure.
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