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Stereotypes in sentence

508 examples of Stereotypes in a sentence

It doesn't help that the class stereotypes which help define the enlisted men from the officers can be jarring.
No irritating stereotypes for which you don't feel sympathy anyway, like slutty girls or football jocks.
All the teams are stereotypes (this movie being from 1980, before political correctness screwed everything up): the "good guys", the "nerds" led by Eddie Deezen, the dumb beer-loving "jocks", the "we-don't-need-a-man-type ladies", especially the redhead.
Sure, the film is full of black militant stereotypes and much of the jargon of the time.
One Life Stand avoids falling into the trap of other UK realist films, with ordinary working people portrayed as either hopeless victims or comedic stereotypes.
Many of the criminals and secondary figures are really just stereotypes in motion.
This little film is hysterical, full of stereotypes about gays, straights, dwarfs, British tea and pubs, American gun culture, divorce and marriage; yet, it manages to be sensitive to the issues surrounding each.
This film was not about stereotypes, nor dance moves, nor pickup lines, really.
The movie is filled with colourful people, all of them stereotypes (the British twat and her racist brother, the sexually liberated Dane, the ultra-organised German,...).
In this case though, the stereotypes are brilliantly done.
The characters manage to get developed without relying too heavily on clichéd, tired stereotypes.
I watched this expecting to see the usual British stiff upper lip stereotypes and was surprised to find the dialogue remarkably natural and tinged with black humour.
Tarantino doesn't care if he offends, if he steps all over stereotypes and clichés, this is film making at it purest.
This film did a wonderful job of capturing NYC stereotypes at there best.
Partially for the characters, many of whom fall into anime fantasy/sci-fi stereotypes, but placing these stereotypes in the rather mundane setting of high school is a twist that I appreciated.
The film is very rich in visuals providing a frame by frame study of deeper understanding and fulfillment without falling into iconic stereotypes and clichés.
Plenty of stereotypes beginning with the Black man in the beginning and when the police captain orders that "every Hindu in town" by rounded-up.
The reason I like Mind Of Mencia is the host is not afraid to speak his mind or exploit stereotypes.
It's almost impossible not to fall back on stereotypes and that is also what writer-director Ralf Westhoff does here.
The acting is acceptable, and I am curious to see how well the actors manage to grow their characters out of their scripted stereotypes.
A quick glance at the premise of this film would seem to indicate just another dumb '80's inbred/backwood slash-fest; the type where sex equals death and the actors are all annoying stereotypes you actually want to die.
On the other hand, 20 years later, I can now make sense of the "Meat Machine", as there's still a lot of the stereotypes like this out there that they used for this movie.
That the film resists Mafia stereotypes whilst revelling in them makes it all the more successful.
If you are very sensitive when it comes to extreme racial stereotypes, this cartoon is not for you.
Like "Queer Eye," the film actually takes a backhanded slap at straight men and stereotypes them as slovenly, dim witted, and lacking in taste and culture.
In their case (the outlaws), in the case of the people on the train, and later a band of Navajos whom they encounter, and in the well written characters played by Ben Johnson and Ward Bond, the film completely evades stereotypes, while the camera seems to spend as much time giving the viewer the big picture of Monument Valley framing the train as it moves along with a few water crossings along the way, in stunning black and white and then coming back to what's happening in this rolling community, all to the accompaniment of the beautiful vocalizations of the Sons of the Pioneers.
There's no "Bend it like Beckham" backdrops and stereotypes, and only slight salutes to the music and dancing of Bollywood (however, the soundtrack is well worth procuring), but rather, the feel that you are seeing the real India permeates the film through the use of dozens of local residents in each scene to augment the performance of the five professional actors.
Kieslowski doesn't bring extenuating circumstances seasoned with honey-tongued tones of melodrama in favor of the defendant, differently from some Hollywood stereotypes like "I want to live" (by Robert Wise).
Some of them were stereotypes, but they still helped me see how people thought during the 1800's.
Yes, it's exploitive, maybe it does promote stereotypes, and maybe it is the same story as before, but Bronson's films always have and always will stand for defending the common man and giving his audience what they want to see.
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