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Speaking in sentence

2037 examples of Speaking in a sentence

Speaking of mysteries, watch a good one rather than this.
Speaking of the soundtrack, I found it very ironic that a film about telling the truth and not stealing decided to use a song in it's titles that was a BLATANT RIPOFF of Paul Simon's "You Can Call Me Al" - except that they don't acknowledge it at all.
(Healy himself didn't know Zeppo had left The Marx Brothers since he puts "Four" between "The" and "Marx"!) Speaking of a Marx, it was interesting seeing Harpo without his wig though he is wearing a hat to hide his bald head.
Speaking of turkey's, here's a traditional story hoping to piggy-back on the current poker craze - without success.
and generally speaking, you will eventually have to research this little gem.
The narrative was clear and concise but overall the film never caught my interest- scenes felt flat and uninspired.. Ghengis khan, historically speaking, had a very interesting/epic life but the film failed to capture that- instead focused on small skirmishes as a youth and a love story I think I've seen disguised in a slew of other films.
And Moses is said to have a speakING impediment, but certainly not here.
For example there would be a scene with him and his love interest and your mind just starts to wander off but then Keith David starts speaking, or Leslie Nielsen, or Marion Ross, and it's like someone turned a light on and suddenly you can pay attention again and you think it might not be that bad.
Someone, somewhere, said, this is how to make a movie: use a blue filter to make everything look mysterious, add plenty of slow motion shots of horse hooves splashing in murky puddles, add snowflakes hovering around while two boring characters are speaking to each other, and oh yes rain pouring down dramatically to distract from the fact that nothing is really happening, and don't forget the black silhouettes walking toward us with fire blazing behind them, and lots of torches burning, and of course blurry fight scenes during which it's not clear what is actually happening because we don't have the budget for the gory special effects so just throw in the sound of metal clanking, and, oh, by the way, don't let any character live long enough for the audience to understand them, relate to them or sympathize with them, and cross fingers, hope that fans of sword and sorcery films will eat it up, even though it is complete doo doo, and go straight to video, do not pass GO . . .
But the biggest mistake of this movie, side from even one frame ever being shot, was that Ed never killed anyone without having been told to do so by his dead mother, whom he thought was speaking to him from beyond the grave.
Are they speaking Spanish?
This extremely bargain-basement Blaxploitation/Kung-Fu hybrid was in my country released by a questionable DVD label that usually speaking just occupies with the transfer of pure crap onto disc, so that wasn't exactly a favorable herald.
Much of "Bach"'s speaking part is letters written to various patrons complaining about the amount and speed of his payment.
As such it is perfect for women who crave some sort of English countryside snoozer romantic drama in a Victorian setting but for this man this movie is nothing but torture and cruel and unusual punishment to watch a bunch of drab boring scenes with unoriginal characters speaking in that wretched forced and fake English accent.
An obviously non-Arab American (Mr. DiCaprio) trying to pass himself off as an Arab ... speaking fluent Arabic ... concocting all kinds of hair brain schemes that are doomed to failure ... trying to out think and outfox real Arabs who are completely unfooled by his laughable Arab masquerade ... trying to romance a Palestinian woman while in the middle of conducting a highly sensitive and complex espionage mission ... etc.
The bones of a good movie are here, and the directing from Shatner is not as bad as is commonly made out, but the characters end up speaking and acting way out of the style that the previous 3 films had carefully established.
Speaking Italian and moving one's arms or hair about shouldn't be considered as acting.
The female cast of this movie is terrific: you've got Linda Blair (maturing nicely), Julie Strain (who doesn't get too many speaking lines - that's a good thing), Rochelle Swanson (equally convincing as a sweet innocent girl or as an evil possessed girl), Toni Naples, and the most beautiful of them all IMO, the simply stunning Kristina Ducati (how the goofy male lead, Larry Poindexter, deserved to get sexually involved with any of these women remains a mystery).
Not to mention the Yiddish speaking elves.
I feel the use of silence to create atmosphere only works when you have actors who can exude some sort of presence without speaking and these actors certainly cant.
The speaking rarely sounds like real natural talk...but also down not sound to be scripted.
All I can say is, if you enjoyed the novel, stop there, until the BBC creates one of their smart & sensible period masterpieces (like Pride & Prejudice with Colin Firth, which, speaking for what I imagine in my opinion, Austen would have revered).
I suppose if you're in the right mood you can find some things in "Firing Line" to laugh at (at one point, we can hear Tweed speaking but her lips are not moving!), but mostly I was just bored.
It's a testament to the talent of Rowan Atkinson that he has managed to create a comic character with several layers and a clearly defined personality - without hardly ever speaking a word.
Speaking as a true single girl, and very sceptical this film did not inspire me particularly, but did ignite a small flame of hope for a lovelife.
I thought it was very interesting that you could see all these kids from different countries, all of them speaking different languages and having different cultures get along with each other and fun.
Speaking of action, Brian Lewis makes his film debut as Cass, the third and most influential member of Lodge's motley crew.
I'm sure, speaking from Russia and our people, we like Antonioni because of his romantic soul and positive sensation of surrounding reality
This is obviously something I can appreciate now that I'm 21 years old, but speaking from experience there is no way I would show it to my kids!
Lambert's speaking of one of the most anguished lines in all of cinema "He was my Father!" is enough to bring tears to the eyes of the most cynical critic.
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