Shots
in sentence
1287 examples of Shots in a sentence
This film has some absolutely stunning
shots
(especially of the incredible peak, Cerro Torre), but the human elements are a complete waste of time and film stock.
The cinematography is bad even by the standards of a first-year film student, ranging from washed-out images to trite
shots
of hummingbirds.
Overall, if you can manage to get past some of the so-called "Hollywood Clichés" and cheap
shots
made at the kinds of people/life-styles featured here that are deemed offensive by some, and just watch this great flick for the uproarious and seemingly light-hearted romp that it was initially intended to be.
The opening
shots
of the classic New York skyline bring back fond memories of films set in New York like "On the Town" and "Bells Are Ringing", both of which opened with very similar views (and both of which had lyrics by Adolph Green, who appears in the film as Leo).
The only thing that puts this movie above "manos" is that there are no 20-minute long
shots
of panning roadside.
In fact, a number of
shots
show the cameras involved, and they are mere consumer grade camcorders... without anti-shaking features apparently.
Terrible panning
shots
in an effort to keep up with the action.
The director Peter Weir treats you with eye candy by using various camera
shots
of beautiful scenary, and neat techniques.
the user comment was quite useful.. oh yeah, i liked the B&W
shots
in the carnival that alfredo shot for his movie "torremolinos 73." and one song there, i just can't get it off my mind... the one that goes "carmen, carmen, carmen.. te quiero y lo sabes."
Even the actors cannot keep a straight face in most of the
shots.
She's burnt out and lonely but is kept working by her gruff manager/promoter Rudge Campbell (Alan Bates) who supplies her with
shots
of adrenalin to keep her going.
Also, Prince Hamlet's film "The Mouse Trap," which is crucial to the original drama because it seals Claudio's guilty conscience, cannot serve its function in this film because it has been modified from a drama reenacting King Hamlet's murder into a bad montage of random student-filmmaker camera
shots
which one can scarcely connect to anything in the plot.
Impressive fire
shots
are almost "Backdraft" quality.
But aside from a few quick
shots
of Eliza Dushku's boobs, "Alphabet Killer" is a dull, hunt-the-killer movie.
The fast motion
shots
are very obviously sped-up footage.
It's a 100 train wreck that sometimes tries to be a sci-fi film, but attempts to insert some action and CGI money
shots.
In this flop everything is right out there in the open, distorted camera
shots
as they may be.
The idea is to show what it was like in 1900-1920 period, and the production
shots
and camera work do a fine job; but why in the world do we need rock'n'roll music to offer a major distraction to the film?
This movie just goes to prove that Hollywood big
shots
really don't know what they are doing.
But McElwee's free-form approach to storytelling is the sole cause of the films only major flaw; at a whopping 157 minutes, it's padded with excessively long
shots
and pointless detours, including several attempts to find Burt Reynolds.
The filming is good also with night on night
shots
that depict a true night life in New York.
This slight story is bolstered by plenty of
shots
of people driving around on snowmobiles and
shots
of the snowy landscape which means the film often resembles a tourist travelogue.
This is a lavish production, flawed in two ways; 1. Gratuitous and irritating framing of far too many shots, through doorways, curtains, pillars, horse's tethers, etc.
Yes Ms Hayek does seem to get a lot of top and bottom shots, I wonder why that is?
The eighth series in the Hellraiser sequels is pathetic with long drawn out slow
shots
to fill the movie's one and a half hour time space, it's hard to believe this film is by the same director who filmed Hellraiser VI and shows you exactly what can be made with no real plot if the producers think a profit is available.
There are some other memorable
shots
that stick with you,for example, the memory of the spilt milk, that hold the magicalness of the chance gathering of all involved in making this film, the essence of something beautiful and perfect that will probably never come together again.
But an example of the most subtle jokes and semi-racial(but they took
shots
at everyone so who cares) was placing Maurice Patton(who is African-American) directly in front of a Watermelon during the training scenes and makes you feel semi-guilty about laughing at it.
While the camera
shots
in this movie are often not clearly focused and the editing is poor with harsh cuts that should have been faded to black or into the next scene, this movie isn't half bad.
It is an amazing classic film and there were so many beautiful
shots
of the sailboat in it that makes us daydream about how she will look again one day.
The director was so in love with his own infantile pathos that he includes long long
shots
of guys looking tragic.
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