Shots
in sentence
1287 examples of Shots in a sentence
Possibly a drawback was the director and/or cinematographer's choice to frame certain
shots
picture postcard perfect.
at first I had the reaction a lot of people left with after seeing this: that
shots
of fat people sunbathing, etc were cheap
shots
in a way.
First let me say the director has some wonderful use of titles in his establishing
shots.
The director seemed very keen in using height in his
shots
and loved using mirror reflections, I believe he should have paid more attention to the pace in the second half of this piece.
The footage from this movie is often breathtakingly beautiful and I many times wondered how on Earth they could have taken some of the
shots
under water or in the sky.
Shots
that would be considered absolutely essential to most modern comedies are deliberately left out.
The crew had just barely sufficient stock to take the
shots
that they recorded and there is no fancy camera work resulting from multiple re-takes.
Writer and Director William Sachs isn't afraid to use them either, we get some nice long lingering close up
shots
of the incredible melting man and they hold up very well, even now.
The script manages to create some sympathy for the the monster,
shots
of him looking longingly into Ted Nelsons house, or when he sees his own reflection in some water and reacts violently.
The photography (including real outdoor
shots
which are a thrill) is amazing, playing around with different shades of lush heavy gold.
The opening shots, although of an obese accountant doggy-styling his trophy wife, have the look and feel of a Dutch master's painting.
Good
shots
of the old row-homes as they appeared then.
This is one beautiful-looking film, with beautiful close up
shots
of Canada, I believe.
There were a few cheesy shots, but such is to be expected in a religious propaganda film.
shots
of the arkansas swamp and scenery were neat .
The movie has many objectionable scenes and points of sexual politics and is probably best taken as a general cartoon on the foibles of both sexes, making a mockery of the whole notion of sensitivity and honesty, and hitting numerous points of possible profundity on the basis that if you fire off enough shots, some of them are bound to hit.
Mixed in with the scenes of mad-slasher gore and zombie infestation are some truly visually effective
shots
of the title character, "The Midnight Skater" zooming through the campus in a black hoodie, looking for all the world like a cross between the Grim Reaper and, say, The Silver Surfer.
These
shots
make the sometimes ludicrous things the characters say about the Skater seem almost ominous.
Guido Mancori's polished cinematography offers many strikingly gorgeous
shots
of the exotic locations.
Although the central line of the story is somewhat rushed passed, in several screen shots, it does have a sense of; getting the "nitty gritty" out of the way, focusing on those key relationships which make "office politics" and using those almost irrelevant scenes, used purely for comic effect.
Some beautiful
shots
of Paris at night, lush romantic kind of music, usually used to good effect, not just schmaltz for "emotions" in sound, generally good cinematography, though some
shots
seemed soft focus when it couldn't have meant to have been (main character in shot/scene).
While there can never be enough live footage from the miracle 2004 Red Sox season, there were great
shots
of some of my favorite Red Sox players.
If anything, the luxurious graphics and framing have made certain scenes (the car chase, for instance) more pedestrian than they ought to be - not that they don't look lovely and have some very original design and occasionally novel camera angles - but they are missing the kinetic movement and close-up
shots
that are part of the language for any normal action/thriller.
The beautiful Fall
shots
alone made the picture worth seeing.
In actuality, most of the exterior
shots
were filmed in Marblehead Massachusett on Marblehead Neck near several rocky seaside geographic areas including the Churn and Castle Rock.
The location
shots
are fascinating and show a Bolton very much in transition - there are a number of scenes of apparent dereliction but this serves to show the town being rebuilt - and the idea that the old must make way for the new is right at the heart of this film.
The characters are incredibly endearing, while we watch their intimacy in
shots
that never go beyond a very strict limit, never unveiling anything too private or offensive.
If you look at your biggest blockbusters during this period, most of them did what they could with the special effects
shots
that was available to them at the time.
R. Michael Stringer's polished cinematography makes impressive occasional use of breathtaking panoramic aerial
shots.
Stealing locations,
shots
etc... the list goes on and on.
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