Shots
in sentence
1287 examples of Shots in a sentence
But it's supposedly about possessive love, destructiveness and moral decadence, while actually being about designer gowns,
shots
of the Riveria, lots of big expensive cars, and music-and dancing interludes that suggest Vincente Minnelli on one of his off-days.
Many great
shots
of mid-70s Las Vegas (when it was still a cool place to visit) and the fashions of the day are good for a giggle as well.
A lot of the time it's hard to figure out what's actually happening, and although some
shots
of the scarecrows were creepy, most were hard to even see.
For starters,the movie has so little said about New York,just a bunch of confusing
shots
of buildings,streets,bridges and cafes.It really doesn't stay focused on the New York magic.Another thing that changed my mind was the french movie set inside this movie.I know that it is a remake,but it is not a french style remake!
We are left hanging, but with nothing much else save languid
shots
of grave and pensive male faces to savour.
A few daylight location shots, for example, would have helped relieve the succession of dreary studio sets.
The director throws freeze-frame and slow-motion
shots
about with impunity.
Unnecessary
shots
are thrown in to justify the filming of them but would have better served the viewer by sitting on the cutting room floor.
We have countless full-face
shots
of Hendrix where he could almost be doing anything, taking a pee perhaps?
Also we're given plenty
shots
of Hendrix from behind?
Claustrophobic camera angles that do not help the movie: Too long face only
shots
where you most of the time get the feeling that the lower half of the film is missing (that the screen is cut off), because there seems to be important actions going on, but you cannot see them.
The characters aren't developed, and most of the film is padded out with
shots
of Rome, which is much more interesting than the actual film.
All we get are reaction
shots
to the off-screen character's voice!
This film is so full of filler I watched the DVD at x2 and read the subtitles, fast forwarding through much of the very ordinary dancing and loooong
shots
of walking (they walk everywhere) and more walking and just plain dawdling at x4 just to get though this boring, uneventful, low budget flick which some how garnered some pretty good critical plaudits.
The torture of the constant camera cuts and
shots
in any scene in this movie can put the viewer into violent convolutions.
No attention to camera or
shots
in mind.
Hollywood Hotel was the last movie musical that Busby Berkeley directed for Warner Bros. His directing style had changed or evolved to the point that this film does not contain his signature overhead
shots
or huge production numbers with thousands of extras.
And what was with the occaisional
shots
of a live audience in lawn chairs?
If super-speedy camera
shots
get any faster than this, we might as well pay twenty bucks to get in the laundromat, get popcorn, and watch the dryer spin.
There are long, interrupting
shots
of insects of all sorts for no reason.
Lots of time was devoted to
shots
of factory equipment (forklifts, conveyor belts, shovels); and the slightly-creepy-looking baby dolls with surprisingly lifelike eyes, that most of the characters made for a living, were somehow more interesting than the live people.
There were a few times that the lighting was way too hot but the
shots
were generally in frame and stayed in focus.
No I don't mean virgins, it's the music company, as it does get in numerous
shots
and Helsing's daughter works there too.
The movie would have been tolerable if it wasn't for these juxtaposed digital
shots
that seemed to come from nowhere.
I expected the plot line to be tied in with these shots, but there seemed to be no logical explanation.
Far too many
shots
of Stewart (Michael Zelniker) walking from room to room, down hallways, through doors and down the street, and as many
shots
of him looking pensive and confused.
The
shots
of this massive airliner coming down on this remote airstrip were unconvincing and fake.
If you think the opening dramatic
shots
of an empty stadium successfully fizzle with Evel's awkward camera address monologue, then wait until the opening credits roll on the chauffeur's butt.
For once Hamilton goes relatively easy on soft focus
shots.
The movie is very much styled after Baraka, wide angles, very similar
shots
with cameras set to capture long time passage in each shot.
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