Shots
in sentence
1287 examples of Shots in a sentence
The unique NYC location
shots
adds to this tough little film.Technically well done with good direction and acting.
It opens with Rene Zeleweger discussing her mother's death with the District Attorney; sparing us the cheap cinematic
shots
of a "shocking" illness and death.
This film really used its locations well with some amazing shots, dark and disturbing the film moves very slowly, but constantly keeps you watching.
This movie had a very good opening reel, but basically ended up with too many establishing
shots
and other weak scenes.
The frequent
shots
of ravaged dead bodies are actually displayed rather discreetly, and this overall politeness may be the reason why the film is ultimately so staid.
There's continuity problems of seasons of out door
shots
throughout.
Even the murder scenes are lackluster, with real close-up
shots
of generic stabbings that don't look good at all.
A paper thin plot and a few
shots
of Mrs. Derek in no clothes.
And of course it was nice to see
shots
of the Castro district (although the castro to me really caters more to gay male than female).
Putting in a few
shots
of a decaying ghost does not make it a horror movie.
Whilst part two was filled with a lot of dated humor and cheap shots, at least it was funny.
More than obviously cashing in on the latest trend in horror cinema, the so-called Torture Porn, Ryan Nicholson tries to surpass every other film in this sub genre (and that includes the role models "Hostel" and "Saw") with its sick & twisted make-up effects and thoroughly depraved
shots
of naked co-eds tried up, suffering and begging for their lives.
The enemy soldiers are definitely some of the worst
shots
I have ever seen, especially when they have the escaping truck in their sights from about 30 yards, and every bazooka shot is wide by at least 50 feet.
The
shots
of a person standing there doing nothing for up to a minute are hilarious and there's plenty of them.
I'm not surprised that the entire cast was sick and throwing up between shots, they did after all have to try and digest a terrible script.
The
shots
used are disgusting, they broke the 180 degrees angle all the time.
What we have is an endless series of
shots
- you should pardon the pun - of people in dimly lit and elegant, if somewhat surreal, interiors, shooting each other - in the head, stomach, kneecap, foot, heart (no part of the anatomy is avoided, it seems) while uttering vague and cryptic dialogue, some of which is supposed, evidently, to be humorous in a sort of post-modern way.
Even for a budget actioner, the production values are poor, with distant
shots
during dialog and very little movement.
Let me start by stating that I usually do like Renny Harlin's directing style, for the most part, and that the cinematographer should be commended for some the
shots.
I enjoyed "Hot
Shots"
and "The Naked Gun" and their many sequels, even when most people found them unbearable.
and since it was supposed to take place in austin and shooting movies there in 1991 would not have been expensive, i fully expected there to be familiar
shots
of the town: the beautiful capitol building, the UT tower lit up for a winning football game, etc. none of these things were there.
If you do watch, see if you can count how much extraneous
shots
there are of Basinger behind the wheel of her pink Cadillac, hands always in the same position and a non-plussed look on her face.
This movie, covered by handsome lead actors, beautiful lead actress and good camera
shots
of Hong Kong scenes, really has no substance at all.
No poetry, no subtle psychology, no interesting
shots.
Mind you, I pray he wasn't the one who decided to include all the long
shots
of TV closeups...another unnecessary cliché already over done in films such as Korine's Gummo...
Annoying little pseudo-avant-garde gestures are sprinkled throughout the film- like out of focus superimpositions of red spheres over many of the concert and interview shots, shaky blurred camera work, use of digital delay on some of Leonard Cohen's comments (making it harder to hear what's being said) and a spooky, pretentious low drone under a lot of the interview segments (an attempt at added gravitas?).
Film was completely suffocated by blank video and sound
shots
and most of it looks like raw film material.
Guernsey seems to be dedicated to forms: nice
shots
and sometimes interesting acting.
John Derek is bereft of inspiration beyond cheesy slow-motion action
shots
and peek-a-boo glimpses of wife Bo Derek's unclothed body; he has about as much talent behind the camera as Ed Wood.
Part of the film is take up with
shots
of Anne's face while she breaths deeply, and violin music plays in the background.
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